Russian art

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A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.

A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.

Magnificent holidays with a passionate row, an annual menaion and a two-row cycle of icons of the Mother of God - a kind of encyclopedia of the Mother of God images. A majestic monument to Christianity and late Russian icon painting, where in one image the annual and Mother of God universe of Orthodoxy is revealed, full of sacrifice. With the epicenter of suffering and resurrection, the testimony of all the upcoming saints and with hope in the miraculous images of the intercessor. The Virgin Mary series is interrupted by the marks of Unexpected Joy, Joy of All Who Sorrow, the Sign and Coronation of Mary - milestones of the communion and growth of spiritual truths. The Passion Series is composed of: the Ascension of Mary, the Old Testament Trinity, the Entry into Jerusalem, the Raising of Lazarus, the Washing of the Feet, the Last Supper, the Flagellation of Christ, the Imposition of the Crown of Thorns, the Carrying of the Cross, the Crucifixion, the Descent from the Cross and the Entombment. Particularly attractive is the rare completeness of the lists of icons of the Mother of God, which can serve as an encyclopedia of the Mother of God images. The bright decorative painting on a golden background sounds excitingly solemn and life-affirming. Cypress board, gesso, tempera, gilding. Russia. Second half of the 19th century. Dimensions: 53x44 cm.

Silver writing set. Henrik Wigström. Fabergé. Late 19th century

Silver writing set. Henrik Wigström. Fabergé. Late 19th century

Elegant silver vodka set in the neo-Russian style, workshop S.M. Ikonnikov.

Elegant silver vodka set in the neo-Russian style, workshop S.M. Ikonnikov.

Silver box vase by Orest Kurlyukov in the form of a tied bag.

Silver box vase by Orest Kurlyukov in the form of a tied bag.

The image of the Protection of the Most Holy Theotokos. Mid-third quarter of the 19th century.

The image of the Protection of the Most Holy Theotokos. Mid-third quarter of the 19th century.

Kuznetsov`s tea porcelain service. Riga, mid-19th century.

Kuznetsov`s tea porcelain service. Riga, mid-19th century.

Russian, silver cloisonné enamel mug in neo-Russian style. 20th century.

Russian, silver cloisonné enamel mug in neo-Russian style. 20th century.

Tea set of three silver items. Moscow 1891.

Tea set of three silver items. Moscow 1891.

Russian silver salt shaker in the form of a cast-iron.

Russian silver salt shaker in the form of a cast-iron.

A. Lanin. Artist. Monotype. 1966.

A. Lanin. Artist. Monotype. 1966.

Original silver paper knife, Faberge firm, last quarter of the 19th century.

Original silver paper knife, Faberge firm, last quarter of the 19th century.

Original in plot and presentation, Faberge silver paper knife, last quarter of the 19th century. The handle of which is a figure of a peasant cutting a log, and the blade is a tree thinned under his work. The flat base of the roots simultaneously functions as a pedestal, allowing the knife to be displayed vertically and viewed as an artistic object and an attractive writing desk item. Full Faberge hallmark on the knife blade. Moscow 84 sample silver of the last quarter of the 19th century. Knife length: 21.5 cm. Weight: 228 gr.

A. Lanin. Masks. Monotype. 1966.

A. Lanin. Masks. Monotype. 1966.

Icon of Christ on the throne.

Icon of Christ on the throne.

Stone-cut miniature Orangutan in Faberge style

Stone-cut miniature Orangutan in Faberge style

Russian paper knife Voevoda. P.I.SOMOV 1918. Russian Modern.

Russian paper knife Voevoda. P.I.SOMOV 1918. Russian Modern.

Russian silver tea strainer, with enamel decor, in the spirit of Russian Art Nouveau.

Russian silver tea strainer, with enamel decor, in the spirit of Russian Art Nouveau.

Russian crystal box with a silver lid. St. Petersburg. 1837.

Russian crystal box with a silver lid. St. Petersburg. 1837.

Silver matchbox with polychrome filigree enamel. Moscow. Workshop Shaposhnikov.

Silver matchbox with polychrome filigree enamel. Moscow. Workshop Shaposhnikov.

Silver cup holder. Imperial Russia

Silver cup holder. Imperial Russia

Openwork silver cup holder of the second Rococo with a glass, Carl Gustav Ekqvist, 1851. From the base of the cup holder, ivy grows an ornate shoot-handle. Its playful mood is transmitted to the glass inserted in the cupholder. The pink color of the glass suggests a more fun pastime than a tea ceremony.Hallmarks: 84, letters CGE corresponding to silver cases to the master Carl Gustav Ekqvist, assay mark 1851 poorly readable initials of the assay master. Total weight: 190 gr. N-10.5cm.

I. Nordberg. Russian, silver mug in the style of Roman-Gothic historicism. Petersburg. 1839

I. Nordberg. Russian, silver mug in the style of Roman-Gothic historicism. Petersburg. 1839

Sunset landscape on the river. Russia 20th century.

Sunset landscape on the river. Russia 20th century.

Silver salt shaker

Silver salt shaker

Walking cane with a silver handle.

Walking cane with a silver handle.

A. Misurev. Nude.

A. Misurev. Nude.

Engraving Moscow Kremlin

Engraving Moscow Kremlin

Engraving Kingdom Wedding.

Engraving Kingdom Wedding.

Photo frame in the shape of a horseshoe, with blue enamel from the late 19th century.

Photo frame in the shape of a horseshoe, with blue enamel from the late 19th century.

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