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MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
An exceptional museum-quality pair of ceremonial tazzas, created in the workshop of the Bratya Grachevy firm, official Purveyors to the Imperial Court, and reflecting the highest achievements of Russian jewellery and silversmithing art of the late nineteenth century.The composition is built on a striking contrast between the massive cut-crystal bowls and the sculptural silver stands, formed as stylised dolphins. The figures are rendered in dynamic movement, with finely chased scales and expressively modelled heads and fins. The dolphins’ tails support shell-shaped elements that form a refined transition between the stands and the bowls, lending the ensemble a harmonious and sculpturally unified silhouette.Each stand rests on three twisted branches adorned with relief foliage, enhancing the organic quality and decorative richness of the design. The crystal bowls are executed in deep cut techniques, featuring star-shaped rosettes and geometric patterns that create a rich play of light and emphasise the ceremonial character of the objects.Marks: Full maker’s mark “BR. GRACHEVY” with the double-headed eagle, characteristic of the Bratya Grachevy firm, Purveyors to the Imperial Court; state assay mark of the Saint Petersburg Assay Office with the “84” silver standard in an oval cartouche; assay mark with the coat of arms of Saint Petersburg, corresponding to the period of the late 1880s to early 1890s.Dimensions: Height: 23 cm and 25.5 cm (including crystal bowls). Diameter of crystal bowl: 28.8 cm.Weight: Total weight of the silver elements, excluding crystal bowls: 3944 g.Provenance: Private European collection.
Bidding is completed
PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897
PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897
Bidding is completed
Chamber icon of the Almighty in a gilded silver frame, 1908-1917.
Chamber icon of the Almighty in a gilded silver frame, 1908-1917.
Bidding is completed
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
Bidding is completed
GOLD SNUFF BOX WITH ENAMEL MINIATURE AND PEARLS FRANCE, CIRCA 1795
GOLD SNUFF BOX WITH ENAMEL MINIATURE AND PEARLS FRANCE, CIRCA 1795
Bidding is completed
Golden powder box. Violettes Paris. Around 1860.
Golden powder box. Violettes Paris. Around 1860.
5238 USD
MAHOGANY AND GILT BRONZE DISPLAY CABINET IN THE STYLE OF SORMANI FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT BRONZE DISPLAY CABINET IN THE STYLE OF SORMANI FRANCE, LATE 19TH CENTURY
11058 USD
BOULLE STYLE WRITING DESK FRANCE, 19TH CENTURY
BOULLE STYLE WRITING DESK FRANCE, 19TH CENTURY
14550 USD
1 kopeck Coin. Copper. 1840
1 kopeck Coin. Copper. 1840
18 USD
Copper 3 kopecks 1915.
Copper 3 kopecks 1915.
6 USD
MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
An expressive, one-piece porcelain figure of a lapdog, created at the Meissen manufactory in the second half of the 19th century. The small decorative dog is portrayed seated on its hind legs, with a tilted head, large protruding eyes, and richly modelled curls of fur. The coloration in white and reddish-brown tones accentuates the realistic texture and volume. The figure bears a sentimental and almost portrait-like character, designed to adorn the intimate interiors of bourgeois homes. This sculpture belongs to Meissens classical animal genre, inspired by the traditions of Johann Joachim Kändler.Marks: Blue crossed swords underglaze (Meissen), impressed model number 2880 on the base, moulding marks and kiln vent hole.Dimensions: 23 × 29 × 12 cmCondition: In good condition. No visible losses, with minor signs of age. Clear marks, preserved glaze.Provenance: From a private European collection. An original Meissen work, Germany, 19th century.
2910 USD
Carved ivory figurine of a boy with a bird 1800s.
Carved ivory figurine of a boy with a bird 1800s.
606 USD
THE FEODOROVSKAYA MOTHER OF GOD ICON IN A GILT SILVER MOUNT WITH ENAMELS. WORKSHOP OF VASILY SEMYONOV RUSSIA, MOSCOW, 1890
THE FEODOROVSKAYA MOTHER OF GOD ICON IN A GILT SILVER MOUNT WITH ENAMELS. WORKSHOP OF VASILY SEMYONOV RUSSIA, MOSCOW, 1890
Bidding is completed
RUSSIAN SILVER CLOISONNÉ SHOT CUP. GUSTAV KLINGERT RUSSIA, MOSCOW, 1893
RUSSIAN SILVER CLOISONNÉ SHOT CUP. GUSTAV KLINGERT RUSSIA, MOSCOW, 1893
Bidding is completed
Carved oak fireplace in Renaissance style.
Carved oak fireplace in Renaissance style.
8730 USD
MARBLE SCULPTURE “THE BATHING VENUS” EUROPE, 19TH - EARLY 20TH CENTURY
MARBLE SCULPTURE “THE BATHING VENUS” EUROPE, 19TH - EARLY 20TH CENTURY
Bidding is completed
Art Nouveau frame. Early 20th century.
Art Nouveau frame. Early 20th century.
990 USD
Photo frame of gilded bronze in the style of neoclassicism.
Photo frame of gilded bronze in the style of neoclassicism.
466 USD
Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.
Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.
An exquisite silver ladle, made in the shape of a boat, is a magnificent example of decorative and applied art of the late 19th – early 20th centuries, created in the neo-Russian style. This artistic tradition combines elements of ancient Russian architecture and ornamentation, which is clearly evident in the design of the ladle. The inside of the ladle and the curved handle are decorated with an elegant floral ornament made using the cloisonné enamel technique. The central element of the composition is a double-headed eagle, the official symbol of the Russian Empire, skillfully decorated with turquoise enamel and framed by a refined gilded edging. The composition is complemented by a complex floral pattern made in rich and pastel shades, creating a harmonious balance and emphasizing the sophistication of the work. Hallmarks: The master`s name in Cyrillic letters NZ. Assay mark of Saint Petersburg with the image of the city coat of arms and the number 84, in an oval shield, corresponding to the last quarter of the 19th century. Dimensions: Length: 17 cm, Width: 9 cm, Height: 5 cm. Weight: 216 g.
9894 USD
"Portrait of the artist Robert Van Voerst"
"Portrait of the artist Robert Van Voerst"
117 USD
Music box, 19th century.
Music box, 19th century.
2910 USD
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
Bidding is completed
Polished, Art Nouveau wooden frame with brass decor. The turn of the 19th-20th centuries.
Polished, Art Nouveau wooden frame with brass decor. The turn of the 19th-20th centuries.
990 USD
Engraving
Engraving
99 USD
GOLD REPEATER POCKET WATCH BY LOUIS ARMAND SWITZERLAND, CIRCA 1900
GOLD REPEATER POCKET WATCH BY LOUIS ARMAND SWITZERLAND, CIRCA 1900
Bidding is completed
Fireplace clock set
Fireplace clock set
Bidding is completed
Icon Selected Holidays. Palekh. XIX century.
Icon Selected Holidays. Palekh. XIX century.
Bidding is completed
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