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KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
An outstanding example of late Russian Marinism, Stormy Sea, created by Kharlampiy Dmitrievich Kostandi in the early 20th century, stands among the artist’s most expressive works devoted to the theme of the sea.With remarkable mastery, the artist conveys the raw energy of the raging waters. Foaming waves surge toward a fragile boat, filled with tension, movement, and a sense of inevitability. The sea surface is rendered with striking expressiveness, allowing the viewer to sense the motion of water, gusts of wind, and the charged atmosphere of an approaching storm.At the center of the composition is a small boat with sailors struggling fiercely against the waves. Their tense, determined figures become a powerful symbol of courage, the fight for survival, and hope for salvation. In the distance, along the horizon line, the faint silhouette of a sailing vessel enhances the vastness of space and underscores human vulnerability in the face of nature’s overwhelming force. The contrast between the immensity of the sea and human presence lends the work its dramatic intensity.The color palette is built upon subtle transitions of cool tones, ranging from translucent blues and turquoises to silvery greys. Luminous reflections give the water depth and vibrant movement, while the soft yet energetic brushwork creates a sense of breathing space. This atmospheric treatment aligns Kostandi with the finest masters of the Russian Marinist tradition, while highlighting his individual, restrained, and realist approach in contrast to the Romantic expressiveness of Aivazovsky.Dimensions: 49 × 80 cm (framed 78 × 110 cm)Medium: Oil on canvasSignature: “X. Kostandi”, lower left, consistent with the artist’s known autographsCondition: Good overall condition, with natural age patina and an even craquelure patternProvenance: Private collection. Authenticity confirmed by expert examinations
45000 EUR
IVORY MANTEL CLOCK OF THE NAPOLEON III PERIOD FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
IVORY MANTEL CLOCK OF THE NAPOLEON III PERIOD FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
An exceptional mantel clock from the Napoleon III period, executed in the Neoclassical style and distinguished by a rare degree of artistic and technical refinement. The case is entirely carved from ivory, featuring a finely articulated architectural silhouette with columnar supports, volutes, garlands, rosettes, and a krater-shaped vase crowning the composition. The overall design demonstrates symmetry and ceremonial grandeur characteristic of Parisian decorative arts of the 1860–1880s.The porcelain dial, presumably produced by the Royal Sèvres Manufactory, is decorated with a painted composition depicting a flying Cupid holding a wreath, accompanied by musical instruments and floral motifs. The Roman numeral chapter ring is set against a deep cobalt-blue ground with gilded ornamentation and enclosed within a gilt brass bezel. The original pierced gilt hands enhance the refined appearance of the dial.The lower frieze of the case is painted in oils with scenes of playing putti, musical attributes, and floral garlands, emphasizing the allegorical themes of love, harmony, and the arts. The clock rests on a complex, multi-tiered ivory base with profiled relief and decorative feet.The French movement features an anchor escapement and striking mechanism, signed “S. Marti & Cie – Médaille de Bronze” and additionally numbered “Chameroy – 178”. The movement has undergone professional servicing and is in working order. During inspection, a historical presentation inscription was discovered on the interior of the base beneath a brass cover: “Wedding gift to Marie Dessarps …”, adding notable memorial and provenance value.Marks: Movement signed “S. Marti & Cie – Médaille de Bronze”; numbered “Chameroy – 178”.Dimensions: 50 × 37.5 × 23.5 cm.Weight: Approx. 6,900 g.Condition: Good, with natural traces of age and use.Provenance: France, Paris; private European collection. Accompanied by a CITES certificate permitting circulation within the EU.
28500 EUR
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