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Russian silver snuffbox with gold decor. Mid 19th century.

Russian silver snuffbox with gold decor. Mid 19th century.

Silver snuffbox with applied gold, Baroque style. Personalized image of luxury and nobility. Observes baroque proportions, canons and forms. Fits perfectly into the anatomy of the hand. The mysterious shimmer of silver pleasantly sets off the festive and sublime sparkle of golden curls and shoots that adorned the snuffbox from all sides. St. Petersburg 185? 84 standard silver, gilding. Assay master Branderburg Eduard Fedorovich 1850-1866 Author`s initials: SE. Ernst Karl. (Ernst Car). Known as a goldsmith since 1800. He had a workshop in 1849. There are works of the 1850s. Weight: 129 gr.

MEDAL DISPLAY CABINET EUROPE, TURN OF THE 19TH AND 20TH CENTURY

MEDAL DISPLAY CABINET EUROPE, TURN OF THE 19TH AND 20TH CENTURY

SILVER LETTER OPENER WITH A PEASANT FIGURE, KARL FABERGÉ FIRM, MOSCOW, 1880s

SILVER LETTER OPENER WITH A PEASANT FIGURE, KARL FABERGÉ FIRM, MOSCOW, 1880s

Bidding is completed

SET OF SIX CLOISONNÉ ENAMEL SILVER TEASPOONS IN A PRESENTATION CASE. GRACHEV BROTHERS RUSSIA, SAINT PETERSBURG, LAST QUARTER OF THE 19TH CENTURY

SET OF SIX CLOISONNÉ ENAMEL SILVER TEASPOONS IN A PRESENTATION CASE. GRACHEV BROTHERS RUSSIA, SAINT PETERSBURG, LAST QUARTER OF THE 19TH CENTURY

Platinum ring with gold, diamonds, agate and coral.

Platinum ring with gold, diamonds, agate and coral.

French porcelain teacup and saucer.

French porcelain teacup and saucer.

White gold ring with synthetic ruby and diamonds.

White gold ring with synthetic ruby and diamonds.

Roberto Coin Diamond Gold Elephant Skin Jewelry Set.

Roberto Coin Diamond Gold Elephant Skin Jewelry Set.

Chromolithography from Okhota. Peter Sokolov.

Chromolithography from Okhota. Peter Sokolov.

Still life with a flower and books. Zigfrīds Vēžnieks.

Still life with a flower and books. Zigfrīds Vēžnieks.

SWISS ENAMEL TOBACCO BOX IN 14K GOLD WITH MINIATURE, GENEVA, 19TH CENTURY

SWISS ENAMEL TOBACCO BOX IN 14K GOLD WITH MINIATURE, GENEVA, 19TH CENTURY

A rare octagonal tobacco box crafted from 14K gold, created in the second half of the 19th century in Geneva, in the workshop of Pierre Girard. This piece exemplifies high-level jewellery craftsmanship, combining miniature enamel painting, guilloché engraving, and refined ornamental detail. The central element of the hinged lid features an enamel miniature depicting a romantic scene in the gallant style. The composition is finely rendered and enclosed within an oval frame of opaque sky-blue enamel, adorned with neoclassical floral motifs. The sides of the case are decorated with a guilloché pattern beneath translucent enamel, enhanced with white enamel ribbon-like waves. The base is designed with alternating vertical segments of white and blue enamel, emphasizing the symmetry and architectural structure of the form. The tobacco box reflects the harmony of proportion and technical perfection characteristic of the Geneva school. Marks: maker’s mark of Pierre Girard, Swiss gold hallmarks post-1881, item number 4281 Dimensions: Width 8.5 cm, depth 6 cm, height 1.5 cm . Weight: 122 g Condition: Excellent collector’s condition Provenance: Private collection, Monaco

Bidding is completed

Double-sided poster 1921

Double-sided poster 1921

Painting Neopolitan.

Painting Neopolitan.

RUSSIAN PRESENTATION SILVER KOVSH IN ART NOUVEAU STYLE. ALEXANDER VYAKOVA. FIRM OF C. FABERGÉ SAINT PETERSBURG, EARLY 20TH CENTURY

RUSSIAN PRESENTATION SILVER KOVSH IN ART NOUVEAU STYLE. ALEXANDER VYAKOVA. FIRM OF C. FABERGÉ SAINT PETERSBURG, EARLY 20TH CENTURY

Bidding is completed

Medallion Alexander III. Kasli iron foundry.

Medallion Alexander III. Kasli iron foundry.

Medal For Diligence, with a portrait of Emperor Alexander III. Russia.

Medal For Diligence, with a portrait of Emperor Alexander III. Russia.

SILVER SHOT CUP WITH POLYCHROME PLIQUE-À-JOUR ENAMEL. PAVEL OVCHINNIKOV WORKSHOP RUSSIA, MOSCOW, TURN OF THE 19TH–20TH CENTURIES

SILVER SHOT CUP WITH POLYCHROME PLIQUE-À-JOUR ENAMEL. PAVEL OVCHINNIKOV WORKSHOP RUSSIA, MOSCOW, TURN OF THE 19TH–20TH CENTURIES

Bidding is completed

Tea pair from the Kuznetsov factory in Volkhov. 1880s.

Tea pair from the Kuznetsov factory in Volkhov. 1880s.

Bidding is completed

FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S

FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S

A large-scale work by Fernand Albert Renault that reveals the key artistic principles of the master during his mature period. The painting demonstrates the characteristic synthesis in Renault’s oeuvre of classical compositional structure and a free, vigorous painterly manner shaped by the influence of Fauvism and the Paris School of the interwar years.At the center of the composition lies a nude couple placed within a natural coastal landscape. Renault constructs the scene according to a balanced diagonal rhythm: the luminous female figure, rendered in broad, vibrating strokes of ochre and rose tones, forms the principal plastic accent of the foreground. The male figure, treated in denser, more saturated brown and olive hues, establishes a tonal contrast and intensifies the dramatic interplay of light and shadow.For Renault, color functions as an independent expressive force. In this composition, the scarlet, emerald, and lemon accents of the draped fabrics do not merely describe objects, but rather create the emotional atmosphere of the painting. The foliage and openings of sky are resolved in free patches of pigment that evoke moving air and the pulsation of sunlight.The background scene, depicting figures subduing horses, carries particular significance. This motif recurs in Renault’s work as a symbol of vital energy and masculine initiative. Within the context of this painting, it enters into a meaningful dialogue with the intimate foreground scene, reinforcing the themes of attraction, strength, and inner impulse.Unlike academic treatments of the nude, Renault avoids cold idealization. His figures exist within the realm of color and light rather than anatomical display. Corporality is conveyed through the plastic mass of the brushstroke, where color replaces line. This characteristic allows the work to be situated within French Neotraditionalism of the 1930s, which sought to preserve figuration while rejecting excessive academic rigidity.The artist’s signature appears in the lower right corner.Dimensions: Canvas 99 x 132 centimeters. Frame 128 x 163 centimeters.Material: Oil on canvas.Condition: Good. The paint layer is stable and without significant losses. The frame shows natural signs of age.Provenance: Private collection.

Decorative plate. Kuznetsov

Decorative plate. Kuznetsov

Bidding is completed

Silver candy bowl Rook. Moscow. 2nd artel.

Silver candy bowl Rook. Moscow. 2nd artel.

The Eye J. Jeschke

The Eye J. Jeschke

Bidding is completed

Golden ring with ruby.

Golden ring with ruby.

Alexander Ivanovich Misurev. Jnte. Winter landscape .

Alexander Ivanovich Misurev. Jnte. Winter landscape .

Painting Subcarpathian Rus, Normand Yevgeny Osipovich. 1930.

Painting Subcarpathian Rus, Normand Yevgeny Osipovich. 1930.

Study Summer Day. Serov Vasily Vasilievich (1911 - 1992). 1973 g.

Study Summer Day. Serov Vasily Vasilievich (1911 - 1992). 1973 g.

French engraving of the 18th century by David Teniers. Return from the tavern.

French engraving of the 18th century by David Teniers. Return from the tavern.

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