Russian art

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

A rare and exquisite example of Russian glassmaking from the era of Nicholas I, created by the masters of the Imperial Glass Factory. The vase is made of transparent colorless glass with an internal golden ruby color, achieving the depth of color due to the unique technology of coloring the glass mass with gold nanoparticles. The composition of the decor is verified to perfection: the body is decorated with painting in pure gold, executed with filigree precision. The central decoration is a medallion with an image of a basket filled with flowers and berries, enclosed in a frame of stylized laurel branches. This motif, symbolizing fertility and abundance, is complemented by thin plant garlands falling along the edges. The upper edge is decorated with a wide gold border, giving the item solemnity and nobility. Particular attention should be paid to the faceted base, emphasizing the play of light in the depths of the glass and enhancing the effect of precious radiance. Decorative elements on the base are accented with gilded inserts, emphasizing the exquisite plasticity of the form. Dimensions: Height: 12.7 cm. Diameter: 8.5 cm. Condition: In excellent condition, minimal signs of time. Gilding is in excellent condition, without losses.Historical background: Golden Ruby The technique of creating ruby glass goes back centuries, dating back to the late antique period. However, it was only in the 17th century that the German alchemist Johann Kunkel managed to develop a scientifically sound recipe that made it possible to consistently obtain a rich blood-red shade of glass. In Russia, the first to master the technology of coloring glass mass with gold nanoparticles was the great scientist Mikhail Lomonosov, thereby laying the foundations for the domestic production of ruby glass. By the beginning of the 19th century, the Imperial Glass Factory had reached the highest level of skill in working with this rare and complex technique. Fine ruby glass items decorated with gilded painting were considered objects of the highest prestige. They adorned the state rooms of imperial residences, becoming the embodiment of impeccable taste, refined style and outstanding artistic value.

Gardner porcelain teapot. Russia, 1820-1830s

Gardner porcelain teapot. Russia, 1820-1830s

Four-piece set, Gardner Porcelain Factory.

Four-piece set, Gardner Porcelain Factory.

Porcelain Bolonka based on Kuznetsovs model.

Porcelain Bolonka based on Kuznetsovs model.

Porcelain plaque. Russia.

Porcelain plaque. Russia.

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

Icon of Our Lady of Kazan.

Icon of Our Lady of Kazan.

Engraving Siege of Ochakov 1788.

Engraving Siege of Ochakov 1788.

Picture frame

Russian silver snuffbox with gold decor. Mid 19th century.

Russian silver snuffbox with gold decor. Mid 19th century.

PAIR OF CANDELABRA WITH FIGURES OF PARADISE BIRDS RUSSIA, 19TH CENTURY

PAIR OF CANDELABRA WITH FIGURES OF PARADISE BIRDS RUSSIA, 19TH CENTURY

A monumental pair of gilt bronze candelabra, each surmounted by a sculptural figure of a paradise bird with wings outstretched. The composition of each piece is structured around a central baluster richly decorated with relief ornament, rising from a multi-tiered base supported by elegantly curved feet adorned with elaborate vegetal motifs. The upper section is formed as a crown of gracefully scrolling candle arms terminating in drip pans, each embellished with elongated clear crystal pendants that enhance the play of light and impart a distinctly ceremonial character.The birds are rendered with pronounced attention to the plasticity of the plumage and the dynamism of the silhouette, aligning these works with the traditions of Russian Historicism and the romantic interpretation of natural motifs characteristic of 19th century decorative arts. The ornamental vocabulary of the bodies includes stylized foliage, fluting and medallions, typical of high-quality bronze production of the period.Dimensions: Height: 52.5 cm. Width: 32 cm. Depth: 70 cm.Condition: Good condition. The gilding is evenly preserved with a natural age-related patina and minor signs of wear consistent with use. The crystal pendants are largely intact, with possible minimal losses that do not affect the overall visual impression.Provenance: Private European collection.

SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908

SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908

Painting "Lady with a tambourine"

Painting "Lady with a tambourine"

18K white gold ring with diamonds and tanzanite.

18K white gold ring with diamonds and tanzanite.

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

Painting "Lady with a Fan"

Painting "Lady with a Fan"

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Crystal jug with silver. Early 20th century.

Crystal jug with silver. Early 20th century.

SET OF SIX CLOISONNÉ ENAMEL SILVER TEASPOONS IN A PRESENTATION CASE. GRACHEV BROTHERS RUSSIA, SAINT PETERSBURG, LAST QUARTER OF THE 19TH CENTURY

SET OF SIX CLOISONNÉ ENAMEL SILVER TEASPOONS IN A PRESENTATION CASE. GRACHEV BROTHERS RUSSIA, SAINT PETERSBURG, LAST QUARTER OF THE 19TH CENTURY

A set of six silver teaspoons, produced in the workshop of the Imperial Court Supplier firm Grachev Brothers in the last quarter of the 19th century, decorated with polychrome cloisonné enamel, represents a characteristic example of Saint Petersburg jewellery art of its period. The composition and decorative language reflect the emergence of Russian Art Nouveau, distinguished by structural clarity of form, emphasis on material, and an organic synthesis of function and artistic expression. A defining feature of the spoons is the original square-section handle, which conveys a sense of solidity, functional logic, and restrained plastic expression. The spoons are housed in a wooden presentation case with velvet-lined interior.Hallmarks: Maker’s mark “Grachev”; silver fineness mark “88”; master’s mark “AP”.Dimensions: Length of each spoon approx. 14 cm.Weight: Total weight 174 g.Condition: Good. Enamel well preserved, without losses or cracks. Minor signs of age consistent with period use.Provenance: Private collection.

PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY

PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY

D. Sannikov. Abstract composition. Russia 1920s.

D. Sannikov. Abstract composition. Russia 1920s.

1 kopeck Coin. Copper. 1840

1 kopeck Coin. Copper. 1840

Copper 3 kopecks 1915.

Copper 3 kopecks 1915.

VASE WITH CRYSTAL INSERT. IVAN KHLEBNIKOV. MOSCOW, 1908 - 1917

VASE WITH CRYSTAL INSERT. IVAN KHLEBNIKOV. MOSCOW, 1908 - 1917

Julius Yulievich Klever (son). (1882-1942) Still life with fish . 1911

Julius Yulievich Klever (son). (1882-1942) Still life with fish . 1911

Painting "Shore"

Painting "Shore"

RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY

RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY

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