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Painting Still Life with Dog1651 by JAN FYT.
Painting Still Life with Dog1651 by JAN FYT.
J.FYT. Still Life with a Dog. Oil on canvas. 103Х135,5 cm. Signature at bottom center. 1651.The work presented is attributed to the renowned Flemish painter and printmaker Jan Fyt (1611-1661) as part of a later series of hunting scenes created by the artist.A monumental canvas in the style of Flemish novelists is built as a circular composition around a dog with the prey and the diagonal of a hare and a gun. The living and the dead in the circle of being are presented as trophies of excitement and the experience of comprehending life. Our agent, a hunting dog, - a lively genuine interest in life involuntarily rests on and is compared with a dead hare. You cannot escape death. The contrast between the desk of an abandoned bandolier and a barely noticeable sanctuary in the upper right corner is also indicative. This is the sacred opposition of vain and eternal. The apparent power and power of fate. High moral and ethical and human experiences are characteristic trace of Flemish novelists in world art. This work is no exception.The painting consists of many details inherent in the artist on the theme of hunting. First of all, one can note the hunting dog located on the left side of the picture, looking at a dead bird lying on the floor, as well as a hare suspended by the leg located in the central part of the picture. Figures of animals and birds were created by the artist in an amazingly realistic manner. This work is distinguished by the decorative effect of the composition, the sophistication of golden color, rich in tonal transitions and shades of color, the virtuoso transfer of the silky plumage of the birds and the texture of the animal hair depicted in the picture. The contrasts of light and shadow passing through the presented elements of the picture help to give them greater platicity and dynamism, which is also facilitated by the inclusion of vertical and horizontal lines in the part of the interior items depicted in the picture, the gun and the silhouette of a tree placed in the background of the work. unusually large, highlighting the chosen theme of a successful hunt.On the depicted butt of a hunting rifle, lying on the floor in the central part of the picture, the artist placed the authors signature J.FYT as well as the date 1651.The painting undoubtedly has artistic and historical significance, being an excellent example of the work of the artist Jan Fyt during his life in Antwerp.Canvas dimensions: 84.5 x 118.5 cm.Previously restored. The canvas is duplicated.Historical reference:The depiction of still-life hunting compositions with weapons and killed animals was one of the favorite themes in the works of Dutch artists of the 16th-17th centuries, who served as decorations for the walls of hunting lodges and castles of the European nobility.Hunting trophies were proof of the valor of the owners of the dwelling. The entourage of the heads and skins of killed animals, which were attached to the castles, were successfully complemented by picturesque compositions with hunting scenes and hunting still lifes.Hunting still lifes created by artists of the 16th - 17th centuries were a kind of message to the world in which the authors of the works laid the deep meaning and symbolism of this era.
Begins 20.05.2024
Unique watch from the Napoleon III era. Paris 19th century.
Unique watch from the Napoleon III era. Paris 19th century.
Unique watch of the Napoleon III era in a neoclassical style made of ivory. The porcelain dial, presumably from the royal manufacture of Sevres, is decorated with the image of a flying Cupid with a wreath and musical instruments. Time scale with Roman numerals on a gilded blue background in a gilded brass frame. The lower frieze is painted with oil paints, decorated with images of playing Cupids, musical instruments and flower garlands. The clock is mounted on an ivory pedestal decorated with decor. The mechanism is marked “S. Marti & Cie - Bronze Medal and the badge Chameroy - 178.S. Marti was a famous watchmaker in the second half of the 19th century. S. Marti regularly exhibited his watches at exhibitions in Paris, where he received a Certificate of Honor in 1839, a bronze medal in 1860, a silver medal in 1889 and several gold medals (1841, 1851, 1852, 1900) between 1860 and 1900 years after the company received its bronze medal at the Paris Exhibition in 1860, the medal was indicated on the mechanism as a reward for quality. In the 1860s, the company collaborated with various famous French watchmakers, incl. Roux and Japy Frères. In the archives, Chameroy was listed among the Parisian watchmakers of the 19th century. During the inspection of the clock, a gift inscription was found on the inside of the pedestal with a closed brass plate - Wedding gift to Marie Dessarps... Dimensions: 50 x 37.5 x 23.5 cm. Total weight about 6900 g. An audit of the mechanism was carried out. CITES certificate for bone within the EU.
Begins 18.05.2024
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