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Golden powder box. Violettes Paris. Around 1860.

Golden powder box. Violettes Paris. Around 1860.

Round gold enamel powder box Violettes Paris circa 1860. On a noble, dark brown background with a golden net and antique grotesques, the lid depicts a preening nymph with a cupid adorning her hair. The vignette at the base depicts a flirtatious scene, apparently with the same cherub, dove and basket of flowers, again in pursuit of the escaping mistress. Labeled: Violettes Paris. On the inside of the rim there is a memorial date: April 18, 1880. Parisian gold hallmarks from 1838, corresponding to 750 standard, are on the bottom of the powder compact. Inside the lid there is an original mirror. Height: 3cm. length-5cm. Weight:73.94g

Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century

Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century

Biscuit figure boy

Biscuit figure boy

Porcelain figure Pantera

Porcelain figure Pantera

Ceramic plate Lady with roses

Ceramic plate Lady with roses

Drawing from the series Proletariat

Drawing from the series Proletariat

Bidding is completed

SILVER HIP FLASK. MAPPIN & WEBB. SHEFFIELD, ENGLAND. 1918

SILVER HIP FLASK. MAPPIN & WEBB. SHEFFIELD, ENGLAND. 1918

Fireplace clock set

Fireplace clock set

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Mantel clock Cavalryman

Mantel clock Cavalryman

Icon Selected Holidays. Palekh. XIX century.

Icon Selected Holidays. Palekh. XIX century.

Icon 12 principal Christian feastIn the central part of the icon is the Introduction to the Church of Our Lady of Sorrows and Virgin Mary. In the center of the icon is the three-year-old Virgin Mary, who was brought to the temple by Her parents - Joachim and Anna. For a long time they were childless and took a vow: if the Lord gives them parental happiness, then they will devote the Infant to God. It was a sacrifice - to give their only, long-awaited child. The icon shows the fulfillment of a promise: Joachim and Anna bring little Mary to the temple, where the Jerusalem priest meets the family. According to Church Tradition, he was the righteous Zacharias, the future father of John the Baptist, therefore, on the icon, his head is surrounded by a halo. Behind the priest is the Holy Gates of Saints (a special place in the Jerusalem temple), where the main shrines of the Jewish people were stored in the ark.In the upper part is the icon of the Annunciation of the Blessed Virgin Mary.In the lower part of the Icon Assumption of the Blessed Virgin MaryIn the circle of the central part of the icon of saints: Tatiana, Sandra, Anna, Paul, Catherine, Mary Magdalene.Material: wood, gesso, tempera, Palekh, XIX century

Mahogany table decorated with marquetry in the style of Louis XV, Francois Linke. Late 19th century

Mahogany table decorated with marquetry in the style of Louis XV, Francois Linke. Late 19th century

Picturesque porcelain layer. Hortense RICHARD (1847-1900) Exorcist.

Picturesque porcelain layer. Hortense RICHARD (1847-1900) Exorcist.

Bouhon. Fireplace screen in gilded bronze with metal protective mesh, Louis XV style.

Bouhon. Fireplace screen in gilded bronze with metal protective mesh, Louis XV style.

Tiffany style lamp. Orange tree .

Tiffany style lamp. Orange tree .

Fruit vase, France. Around 1900

Fruit vase, France. Around 1900

Russian silver kovsh

Russian silver kovsh

Colored crystal fruit bowl with silver finish

Colored crystal fruit bowl with silver finish

Icon Kursk-Root Our Lady of the Sign. Klishin Andrian Iakimov. Vologda Russia 1802

Icon Kursk-Root Our Lady of the Sign. Klishin Andrian Iakimov. Vologda Russia 1802

A rare Orthodox icon is a work of the Vologda icon painting school, created at the turn of the 18th and 19th centuries. The icon is decorated with a chased silver frame made by the silversmith Klishin Andrian Iakimov in 1802. The composition of the icon depicts the miraculous image of the Holy Mother of God with the Child, surrounded at the edges by the figures of the Lord of hosts and the Old Testament prophets. The frame, made in the classical style with elements of baroque, is distinguished by a high artistic level of chasing, refined gilding and detailed engraving, demonstrating the exceptional skill of the jewelers of the Russian north. Dimensions: Height: 41.5 cm Width: 35 cm Hallmarks: Cyrillic letters AK in a square shield corresponding to the workshop of Klishin Adrian Iakimov (1794-1833). Assay mark of the city of Vologda with the initials ГШ master Shishkin Grigory, active in 1790-1806, under the numbers 1802. Corresponds to the catalog of hallmarks of Postnikova-Loseva No. 310 and 324. Historical information: Klishin Adrian Ioakimov was born in 1768 in Vologda and died in 1833 in Moscow. His father, Ioakim Klishin, was a famous silversmith who created church utensils and icon frames. Andrian Klishin continued the family craft from 1794 to 1828, personally fulfilling orders for church items. In 1804, he was invited to the Kirillo-Belozersky Monastery to create a canopy over the shrine of St. Kirill. The canopy was decorated with chased brands and garlands, demonstrating the master`s skill. The works created by the master are stored in the largest museums of Russia and are an important historical and cultural heritage. Kursk Root Icon of the Mother of God Sign - The Kursk Icon of the Mother of God Sign is the most revered icon of the Russian Orthodox Church Abroad. The icon of the Mother of God with the Child, surrounded by images of the Lord of Sabaoth and the Old Testament prophets, is revered as miraculous, belongs to the Oranta (Sign) iconographic type. The original is located in the Synodal Cathedral of the Sign of the Russian Orthodox Church Abroad in New York, USA. The special help of the Mother of God through this icon is associated with important events in the history of Russia: the liberation war of the Russian people during the Polish-Lithuanian invasion of 1612 and the Patriotic War of 1812. The miraculous icon of the Mother of God The Sign of Kursk-Root was on Russian soil for the last time on September 14, 1920 in Crimea, in the troops fighting against the Bolsheviks. Having left Russia in 1920, the holy icon became the Hodegetria (Guide) of the Russian Diaspora, constantly staying with all the first hierarchs of the Russian Orthodox Church Abroad.Отправить отзывБоковые панелиИсторияСохраненные

Bronze figure of Bodhidharma

Bronze figure of Bodhidharma

White gold bracelet with diamonds and sapphire

White gold bracelet with diamonds and sapphire

Painted flowerpot-kashpo

Painted flowerpot-kashpo

Porcelain composition Musicians

Porcelain composition Musicians

Winter landscape

Winter landscape

RARE SILVER EROTIC MUSICAL BOX ITALY, 1930s

RARE SILVER EROTIC MUSICAL BOX ITALY, 1930s

HUBLOT BIG BANG DIAMOND SWITZERLAND, 21TH CENTURY

HUBLOT BIG BANG DIAMOND SWITZERLAND, 21TH CENTURY

NICOLS & PLINKE. A SILVER WINE JUG WITH CUT-GLASS BODY ST PETERSBURG, RUSSIA, LATE 19TH CENTURY

NICOLS & PLINKE. A SILVER WINE JUG WITH CUT-GLASS BODY ST PETERSBURG, RUSSIA, LATE 19TH CENTURY

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