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LARGE SALON VASE WITH FLORAL BOUQUETS. ERNST AUGUST LEUTERITZ GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
LARGE SALON VASE WITH FLORAL BOUQUETS. ERNST AUGUST LEUTERITZ GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
A large museum-level salon vase produced at the Meissen Porcelain Manufactory after a model by the distinguished sculptor and modeller Ernst August Leuteritz. The monumental form, rooted in Neo-Renaissance and Neo-Baroque traditions, is conceived as an elongated baluster set on a profiled circular foot with a broad, stable base.The vase is constructed in two parts and displays a pronounced architectural silhouette. The high neck with a richly articulated rim is decorated with an ornamental frieze and a sculptural “pearl” moulding. Two powerful scroll handles, accentuated with gilded mounts, create a ceremonial and symmetrical rhythm. The lower body and base are enriched with finely modelled acanthus leaves, lavishly highlighted with gilding and executed with exceptional precision.The body is covered in a deep royal cobalt glaze, characteristic of Meissen’s prestigious works of the nineteenth century. On the central reserves, finely painted polychrome floral bouquets depicting roses and chrysanthemums are rendered in a highly accomplished overglaze technique. The painterly treatment reveals subtle tonal gradations, delicate modelling of petals and foliage, and a refined chromatic balance. Rich gilding frames the composition and enhances the overall impression of opulence and decorative splendour.Marks: Underglaze blue crossed swords mark of the Meissen Porcelain Manufactory; first quality mark.Dimensions: Height: 60 cm. Width: 35 cm. Depth: 35 cm.Material: Porcelain. Underglaze and overglaze painting. Cobalt glaze. Gilding.Condition: Good. Minor signs of age consistent with period. No chips or cracks. Gilding well preserved.
08 ч 35 min
SILVER THRONE-FORM SALT CELLAR WITH NIELLO AND THE PROVERB “WITHOUT SALT AND BREAD, HALF THE MEAL” MOSCOW, 1866
SILVER THRONE-FORM SALT CELLAR WITH NIELLO AND THE PROVERB “WITHOUT SALT AND BREAD, HALF THE MEAL” MOSCOW, 1866
Bidding is completed
A. Lanin. Buffoon. Monotype. 1965.
A. Lanin. Buffoon. Monotype. 1965.
1405 USD
SILVER-GILT SALT THRONE, IVAN KHLEBNIKOV FIRM, MOSCOW, 1875
SILVER-GILT SALT THRONE, IVAN KHLEBNIKOV FIRM, MOSCOW, 1875
Bidding is completed
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
Bidding is completed
DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830
DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830
Begins 03.05.2026 10:00:00
Painting School of Hate. Igor Corti. 1971
Painting School of Hate. Igor Corti. 1971
1580 USD
Igor Corti. In Crimea. 1970 g.
Igor Corti. In Crimea. 1970 g.
1346 USD
I. Ryazhsky. Still life with a mug and flowers.
I. Ryazhsky. Still life with a mug and flowers.
878 USD
Painting At the Fountain.
Painting At the Fountain.
820 USD
PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY
PLAYING WITH CATS. ALEXANDER RIZZONI (1836 - 1902) RUSSIA - ITALY, SECOND HALF OF THE 19TH CENTURY
An intimate genre composition defined by a subtle interplay of light and shadow, characteristic of Alexander Rizzoni’s artistic circle. Within the dim interior of what appears to be a vegetable cellar, a young boy is depicted playing with several cats. Concealing a bundle of turnips behind his back, he teases a cat perched upon a worn barrel. A narrow shaft of light penetrates through a small window, illuminating the child’s gesture and animated expression, while the warm ochre and brown tonalities enhance the atmosphere of humble domesticity.Despite its apparent simplicity, the scene carries a nuanced layer of social observation consistent with Russian Realism of the second half of the nineteenth century. The artist avoids overt dramatization, instead focusing on the quiet dignity of childhood. The modest amusements of impoverished youth become a reflection on resilience and innate vitality. Compassion and contemplative distance coexist within the composition, revealing the dual influence of the Russian academic tradition and Italian genre painting.Signed lower right.The work is attributed to Alexander Rizzoni (Alessandro Rizzoni, 1836 - 1902) on the basis of stylistic analysis, compositional structure, and painterly execution consistent with his genre works of the 1870s and 1880s.Dimensions: 41 x 33 cmMaterial: Oil on canvasCondition: Good. The paint surface is stable. Minor age-related wear consistent with the period.Provenance: Private European collection
Bidding is completed
Landscape Haystacks. Raimonds Auniņš (1907-1960).
Landscape Haystacks. Raimonds Auniņš (1907-1960).
539 USD
TAHAN Carriage Bar in Napoleon III Style. 19th Century.
TAHAN Carriage Bar in Napoleon III Style. 19th Century.
Begins 03.05.2026 10:00:00
Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century
Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century
Begins 03.05.2026 10:00:00
KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912
KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912
Bidding is completed
RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY
RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY
Bidding is completed
RUSSIAN SILVER SPOON WITH A PAINTED ENAMEL COMPOSITION “TROIKA”. WORKSHOP OF VASILY IVANOVICH KANGIN RUSSIA, SAINT PETERSBURG, 1899-1908
RUSSIAN SILVER SPOON WITH A PAINTED ENAMEL COMPOSITION “TROIKA”. WORKSHOP OF VASILY IVANOVICH KANGIN RUSSIA, SAINT PETERSBURG, 1899-1908
Bidding is completed
PORCELAIN GARNITURE. MANUFACTURE NATIONALE DE SÈVRES FRANCE, 1819
PORCELAIN GARNITURE. MANUFACTURE NATIONALE DE SÈVRES FRANCE, 1819
Begins 03.05.2026 10:00:00
DISH “BACCHUS”. NEO-RENAISSANCE, IN THE MANNER OF JOHANN MICHAEL MAUCHER (1645–1701) GERMANY, 19TH CENTURY
DISH “BACCHUS”. NEO-RENAISSANCE, IN THE MANNER OF JOHANN MICHAEL MAUCHER (1645–1701) GERMANY, 19TH CENTURY
A magnificent Neo-Renaissance decorative dish executed in carved ivory inlaid on a wooden support, created in the manner of the works of the eminent German master Johann Michael Maucher (1645–1701). The composition forms a complex and carefully conceived ensemble with a rich mythological programme, drawing upon themes of Classical antiquity characteristic of Renaissance decorative arts and reinterpreted in the 19th century.The central medallion is adorned with a relief depiction of Dionysus (Bacchus) drinking from a cup, accompanied by his followers and a goat as a traditional attribute of wine worship, set against a forest landscape with vine tendrils. Radiating from the centre are eight oval cartouches forming a continuous narrative cycle. These depict the contest between Marsyas and Apollo judged by King Midas; Zeus seducing Callisto; Callisto exposed and punished by Diana; Zeus rescuing Callisto and placing her among the stars as Ursa Major; the abduction of Proserpina by Pluto; the advances of a satyr towards a nymph; Actaeon punished by Diana for voyeurism; and the abduction of the nymph Io by Zeus concealed in a cloud.The carved relief displays a high level of artistic refinement. Finely modelled figures, fluid drapery and a wealth of subsidiary motifs lend the composition depth and rhythmic harmony. The brass binding hoops serve both structural and decorative functions, enhancing the architectural coherence of the form. The reverse is executed in dark-stained wood, revealing the traces of hand craftsmanship.Material: Carved ivory, wood, brass, deer antler.Dimensions: Diameter 46.5 cm.Weight: 2700 g.Condition: Good. Minor age-related surface changes consistent with the period. No losses, cracks or later interventions observed.Provenance: Probably Germany, 19th century.
08 ч 35 min
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
Bidding is completed
Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia. 19th century.
Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia. 19th century.
Bidding is completed
Molded shelf with angels
Molded shelf with angels
Begins 03.05.2026 10:00:00
Music box. I.Ch.Detmering Hamburg. 19th century.
Music box. I.Ch.Detmering Hamburg. 19th century.
Begins 03.05.2026 10:00:00
Gold ring with tanzanite and diamonds.
Gold ring with tanzanite and diamonds.
28670 USD
Porcelain slab Love Game, KPM Berlin, circa 1830
Porcelain slab Love Game, KPM Berlin, circa 1830
Begins 03.05.2026 10:00:00
Wine Tasting Cup/ Tastevin
Wine Tasting Cup/ Tastevin
Begins 03.05.2026 10:00:00
Glass holder Flowers
Glass holder Flowers
Begins 03.05.2026 10:00:00
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