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Mantel clock Cavalryman
Mantel clock Cavalryman
An impressive mantel clock with a mounted hussar above the dial. Fine metal work and coordinated coloring represent a mounted hussar in an attack in the mountains. Snatching a saber on a rearing horse, he climbs onto a rock. The Hungarian horsemans headdress perhaps indicates and romanticizes the Hungarian revolutionary events of 1848-1849. Despite the static frontality of the ceremonial portrait the composition is organized asymmetrically. The subtle texture of the silvered pendulum and the matching patina of the horse set off the overall sound of gold. Its large ligature of the Renaissance pattern is a sign of the time of Louis Philippe - the end of romanticism. H-44cm. A complete revision of the mechanism was carried out.
2800 EUR
PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY
PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY
3800 EUR
Gold coin, France, 20 francs 1896
Gold coin, France, 20 francs 1896
Bidding is completed
Painting "Shore"
Painting "Shore"
450 EUR
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
Bidding is completed
SECRETARY DESK WITH A PAINTED PANEL, PAUL SORMANI FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
SECRETARY DESK WITH A PAINTED PANEL, PAUL SORMANI FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
Bidding is completed
ICON OF SAINT SIMEON THE STYLITE IN A SILVER AND ENAMEL OKLAD. SEMYON GALKIN RUSSIA, MOSCOW, LATE 19TH - EARLY 20TH CENTURY
ICON OF SAINT SIMEON THE STYLITE IN A SILVER AND ENAMEL OKLAD. SEMYON GALKIN RUSSIA, MOSCOW, LATE 19TH - EARLY 20TH CENTURY
Bidding is completed
Fireplace in Art Nouveau style. Latvia. Early 20th century.
Fireplace in Art Nouveau style. Latvia. Early 20th century.
3500 EUR
PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY
PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY
15500 EUR
Delicate fruit vase of Napoleon III period. ES CALIER DE CRISTAL PARIS
Delicate fruit vase of Napoleon III period. ES CALIER DE CRISTAL PARIS
2000 EUR
Vase Golden ruby ​​with gold ornament. Imperial Glass Factory, Russia, 1830-1840s
Vase Golden ruby ​​with gold ornament. Imperial Glass Factory, Russia, 1830-1840s
A rare and exquisite example of Russian glassmaking from the era of Nicholas I, created by the masters of the Imperial Glass Factory. The vase is made of transparent colorless glass with an internal golden ruby color, achieving the depth of color due to the unique technology of coloring the glass mass with gold nanoparticles. The composition of the decor is verified to perfection: the body is decorated with painting in pure gold, executed with filigree precision. The central decoration is a medallion with an image of a basket filled with flowers and berries, enclosed in a frame of stylized laurel branches. This motif, symbolizing fertility and abundance, is complemented by thin plant garlands falling along the edges. The upper edge is decorated with a wide gold border, giving the item solemnity and nobility. Particular attention should be paid to the faceted base, emphasizing the play of light in the depths of the glass and enhancing the effect of precious radiance. Decorative elements on the base are accented with gilded inserts, emphasizing the exquisite plasticity of the form. Dimensions: Height: 12.7 cm. Diameter: 8.5 cm. Condition: In excellent condition, minimal signs of time. Gilding is in excellent condition, without losses.Historical background: Golden Ruby The technique of creating ruby ​​glass goes back centuries, dating back to the late antique period. However, it was only in the 17th century that the German alchemist Johann Kunkel managed to develop a scientifically sound recipe that made it possible to consistently obtain a rich blood-red shade of glass. In Russia, the first to master the technology of coloring glass mass with gold nanoparticles was the great scientist Mikhail Lomonosov, thereby laying the foundations for the domestic production of ruby ​​glass. By the beginning of the 19th century, the Imperial Glass Factory had reached the highest level of skill in working with this rare and complex technique. Fine ruby ​​glass items decorated with gilded painting were considered objects of the highest prestige. They adorned the state rooms of imperial residences, becoming the embodiment of impeccable taste, refined style and outstanding artistic value.
4000 EUR
FIREPLACE SCREEN IN THE NEO ROCOCO STYLE. EISENWERK LAUCHHAMMER GERMANY, 20TH CENTURY
FIREPLACE SCREEN IN THE NEO ROCOCO STYLE. EISENWERK LAUCHHAMMER GERMANY, 20TH CENTURY
Bidding is completed
ART DECO STYLE MOTORBOAT MODEL FRANCE, 1930S
ART DECO STYLE MOTORBOAT MODEL FRANCE, 1930S
2500 EUR
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
Bidding is completed
A porcelain plaque of the 19th century Girl with a jug.
A porcelain plaque of the 19th century Girl with a jug.
850 EUR
IN THE PARK. ANNA OSTROUMOVA-LEBEDEVA (1871 - 1955) RUSSIA, CIRCA 1900
IN THE PARK. ANNA OSTROUMOVA-LEBEDEVA (1871 - 1955) RUSSIA, CIRCA 1900
Bidding is completed
RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY
RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY
3500 EUR
KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912
KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912
1500 EUR
ICON OF SAINT NICHOLAS THE WONDERWORKER IN CLOISONNÉ ENAMEL OKLAD, ART NOUVEAU STYLE. EARLY 20TH CENTURY
ICON OF SAINT NICHOLAS THE WONDERWORKER IN CLOISONNÉ ENAMEL OKLAD, ART NOUVEAU STYLE. EARLY 20TH CENTURY
A rare synthesis of Orthodox iconography and Russian decorative Art Nouveau — an icon of Saint Nicholas the Wonderworker set in a vibrant polychrome enamel oklad, executed after a design by Ivan Nivinsky at the Imperial Stroganov School. The central image presents a half-length depiction of the saint in the Byzantine tradition, rendered in tempera on gesso and protected by a thin layer of mica. The icon is framed within an elaborate arched setting, adorned with floral ornamentation and stylised onion domes surmounted by miniature crosses. The entire composition forms an architectural miniature, harmoniously combining Orthodox symbolism with the swirling organic motifs of Art Nouveau: vegetal curves, starbursts, and rosettes executed in cloisonné enamel. The lower section is complemented by movable pendants and a central cross, forming a complete decorative garland. Dimensions:Overall dimensions with pendant 23 × 13 cm, Oklad dimensions 23 × 13 cm, Icon panel 5.5 × 6.5 cm. Condition:Good condition, consistent with age. Provenance:Imperial Stroganov School of Industrial Art, Moscow, Russia. Early 20th century.Literature: related compositions are published in Collection of Compositions by Students of the Stroganov School (Moscow, Levenson Printing House, 1900).
Bidding is completed
Bronze sculpture Romantic couple.
Bronze sculpture Romantic couple.
100 EUR
CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY
CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY
2500 EUR
Snuffbox
Snuffbox
300 EUR
Figure in the Art Deco style
Figure in the Art Deco style
100 EUR
Boudoir table Art Nouveau, inlaid wood. Louis MAJORELLE (1859-1926).
Boudoir table Art Nouveau, inlaid wood. Louis MAJORELLE (1859-1926).
1800 EUR
Engraving
Engraving
85 EUR
Napoleon III style walnut coffee table.
Napoleon III style walnut coffee table.
Bidding is completed
Spectacular ladies set in white gold with aquamarines, sapphires and diamonds.
Spectacular ladies set in white gold with aquamarines, sapphires and diamonds.
10000 EUR
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