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THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894
THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894
The Holy Mandylion (Spas Nerukotvorny) is an outstanding example of late 19th-century Russian Orthodox art, in which strict canonical tradition is harmoniously combined with the virtuoso craftsmanship of the Moscow silversmithing school. The image of Christ, executed in tempera on wood, is distinguished by the soft modelling of the features, profound inner concentration, and a penetrating, contemplative gaze. The composition is complemented by two angels holding the cloth bearing the miraculous image, reinforcing the theological meaning and emphasising the idea of divine revelation and heavenly protection.The icon is set within a sumptuous silver-gilt oklad created in 1894 in the renowned Moscow workshop of Ivan Filippovich Tarabrov. The oklad is richly adorned with cloisonné and champlevé enamels. The halo surrounding the face of Christ is decorated with an intricate ornamental design featuring deep blue, red, and white tones set against a gilt and blue ground. A distinctive characteristic of Tarabrov’s workshop is the use of gold foil beneath the red enamel, producing a luminous depth of colour and an inner radiance.The cloth (ubrus) bearing the image of Christ is embellished with finely chased decoration on a silver ground, its edges framed by raised ornamental patterns on gilt surfaces. The corner plaques are adorned with vegetal motifs executed in filigree with enamel infill. The fields of the oklad are further enriched with elegant high-relief vegetal ornamentation and bordered by engraved bands, lending the composition harmony and refinement. Every detail of the oklad testifies to exceptional precision of execution and refined artistic taste, enhancing the sacred and solemn character of the image.Marks: Cyrillic letters “IT” – maker’s mark of the silversmith Ivan Filippovich Tarabrov; Assay mark with the initials of the assay master “L•O” (Oleks Lev Fyodorovich) positioned above the date “1894”; Moscow city mark depicting Saint George slaying the dragon.Technique and materials: Wood, tempera; silver, gilding; cloisonné and champlevé enamels; chasing, engraving, filigree.Dimensions: 31.5 × 28 cm.
Bidding is completed
SILVER SALT CELLAR “CHAIR”. ALEXANDER MUKHIN RUSSIA, MOSCOW, 1880
SILVER SALT CELLAR “CHAIR”. ALEXANDER MUKHIN RUSSIA, MOSCOW, 1880
Bidding is completed
ICON OF CHRIST PANTOCRATOR IN A GILT SILVER OKLAD WITH ENAMELS RUSSIA, MOSCOW, 1891
ICON OF CHRIST PANTOCRATOR IN A GILT SILVER OKLAD WITH ENAMELS RUSSIA, MOSCOW, 1891
Bidding is completed
SILVER TABLE SERVICE BY G. KLINGERT RUSSIA, MOSCOW, 1908–1917
SILVER TABLE SERVICE BY G. KLINGERT RUSSIA, MOSCOW, 1908–1917
Bidding is completed
IMPRESSIVE EMPIRE STYLE CHANDELIER RUSSIA, FIRST QUARTER OF THE 19TH CENTURY
IMPRESSIVE EMPIRE STYLE CHANDELIER RUSSIA, FIRST QUARTER OF THE 19TH CENTURY
14525 USD
GOLD CIGARETTE CASE BY THE FIRM E. BURKHARD RUSSIA, SAINT PETERSBURG, EARLY 20TH CENTURY
GOLD CIGARETTE CASE BY THE FIRM E. BURKHARD RUSSIA, SAINT PETERSBURG, EARLY 20TH CENTURY
Bidding is completed
ASH TRAY “WAR 1914” BY THE FABERGÉ FIRM RUSSIA, 1914–1915
ASH TRAY “WAR 1914” BY THE FABERGÉ FIRM RUSSIA, 1914–1915
Bidding is completed
SALT CELLAR IN THE FORM OF A THRONE BY THE SAZIKOV FIRM RUSSIA, SAINT PETERSBURG, SECOND HALF OF THE 19TH CENTURY
SALT CELLAR IN THE FORM OF A THRONE BY THE SAZIKOV FIRM RUSSIA, SAINT PETERSBURG, SECOND HALF OF THE 19TH CENTURY
Bidding is completed
GOLD MATCH SAFE WITH GUILLOCHÉ DECORATION, 56 ZOLOTNIK STANDARD RUSSIA, LATE 19TH – EARLY 20TH CENTURY
GOLD MATCH SAFE WITH GUILLOCHÉ DECORATION, 56 ZOLOTNIK STANDARD RUSSIA, LATE 19TH – EARLY 20TH CENTURY
Bidding is completed
18K white gold ring with diamonds and tanzanite.
18K white gold ring with diamonds and tanzanite.
4067 USD
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
An outstanding example of late Russian Marinism, Stormy Sea, created by Kharlampiy Dmitrievich Kostandi in the early 20th century, stands among the artist’s most expressive works devoted to the theme of the sea.With remarkable mastery, the artist conveys the raw energy of the raging waters. Foaming waves surge toward a fragile boat, filled with tension, movement, and a sense of inevitability. The sea surface is rendered with striking expressiveness, allowing the viewer to sense the motion of water, gusts of wind, and the charged atmosphere of an approaching storm.At the center of the composition is a small boat with sailors struggling fiercely against the waves. Their tense, determined figures become a powerful symbol of courage, the fight for survival, and hope for salvation. In the distance, along the horizon line, the faint silhouette of a sailing vessel enhances the vastness of space and underscores human vulnerability in the face of nature’s overwhelming force. The contrast between the immensity of the sea and human presence lends the work its dramatic intensity.The color palette is built upon subtle transitions of cool tones, ranging from translucent blues and turquoises to silvery greys. Luminous reflections give the water depth and vibrant movement, while the soft yet energetic brushwork creates a sense of breathing space. This atmospheric treatment aligns Kostandi with the finest masters of the Russian Marinist tradition, while highlighting his individual, restrained, and realist approach in contrast to the Romantic expressiveness of Aivazovsky.Dimensions: 49 × 80 cm (framed 78 × 110 cm)Medium: Oil on canvasSignature: “X. Kostandi”, lower left, consistent with the artist’s known autographsCondition: Good overall condition, with natural age patina and an even craquelure patternProvenance: Private collection. Authenticity confirmed by expert examinations
Bidding is completed
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
8715 USD
LARGE RUSSIAN SILVER KOVSH WITH CLOISONNÉ ENAMEL BY KONSTANTIN SKVORTSOV RUSSIA, MOSCOW, 1908–1917
LARGE RUSSIAN SILVER KOVSH WITH CLOISONNÉ ENAMEL BY KONSTANTIN SKVORTSOV RUSSIA, MOSCOW, 1908–1917
Bidding is completed
MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
Bidding is completed
CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY
CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY
Bidding is completed
Russian gift silver punch set. A. Ivanov factory. Moscow 1895
Russian gift silver punch set. A. Ivanov factory. Moscow 1895
Bidding is completed
Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.
Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.
9877 USD
SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908
SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908
Bidding is completed
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
A unique example of a gold pocket watch, created in collaboration between the Swiss manufacture Le Phare and the legendary Imperial Court Supplier Pavel Bure. This extremely rare timepiece features a minute repeater, moon phase indicator, chronograph, Cyrillic calendar apertures, and a rare bridge movement with two hammers and two gongs. Case No. 72647, 59 mm in diameter, crafted in 14K rose gold, is adorned with exquisite guilloché engraving and a partially enameled Russian imperial double-headed eagle crest. The inner lids bear two historically significant inscriptions: — Dedication in Cyrillic: To dear Mitya in gratitude and 30 years of loyal friendship from V. Voronov. 1882–1912 — Signature: Pavel Bure, Supplier to the Court of His Imperial Majesty, confirming the item’s high status.The enamel dial features Roman numerals, Cyrillic calendar apertures for days and months, a date indicator, moon phase aperture, and a 30-minute chronograph counter. Signed: Tchétine et Fils. The movement is a complex bridge caliber with lever escapement, compensated balance wheel, and Swiss patent engraving No. 334. The finishing includes gilding, blued screws, and finely executed surfaces. Marks:— Le Phare with exhibition medals— Pavel Bure— Swiss and Russian assay marks (585 / 14K and 56 zolotnik) Dimensions: 59 mmWeight: 149 g Provenance: Russia / Switzerland, circa 1903Mechanism: Minute repeater, moon phase calendar, chronograph, manual wind
Bidding is completed
Russian Dragoon Officers&39; Sabre. Model 1910
Russian Dragoon Officers&39; Sabre. Model 1910
Bidding is completed
VODKA EASTER SET IN THE FORM OF AN EGG, RUSSIA, 20TH CENTURY
VODKA EASTER SET IN THE FORM OF AN EGG, RUSSIA, 20TH CENTURY
2905 USD
CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841
CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841
Bidding is completed
SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908
SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908
Bidding is completed
HANGING OIL LAMP DESIGNED BY SERGEI VASHKOV. P.I. OLOVYANISHNIKOV & SONS RUSSIAN EMPIRE, MOSCOW, 1911
HANGING OIL LAMP DESIGNED BY SERGEI VASHKOV. P.I. OLOVYANISHNIKOV & SONS RUSSIAN EMPIRE, MOSCOW, 1911
5229 USD
PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY
PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY
17430 USD
D. Sannikov. Abstract composition. Russia 1920s.
D. Sannikov. Abstract composition. Russia 1920s.
1860 USD
THE FEODOROVSKAYA MOTHER OF GOD ICON IN A GILT SILVER MOUNT WITH ENAMELS. WORKSHOP OF VASILY SEMYONOV RUSSIA, MOSCOW, 1890
THE FEODOROVSKAYA MOTHER OF GOD ICON IN A GILT SILVER MOUNT WITH ENAMELS. WORKSHOP OF VASILY SEMYONOV RUSSIA, MOSCOW, 1890
Bidding is completed
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