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PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY

PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY

The pair of sculptural compositions known as “The Marly Horses”, also referred to as “The Horse Tamers”, represents a highly accomplished bronze interpretation of one of the most celebrated works of French court sculpture of the 18th century. The compositions derive from the original marble group created by Guillaume Coustou the Elder for the terrace of the royal château of Marly-le-Roi during the reign of Louis XV.The sculptures depict nude youths exerting great effort to restrain rearing horses. The dramatic tension of the scene is conveyed through the powerful contrast between the untamed energy of the animals and the academically precise treatment of human anatomy. The figures are conceived in complex spatial movement, creating a strong sense of continuous action and internal dynamism characteristic of the finest examples of French monumental sculpture.The bronzes are cast with exceptional attention to detail. The musculature of the human figures, the animated manes and strained necks of the horses, as well as the expressive gestures and corporeal plasticity, are all rendered with remarkable clarity. The surfaces retain a deep, even patina of a warm tone, enhancing the sculptural relief and the play of light and shadow. Each figure is mounted on a shaped marble base of harmonious coloration, lending the ensemble a distinctly ceremonial and interior-oriented presence.Material: Bronze; marble.Dimensions: Height – 66 cm; Width – 53 cm; Depth – 48 cm (each sculpture).Condition: Good.Provenance: Photo archive of a private collection. Formerly part of a private collection displayed in the Liechtenstein palaces, Stadtpalais Vienna and Schloss Vaduz, Liechtenstein, 1945.

Painting "Lady with a tambourine"

Painting "Lady with a tambourine"

Ikebana Flowers. Bone carving from the Meiji Japan period

Ikebana Flowers. Bone carving from the Meiji Japan period

18K white gold ring with diamonds and tanzanite.

18K white gold ring with diamonds and tanzanite.

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

Fruit vase. Carl Thieme.

Fruit vase. Carl Thieme.

Picture frame

Maison TAHAN. Magnificent liquor bar in a burl veneer body. France. The period of Napoleon III.

Maison TAHAN. Magnificent liquor bar in a burl veneer body. France. The period of Napoleon III.

Large porcelain Easter egg.

Large porcelain Easter egg.

12.30 ct Colombian emerald ring with 2.15ct pink sapphires in 18k gold.

12.30 ct Colombian emerald ring with 2.15ct pink sapphires in 18k gold.

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

An exquisite crystal jug with a silver mount represents a striking example of the high level achieved by Russian decorative and applied arts in the early 20th century. The object demonstrates a refined and deliberate reinterpretation of Western European historical styles, characteristic of Moscow silver workshops of the Late Historicism period. The composition combines classical restraint with decorative elegance, inspired by motifs of the Early French Renaissance.The proportionally expanded body of transparent crystal is adorned with deep diamond-cut and vegetal engraving, creating a rich play of light while emphasizing the functional purpose of the vessel. The silver collar of the neck is executed in a restrained manner and decorated with classical garlands seemingly suspended along the lower edge, lending the form architectural clarity and ceremonial dignity. A Renaissance-style ornamental band at the rim harmoniously complements the gently curved handle, whose subtly modern character reflects the stylistic transition of the era.A distinctive accent is provided by the garnet finial crowning the lid - an elegant detail symbolically associated with fertility, blossoming, and abundance, themes of particular significance within Renaissance tradition. This refined artistic gesture reinforces the association of the jug with formal table settings and celebratory beverages such as cherry juice, punch, or red wine. The jug is perceived not merely as a utilitarian object, but as an independent artistic focal point conceived for festive occasions.Hallmarks: State assay mark of the Moscow Assay Office for secondary elements and fittings, silver standard “84”, period 1908-1926; Maker’s mark “13A” (13th Artel); Inside the lid - repeated Moscow Assay Office mark and maker’s mark “13A”.Dimensions: Height: 29 cm, Width: 16 cm, Depth: 13 cmCondition: Good. The crystal shows no cracks or restorations. The silver elements retain an even time patina, without deformation.Provenance: Private collection.

Gold 18K ring with seventy-seven diamonds and five emeralds.

Gold 18K ring with seventy-seven diamonds and five emeralds.

Painting "Lady with a Fan"

Painting "Lady with a Fan"

Baroque armchair 18th century

Baroque armchair 18th century

LADY’S NECESSAIRE IN BLOODSTONE AND GILT BRONZE. FRANCE, LOUIS XV PERIOD

LADY’S NECESSAIRE IN BLOODSTONE AND GILT BRONZE. FRANCE, LOUIS XV PERIOD

PAIR OF SCULPTURES “MOORISH PORTERS” FRANCE, 19TH CENTURY

PAIR OF SCULPTURES “MOORISH PORTERS” FRANCE, 19TH CENTURY

MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY

MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY

LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY

A large ceremonial porcelain vase of amphora form, produced at the renowned Manufacture nationale de Sèvres. The shape is inspired by Renaissance prototypes, with carefully balanced proportions, a high neck, and a stable circular foot. The body is covered with a rich turquoise-blue glaze serving as a ground for refined polychrome painting and lavish gilt ornamentation, characteristic of the highest artistic production of Sèvres in the 19th century.The front is adorned with a large oval medallion depicting the mythological scene The Birth of Venus. The goddess is shown at the moment of her triumphant emergence from the sea in a shell, with a flowing red drapery, surrounded by putti and music-making nymphs. The movement of the waves, the play of wind, and the dynamic arrangement of figures emphasize the allegorical nature of the scene, symbolizing the triumphant power of love, harmony of nature, and ideal beauty. The composition draws upon Renaissance and academic traditions widely embraced by French art of the period.The reverse features a richly painted still life with an opulent bouquet of flowers, pears, and plums. This imagery, traditionally associated with abundance and fertility, forms a meaningful dialogue with the mythological subject on the front. The painting is framed by a gilt cartouche with a pearl border. The body is further enriched with elaborate gilt vegetal and classical ornamentation executed with exceptional precision.Marks:Hand-painted underglaze cobalt mark of the Manufacture nationale de Sèvres, featuring a working monogram and the letter “P”. Such letter marks formed part of the internal attribution system used by the artistic workshops and painting ateliers of the manufactory in the second half of the 19th century and are characteristic of ceremonial vases with painted medallions.Dimensions: Height: 42 cm; Width: 25 cm; Depth: 25 cm.Condition: Good. Even glaze, no cracks or chips. Minor signs of age and light wear to the gilding on raised areas. The painted decoration is well preserved, with no evidence of restoration.Provenance: Private European collection.

Bronze model - samurai helmet, Japan, 20th century.

Bronze model - samurai helmet, Japan, 20th century.

Porcelain figurine. Ballerina. Unterweissbach. Germany. 1950-1960s

Porcelain figurine. Ballerina. Unterweissbach. Germany. 1950-1960s

Large porcelain dish with Chinese motifs and dragon. Weimar. GDR. PHG Handgemalt.

Large porcelain dish with Chinese motifs and dragon. Weimar. GDR. PHG Handgemalt.

Porcelain figurine Lady in Green. France. 19th century.

Porcelain figurine Lady in Green. France. 19th century.

Gilded brass pulpit. 19th century

Gilded brass pulpit. 19th century

Engraving

Gold bracelet with diamonds in the form of a belt.

Gold bracelet with diamonds in the form of a belt.

Romantic Couple. Sitzendorf.

Romantic Couple. Sitzendorf.

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