Alpha and omega of spiritual and organic synthesis. This is how this theme develops from the stylized console "A" to the "Omega" at the top of the mirror. U shaped mirror frame, sprouting with flowers, It flows into the flanking cruciferous buds and ends in three flowers in angelic take-off. Symbolic references to Christianity reflect the special status and role of the man. He is the connecting core of bodily and spiritual beauty. He is a measure of time and living organics of the embodiment of the spirit. Here in the mirror, he becomes the connecting main element in the sacred alphabet of the universe.
A large rococo wall mirror. Wood, through carving, gilding, H-135 cm. Asymmetric configuration, with characteristic rocailles on the vertical axis and two horizontal paths giving flower garlands a reflection.
Europe. 19th century.
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