Icons

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Imperial Russian Icon depicting Christ Pantocrator in full body

Imperial Russian Icon depicting Christ Pantocrator in full body

Antique early-20th Century Imperial Russian Icon depicting Christ Pantocrator in full body, silver oklad boarder decorated with laurel-leaf design, back covered in velvet and a ring on the top for hanging. Hallmarked Russian silver 84 (875 standard), St-Petersburg, 1908-1917, Maker 7A (7th Artel)Weight: 490g

Icon Our Lady of Kazan

Icon Our Lady of Kazan

Icon of St. Nicholas the Wonderworker. Egornov Semyon Matveevich. Moscow 19th century.

Icon of St. Nicholas the Wonderworker. Egornov Semyon Matveevich. Moscow 19th century.

Analogue icon of St. Nicholas, second half of the 19th century.

Analogue icon of St. Nicholas, second half of the 19th century.

Icon Cathedral of the Archangel Michael. 19th century.

Icon Cathedral of the Archangel Michael. 19th century.

Icon Our Lady of Kazan

Icon Our Lady of Kazan

Icon of the prophets Zechariah and Daniel.

Icon of the prophets Zechariah and Daniel.

Icon of the Holy Prince Alexander Nevsky, in a silver frame, Vladimirov`s firm.

Icon of the Holy Prince Alexander Nevsky, in a silver frame, Vladimirov`s firm.

An ancient image of the Savior in an exquisite silver setting with enamel. Russia, Moscow, 1890.

An ancient image of the Savior in an exquisite silver setting with enamel. Russia, Moscow, 1890.

Icon Nicholas the Wonderworker 1836 Russia.

Icon Nicholas the Wonderworker 1836 Russia.

Icon 12 principal Christian feast Palekh, XIX century

Icon 12 principal Christian feast Palekh, XIX century

Icon 12 principal Christian feastIn the central part of the icon is the Introduction to the Church of Our Lady of Sorrows and Virgin Mary. In the center of the icon is the three-year-old Virgin Mary, who was brought to the temple by Her parents - Joachim and Anna. For a long time they were childless and took a vow: if the Lord gives them parental happiness, then they will devote the Infant to God. It was a sacrifice - to give their only, long-awaited child. The icon shows the fulfillment of a promise: Joachim and Anna bring little Mary to the temple, where the Jerusalem priest meets the family. According to Church Tradition, he was the righteous Zacharias, the future father of John the Baptist, therefore, on the icon, his head is surrounded by a halo. Behind the priest is the Holy Gates of Saints (a special place in the Jerusalem temple), where the main shrines of the Jewish people were stored in the ark.In the upper part is the icon of the Annunciation of the Blessed Virgin Mary.In the lower part of the Icon Assumption of the Blessed Virgin MaryIn the circle of the central part of the icon of saints: Tatiana, Sandra, Anna, Paul, Catherine, Mary Magdalene.Material: wood, gesso, tempera, Palekh, XIX century

Signed icon of the Mother of God of Smolensk on a cypress board.

Signed icon of the Mother of God of Smolensk on a cypress board.

Icon of the Nativity of the Virgin with the upcoming, in a silver frame and enamel.

Icon of the Nativity of the Virgin with the upcoming, in a silver frame and enamel.

Icon Our Lady of Kazan 19th century.

Icon Our Lady of Kazan 19th century.

Icon of the Almighty of the late 19th century in a silver-plated setting.

Icon of the Almighty of the late 19th century in a silver-plated setting.

Icon of the Holy Blessed Prince Alexander Nevsky on porcelain.

Icon of the Holy Blessed Prince Alexander Nevsky on porcelain.

Icon of the Lord of hosts. End of the 19th century.

Icon of the Lord of hosts. End of the 19th century.

Russian icon of the 19th century - St. Nicholas.

Russian icon of the 19th century - St. Nicholas.

Lectern icon of the Almighty in a silver setting, with enamels.

Lectern icon of the Almighty in a silver setting, with enamels.

Lectern icon of the Almighty in a gilded, silver setting, with an enamel crown. Christ of a subtle, romantic image and beautiful writing. In a spectacular gilded setting, tinted with an enamel color crown in the neo-Russian style. Moscow hallmarks of 1899-1908 by Ivan Lebyodkin. Master monogrammer: NG. Dimensions: 31x27 cm.

Icon of George the Victorious in a silver setting, with enamels of the 1st Moscow artel.

Icon of George the Victorious in a silver setting, with enamels of the 1st Moscow artel.

Icon of the Almighty in a gilded, silver frame with stones.

Icon of the Almighty in a gilded, silver frame with stones.

Icon of the Beheading of John the Baptist. Early 19th century.

Icon of the Beheading of John the Baptist. Early 19th century.

A fascinating attribute of Russian Art Nouveau by Faberge. Icon of St. Constantine on zinc in silver.

A fascinating attribute of Russian Art Nouveau by Faberge. Icon of St. Constantine on zinc in silver.

Gold medallion with enamel of St. George by Faberge.

Gold medallion with enamel of St. George by Faberge.

Icon Savior Almighty 19th century

Icon Savior Almighty 19th century

Saint Alexander Nevsky icon. Russia 1920 century.

Saint Alexander Nevsky icon. Russia 1920 century.

Icon of the Ascension of the Lord. Russia 1920 century.

Icon of the Ascension of the Lord. Russia 1920 century.

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