Russian art

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CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

A ceremonial Caucasian shashka executed in the traditions of the North Caucasian arms workshops of the second half of the 19th century. The piece represents a distinguished example of edged weaponry of the Russian Empire, combining martial functionality with refined metal craftsmanship characteristic of Dagestan and related regional centres.The blade is steel, single-edged and moderately curved, with fullers providing both structural strength and lightness. The surface is free of etched ornament, bearing engraving on one side only. Its geometry corresponds to the classical Caucasian shashka type, designed for powerful cutting strokes with extended draw, distinguishing it from European sabres.The hilt is without a guard and features the characteristic “goose-neck” pommel. The grip scales are made of bone and secured with gilt silver mounts. The silver elements are decorated with niello ornament and stylised vegetal motifs, executed in traditional engraving filled with blackened alloy. The contrast between gilt silver, deep niello and light bone creates a striking decorative effect and emphasises the ceremonial nature of the weapon.The scabbard is wooden, leather-covered, and fitted with richly decorated gilt silver mounts. The ornamental system is structured around repeating medallions and stylised vegetal motifs typical of 19th-century Caucasian metalwork. Suspension rings for a sword belt are present. The construction corresponds to the Cossack method of wear adopted after the official inclusion of the shashka into the armament of the Russian Army.The artistic quality of execution, together with the use of gilt silver and bone inlay, suggests a ceremonial or officer’s weapon intended not only for service but also for the display of social rank.Marks: No marks observed on the visible elements.Dimensions: Overall length - 104 cm; Width - 9 cm.Condition: Good. Natural patina to the silver mounts, minor traces of age and light surface scratches to the blade. Decorative elements preserved.Provenance: Private collection.

Bidding is completed

Painting Time-Out. Karjakin Vladimir Vasilievich.

Painting Time-Out. Karjakin Vladimir Vasilievich.

Lithographic illustration of Van Gogh with an addition.

Lithographic illustration of Van Gogh with an addition.

ISAAC ILYICH LEVITAN (1860–1900) COUNTRY ROAD LATE 19TH CENTURY

ISAAC ILYICH LEVITAN (1860–1900) COUNTRY ROAD LATE 19TH CENTURY

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Painting Still life with a jug. Konstantin Ronchevsky.

Painting Still life with a jug. Konstantin Ronchevsky.

Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923

Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923

Vitaly Anatolyevich Polyakov. Down the Volga. 1959 year.

Vitaly Anatolyevich Polyakov. Down the Volga. 1959 year.

V.A.Polyakov "Crimea. Rocky shore .

V.A.Polyakov "Crimea. Rocky shore .

Painting Russian Troika.

Painting Russian Troika.

SILVER SALT CELLAR WITH CLOISONNÉ ENAMEL. M. OVCHINNIKOV MOSCOW, RUSSIA, 1908 - 1917

SILVER SALT CELLAR WITH CLOISONNÉ ENAMEL. M. OVCHINNIKOV MOSCOW, RUSSIA, 1908 - 1917

Bidding is completed

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

An exquisite silver ladle, made in the shape of a boat, is a magnificent example of decorative and applied art of the late 19th – early 20th centuries, created in the neo-Russian style. This artistic tradition combines elements of ancient Russian architecture and ornamentation, which is clearly evident in the design of the ladle. The inside of the ladle and the curved handle are decorated with an elegant floral ornament made using the cloisonné enamel technique. The central element of the composition is a double-headed eagle, the official symbol of the Russian Empire, skillfully decorated with turquoise enamel and framed by a refined gilded edging. The composition is complemented by a complex floral pattern made in rich and pastel shades, creating a harmonious balance and emphasizing the sophistication of the work. Hallmarks: The master`s name in Cyrillic letters NZ. Assay mark of Saint Petersburg with the image of the city coat of arms and the number 84, in an oval shield, corresponding to the last quarter of the 19th century. Dimensions: Length: 17 cm, Width: 9 cm, Height: 5 cm. Weight: 216 g.

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ALEXANDRA EGOROVNA MAKOVSKAJA (1837 - 1915) FOREST ROAD RUSSIA, 1889

ALEXANDRA EGOROVNA MAKOVSKAJA (1837 - 1915) FOREST ROAD RUSSIA, 1889

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The painting Christmas divination. Copy of a painting by Makovsky. The beginning of the 20th century.

The painting Christmas divination. Copy of a painting by Makovsky. The beginning of the 20th century.

Painting Still Life. Disciple, follower of Vinogradov. 1930s

Painting Still Life. Disciple, follower of Vinogradov. 1930s

Vladimir Andrienko. Summer Landscape. (1926 - 1995, Riga)

Vladimir Andrienko. Summer Landscape. (1926 - 1995, Riga)

VLADIMIR NIKOLAEVICH NEMUKHIN (1925 - 2016). “JACK”, 1969 USSR, 1969

VLADIMIR NIKOLAEVICH NEMUKHIN (1925 - 2016). “JACK”, 1969 USSR, 1969

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UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855

UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855

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SILVER THRONE-SHAPED SALT CELLAR WITH THE PROVERB «WITHOUT SALT AND WITHOUT BREAD, HALF THE MEAL IS LOST» RUSSIA, MOSCOW, 1882

SILVER THRONE-SHAPED SALT CELLAR WITH THE PROVERB «WITHOUT SALT AND WITHOUT BREAD, HALF THE MEAL IS LOST» RUSSIA, MOSCOW, 1882

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SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908

SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908

An elegant rectangular silver snuff box, executed by the silversmith Ivan Savelyevich Britsyn for the firm of Joseph Abramovich Marshak in St Petersburg. The lid is decorated with deep blue guilloché enamel forming a radiating sunburst pattern, converging toward a central accent set with a diamond, interpreted as a symbolic representation of a luminary.The composition is further enhanced by finely executed laurel garlands in two-colour gold, emphasising the ceremonial and status-driven character of the object. The strict geometry of the form, combined with restrained ornamentation and the noble contrast of enamel and precious metals, reflects the aesthetics of late Imperial jewellery art at the turn of the 20th century. The sides are adorned with delicate guilloché engraving, creating a refined play of light. The interior is fully gilded, in keeping with the highest standards of manufacture for luxury silver objects of the period.Marks: Maker’s mark “I. MARSHAK” of the firm of Joseph Abramovich Marshak, St Petersburg; St Petersburg assay mark with silver fineness “88” and kokoshnik head; Master’s mark “I.B” corresponding to Ivan Savelyevich Britsyn.Dimensions: 7 × 3.7 × 1.5 cm.Weight: 150 g.Condition: Good collector’s condition.Provenance: Private collection.

Bidding is completed

SILVER THRONE-SHAPED SALT CELLAR WITH NIELLO MOSCOW, 1864

SILVER THRONE-SHAPED SALT CELLAR WITH NIELLO MOSCOW, 1864

Bidding is completed

SILVER THRONE-FORM SALT CELLAR WITH NIELLO AND THE PROVERB “WITHOUT SALT AND BREAD, HALF THE MEAL” MOSCOW, 1866

SILVER THRONE-FORM SALT CELLAR WITH NIELLO AND THE PROVERB “WITHOUT SALT AND BREAD, HALF THE MEAL” MOSCOW, 1866

Bidding is completed

A. Lanin. Buffoon. Monotype. 1965.

A. Lanin. Buffoon. Monotype. 1965.

SILVER-GILT SALT THRONE, IVAN KHLEBNIKOV FIRM, MOSCOW, 1875

SILVER-GILT SALT THRONE, IVAN KHLEBNIKOV FIRM, MOSCOW, 1875

Bidding is completed

TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY

TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY

Bidding is completed

Painting School of Hate. Igor Corti. 1971

Painting School of Hate. Igor Corti. 1971

Igor Corti. In Crimea. 1970 g.

Igor Corti. In Crimea. 1970 g.

RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY

RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY

Bidding is completed

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