Interior objects - Antiqon Marketplace

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CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

An exquisite crystal jug with a silver mount represents a striking example of the high level achieved by Russian decorative and applied arts in the early 20th century. The object demonstrates a refined and deliberate reinterpretation of Western European historical styles, characteristic of Moscow silver workshops of the Late Historicism period. The composition combines classical restraint with decorative elegance, inspired by motifs of the Early French Renaissance.The proportionally expanded body of transparent crystal is adorned with deep diamond-cut and vegetal engraving, creating a rich play of light while emphasizing the functional purpose of the vessel. The silver collar of the neck is executed in a restrained manner and decorated with classical garlands seemingly suspended along the lower edge, lending the form architectural clarity and ceremonial dignity. A Renaissance-style ornamental band at the rim harmoniously complements the gently curved handle, whose subtly modern character reflects the stylistic transition of the era.A distinctive accent is provided by the garnet finial crowning the lid - an elegant detail symbolically associated with fertility, blossoming, and abundance, themes of particular significance within Renaissance tradition. This refined artistic gesture reinforces the association of the jug with formal table settings and celebratory beverages such as cherry juice, punch, or red wine. The jug is perceived not merely as a utilitarian object, but as an independent artistic focal point conceived for festive occasions.Hallmarks: State assay mark of the Moscow Assay Office for secondary elements and fittings, silver standard “84”, period 1908-1926; Maker’s mark “13A” (13th Artel); Inside the lid - repeated Moscow Assay Office mark and maker’s mark “13A”.Dimensions: Height: 29 cm, Width: 16 cm, Depth: 13 cmCondition: Good. The crystal shows no cracks or restorations. The silver elements retain an even time patina, without deformation.Provenance: Private collection.

Porcelain figurine. Ballerina. Unterweissbach. Germany. 1950-1960s

Porcelain figurine. Ballerina. Unterweissbach. Germany. 1950-1960s

Large porcelain dish with Chinese motifs and dragon. Weimar. GDR. PHG Handgemalt.

Large porcelain dish with Chinese motifs and dragon. Weimar. GDR. PHG Handgemalt.

Porcelain figurine Lady in Green. France. 19th century.

Porcelain figurine Lady in Green. France. 19th century.

Gilded brass pulpit. 19th century

Gilded brass pulpit. 19th century

Engraving

Gold bracelet with diamonds in the form of a belt.

Gold bracelet with diamonds in the form of a belt.

Romantic Couple. Sitzendorf.

Romantic Couple. Sitzendorf.

BISCUIT PORCELAIN BUST OF A YOUNG GIRL CHARLES LEVY & CO, FRANCE, CIRCA 1876-1881

BISCUIT PORCELAIN BUST OF A YOUNG GIRL CHARLES LEVY & CO, FRANCE, CIRCA 1876-1881

Porcelain figurine allegory Spring. Meissen.

Porcelain figurine allegory Spring. Meissen.

LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY

LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY

A large ceremonial porcelain vase of amphora form, produced at the renowned Manufacture nationale de Sèvres. The shape is inspired by Renaissance prototypes, with carefully balanced proportions, a high neck, and a stable circular foot. The body is covered with a rich turquoise-blue glaze serving as a ground for refined polychrome painting and lavish gilt ornamentation, characteristic of the highest artistic production of Sèvres in the 19th century.The front is adorned with a large oval medallion depicting the mythological scene The Birth of Venus. The goddess is shown at the moment of her triumphant emergence from the sea in a shell, with a flowing red drapery, surrounded by putti and music-making nymphs. The movement of the waves, the play of wind, and the dynamic arrangement of figures emphasize the allegorical nature of the scene, symbolizing the triumphant power of love, harmony of nature, and ideal beauty. The composition draws upon Renaissance and academic traditions widely embraced by French art of the period.The reverse features a richly painted still life with an opulent bouquet of flowers, pears, and plums. This imagery, traditionally associated with abundance and fertility, forms a meaningful dialogue with the mythological subject on the front. The painting is framed by a gilt cartouche with a pearl border. The body is further enriched with elaborate gilt vegetal and classical ornamentation executed with exceptional precision.Marks:Hand-painted underglaze cobalt mark of the Manufacture nationale de Sèvres, featuring a working monogram and the letter “P”. Such letter marks formed part of the internal attribution system used by the artistic workshops and painting ateliers of the manufactory in the second half of the 19th century and are characteristic of ceremonial vases with painted medallions.Dimensions: Height: 42 cm; Width: 25 cm; Depth: 25 cm.Condition: Good. Even glaze, no cracks or chips. Minor signs of age and light wear to the gilding on raised areas. The painted decoration is well preserved, with no evidence of restoration.Provenance: Private European collection.

Porcelain plaque. Portrait of the equestrian monarch Peter the Great. 19th century.

Porcelain plaque. Portrait of the equestrian monarch Peter the Great. 19th century.

A 15-candle chandelier in the Louis XVI style. Sevres.

A 15-candle chandelier in the Louis XVI style. Sevres.

Wooden frame in Louis XV style.

Wooden frame in Louis XV style.

Porcelain figure Boy with a goat. Meissen

Porcelain figure Boy with a goat. Meissen

Gilded wood frame.

Gilded wood frame.

Pair of Japanese Satsuma floor vases.

Pair of Japanese Satsuma floor vases.

An original crystal dish on silver legs. Latvian version of Art Deco from the 1930s.

An original crystal dish on silver legs. Latvian version of Art Deco from the 1930s.

Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century

Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century

Oval coffee table in mahogany and gilded bronze in the Louis XVI style. Late nineteenth century based on the model of Adam Weisweiler. The table top has a shape close to an oval with four semicircular protrusions, to which figured elegant table legs with gilded mascarons are attached in the lower part. Bronze overlays and linear edging of the edge of the lid and its wooden sides (table waist) are made with high quality casting, embossing and gilding. The table top is decorated over the entire surface with a geometric marquetry pattern, which contrasts beautifully with the gilded edging of the table. The decor uses motifs traditional for the era of classicism, made in the antique spirit - ribbon and floral patterns, flower heads, cornucopia, figurines of lying rams, maiden heads. The table legs are completed at the bottom with bronze shoe-shaped plates with a relief foliage pattern. In the front part of the table (at the waist) there is a drawer lid. It, due to the decor, similar to the decor repeating the gilded bronze decor of other sides of the table waist, is carefully hidden. Material: wood, mahogany veneer, carving, polishing, bronze, casting, embossing, Dimensions: 99 x 64 x 72 cm.

Crystal jug with silver. Early 20th century.

Crystal jug with silver. Early 20th century.

Picture frame

PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY

PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY

Ceramic cache-pot. Eduard STELLMACHER. 1905

Ceramic cache-pot. Eduard STELLMACHER. 1905

Still life Bouquet of flowers.

Still life Bouquet of flowers.

"Le Petit Journal 1906"

"Le Petit Journal 1906"

DISH “BACCHUS”. NEO-RENAISSANCE, IN THE MANNER OF JOHANN MICHAEL MAUCHER (1645–1701) GERMANY, 19TH CENTURY

DISH “BACCHUS”. NEO-RENAISSANCE, IN THE MANNER OF JOHANN MICHAEL MAUCHER (1645–1701) GERMANY, 19TH CENTURY

Impressive 18K gold ring with emerald and diamonds.

Impressive 18K gold ring with emerald and diamonds.

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