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ICON “CHRIST PANTOCRATOR” WITH SILVER OKLAD BY THE FIRM OF P.A. OVCHINNIKOV RUSSIA, MOSCOW, 1866
ICON “CHRIST PANTOCRATOR” WITH SILVER OKLAD BY THE FIRM OF P.A. OVCHINNIKOV RUSSIA, MOSCOW, 1866
The icon “Christ Pantocrator” represents a high-quality monument of the Moscow icon-painting and silversmithing schools of the mid-19th century. The half-length image of Christ is executed in a strict academic canon, characteristic of the period, with restrained psychological expression and a balanced, harmonious composition. Christ is depicted frontally, with a blessing gesture of the right hand and an open book in the left, emphasizing His image as Judge and Teacher.The painted panel was executed by a professional icon painter on a wooden board with gesso, using egg tempera. The face is distinguished by soft modeling, refined detailing, and a harmonious palette rooted in the academic traditions of Moscow workshops. The golden background enhances the sacred significance of the image and reinforces its liturgical presence.The silver-gilt oklad is an outstanding example of Russian goldsmithing and belongs to the early period of the renowned Moscow firm of Pavel Akimovich Ovchinnikov. Crafted from 84 standard silver, the oklad is decorated with an elaborate ornamental design executed using hand engraving with a burin, chasing, matting, piercing, and gilding. Radiant rays, ornamental frames, and decorative motifs demonstrate the exceptional craftsmanship and artistic refinement characteristic of Ovchinnikov’s production of the 1860s.This icon is a rare and early example of ecclesiastical art created in the workshop of a future Supplier to the Imperial Court and possesses significant artistic, historical, and collectible value.Materials: Icon: Wooden board, gesso, egg tempera, velvet (reverse). Oklad: Silver 84 standard, gilding, chasing, matting, piercing, hand engraving with a burin, grinding, polishing, assembly.Marks: Full hallmark of the firm of P.A. Ovchinnikov, Supplier to the Court of Tsarevich Alexander Alexandrovich; assay mark with the initials “A.S.” above the date “1866,” corresponding to the assay master Alexander Svechin (active 1862–1875); Moscow city assay mark depicting Saint George slaying the dragon in a rectangular shield with clipped corners; silver standard mark “84.”Dimensions: Height: 26.5 cm. Width: 22.5 cm.Condition: Good collector’s condition. Minor traces of age consistent with the period. The painted surface and silver oklad are well preserved, without losses or deformation.Provenance: Private collection.
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PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897
PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897
The painting Pine Forest is an outstanding example of Russian landscape art of the late 19th century. At the heart of the composition lies a majestic pine grove, full of mysterious charm. The viewer’s gaze is first drawn to a winding stream cutting through the landscape, framed by sandy slopes. Reflected light gives the water a painterly depth, while soft radiance breaks through the cloudy veil, illuminating rocky surfaces in contrast to the dense shadows of the forest thicket. Monumental pine trunks rising above the terrain create a strict vertical dominance, emphasizing the power and grandeur of nature. Kamensky masterfully conveys the texture of moss-covered bark and rocky banks, achieving a sense of volume. Dense, rich impasto brushstrokes enhance the drama of the scene, endowing it with expressive pictorial texture. The play of light and shadow is finely constructed, from the bright sunlit sand to the deep, dusky tones in the forest’s depth. The atmosphere is filled with serene dynamism, felt in the movement of water and the rustle of leaves under gusts of wind. The work becomes a hymn to Russian nature, recreated with exceptional skill and attention to detail. It reflects the influence of Ivan Shishkin’s school, yet Kamensky brings his own poetic vision, combining realistic precision with deep lyricism. Signature: “G. Kamenskiy 1897” in the lower right corner.Material: Oil on canvas.Dimensions: 59.8 × 86 cm (framed: 90 × 115 cm).Condition: Relined canvas.Provenance: Private collection.
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