Russian art

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

A ceremonial Caucasian shashka executed in the traditions of the North Caucasian arms workshops of the second half of the 19th century. The piece represents a distinguished example of edged weaponry of the Russian Empire, combining martial functionality with refined metal craftsmanship characteristic of Dagestan and related regional centres.The blade is steel, single-edged and moderately curved, with fullers providing both structural strength and lightness. The surface is free of etched ornament, bearing engraving on one side only. Its geometry corresponds to the classical Caucasian shashka type, designed for powerful cutting strokes with extended draw, distinguishing it from European sabres.The hilt is without a guard and features the characteristic “goose-neck” pommel. The grip scales are made of bone and secured with gilt silver mounts. The silver elements are decorated with niello ornament and stylised vegetal motifs, executed in traditional engraving filled with blackened alloy. The contrast between gilt silver, deep niello and light bone creates a striking decorative effect and emphasises the ceremonial nature of the weapon.The scabbard is wooden, leather-covered, and fitted with richly decorated gilt silver mounts. The ornamental system is structured around repeating medallions and stylised vegetal motifs typical of 19th-century Caucasian metalwork. Suspension rings for a sword belt are present. The construction corresponds to the Cossack method of wear adopted after the official inclusion of the shashka into the armament of the Russian Army.The artistic quality of execution, together with the use of gilt silver and bone inlay, suggests a ceremonial or officer’s weapon intended not only for service but also for the display of social rank.Marks: No marks observed on the visible elements.Dimensions: Overall length - 104 cm; Width - 9 cm.Condition: Good. Natural patina to the silver mounts, minor traces of age and light surface scratches to the blade. Decorative elements preserved.Provenance: Private collection.

Russian Dragoon Officers&39; Sabre. Model 1910

Russian Dragoon Officers&39; Sabre. Model 1910

Silver candy bowl Rook. Moscow. 2nd artel.

Silver candy bowl Rook. Moscow. 2nd artel.

Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries.

Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries.

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Goblet - Horn, Caucasian work in a silver frame with niello and gilding.

Goblet - Horn, Caucasian work in a silver frame with niello and gilding.

A set of teaspoons decorated with enamel in the original case. Moscow 1908-1917.

A set of teaspoons decorated with enamel in the original case. Moscow 1908-1917.

Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

Russian porcelain saucer from private factories of the 1820s. Persan (Persian).

Russian porcelain saucer from private factories of the 1820s. Persan (Persian).

Chamber icon of the Almighty in a gilded silver frame, 1908-1917.

Chamber icon of the Almighty in a gilded silver frame, 1908-1917.

Porcelain Bolonka based on Kuznetsovs model.

Porcelain Bolonka based on Kuznetsovs model.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

An exquisite silver ladle, made in the shape of a boat, is a magnificent example of decorative and applied art of the late 19th – early 20th centuries, created in the neo-Russian style. This artistic tradition combines elements of ancient Russian architecture and ornamentation, which is clearly evident in the design of the ladle. The inside of the ladle and the curved handle are decorated with an elegant floral ornament made using the cloisonné enamel technique. The central element of the composition is a double-headed eagle, the official symbol of the Russian Empire, skillfully decorated with turquoise enamel and framed by a refined gilded edging. The composition is complemented by a complex floral pattern made in rich and pastel shades, creating a harmonious balance and emphasizing the sophistication of the work. Hallmarks: The master`s name in Cyrillic letters NZ. Assay mark of Saint Petersburg with the image of the city coat of arms and the number 84, in an oval shield, corresponding to the last quarter of the 19th century. Dimensions: Length: 17 cm, Width: 9 cm, Height: 5 cm. Weight: 216 g.

Russian, silver cloisonné enamel mug in neo-Russian style. 20th century.

Russian, silver cloisonné enamel mug in neo-Russian style. 20th century.

Silver box vase by Orest Kurlyukov in the form of a tied bag.

Silver box vase by Orest Kurlyukov in the form of a tied bag.

Porcelain vase-basket with molded flowers.

Porcelain vase-basket with molded flowers.

Decorative dish Flowers. Gardner factory, Russia, 19th century.

Decorative dish Flowers. Gardner factory, Russia, 19th century.

PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY

PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY

Silver ruble Alexander III 1893.

Silver ruble Alexander III 1893.

D. Sannikov. Abstract composition. Russia 1920s.

D. Sannikov. Abstract composition. Russia 1920s.

SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908

SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908

An elegant rectangular silver snuff box, executed by the silversmith Ivan Savelyevich Britsyn for the firm of Joseph Abramovich Marshak in St Petersburg. The lid is decorated with deep blue guilloché enamel forming a radiating sunburst pattern, converging toward a central accent set with a diamond, interpreted as a symbolic representation of a luminary.The composition is further enhanced by finely executed laurel garlands in two-colour gold, emphasising the ceremonial and status-driven character of the object. The strict geometry of the form, combined with restrained ornamentation and the noble contrast of enamel and precious metals, reflects the aesthetics of late Imperial jewellery art at the turn of the 20th century. The sides are adorned with delicate guilloché engraving, creating a refined play of light. The interior is fully gilded, in keeping with the highest standards of manufacture for luxury silver objects of the period.Marks: Maker’s mark “I. MARSHAK” of the firm of Joseph Abramovich Marshak, St Petersburg; St Petersburg assay mark with silver fineness “88” and kokoshnik head; Master’s mark “I.B” corresponding to Ivan Savelyevich Britsyn.Dimensions: 7 × 3.7 × 1.5 cm.Weight: 150 g.Condition: Good collector’s condition.Provenance: Private collection.

Icon of Our Lady of Kazan.

Icon of Our Lady of Kazan.

Russian silver salt cellar with enamel.

Russian silver salt cellar with enamel.

PORCELAIN EASTER EGG WITH HAND-PAINTED BLOSSOMING APPLE ORCHARD RUSSIA, LATE 19TH CENTURY (C. 1890–1900)

PORCELAIN EASTER EGG WITH HAND-PAINTED BLOSSOMING APPLE ORCHARD RUSSIA, LATE 19TH CENTURY (C. 1890–1900)

Engraving Siege of Ochakov 1788.

Engraving Siege of Ochakov 1788.

RUSSIAN SILVER CLOISONNÉ SHOT CUP. GUSTAV KLINGERT RUSSIA, MOSCOW, 1893

RUSSIAN SILVER CLOISONNÉ SHOT CUP. GUSTAV KLINGERT RUSSIA, MOSCOW, 1893

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

Silver Ruble 1843. Russia - Nicholas I (1825-1855).

Silver Ruble 1843. Russia - Nicholas I (1825-1855).

Russian silver salt shaker in the form of a cast-iron.

Russian silver salt shaker in the form of a cast-iron.

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