Russian art

...2 3 456 7 8 ...11

Large Russian silver cup. Ekvist Carl Gustav. St. Petersburg, mid-19th century.

Large Russian silver cup. Ekvist Carl Gustav. St. Petersburg, mid-19th century.

Large Russian silver cup, created by master Ekvist Carl Gustav in the mid-19th century, amazes with its fine workmanship and rich decorative decoration. The design of the cup glorifies the art of winemaking: graceful gilded garlands of grapevine with bunches of grapes are harmoniously intertwined with figures of music-making nymphs, creating an atmosphere of antique sophistication. Rocaille motifs with winged horses and flowerpots add expressiveness and dynamics to the composition. The handles of the cup, designed in the form of a grapevine, create an effect of sculptural sophistication and refinement, echoing the aesthetics of the classicism style. The massive stem of the cup is decorated with a luxurious rocal gilded plant ornament, where every detail is executed with amazing skill and attention to detail. The internal silver insert emphasizes the practicality of the product, while perfectly complementing its artistic perfection. Hallmarks: The initials CGE in a rectangular shield, indicating the master Ekvist Carl Gustav; The hallmark of the St. Petersburg Assay Office with poorly legible numbers 18?? under the letters A.K., presumably referring to Andrei Antonovich Kovalsky (1827-1856); The sign of the 84th assay value in a rectangular shield, corresponding to the silver standards of the mid-19th century; The coat of arms of St. Petersburg; The French hallmark in the form of the head of Mercury in a round shield; An unknown hallmark with the Latin letters RM. Dimensions: height 27 cm, diameter 18 cm. Weight: 1098 g.

Silver ruble of Peter I, 1723. A. In an ermine mantle without the St. Andrew`s cross

Silver ruble of Peter I, 1723. A. In an ermine mantle without the St. Andrew`s cross

Antique Russian box "Kissing Rite".

Antique Russian box "Kissing Rite".

Julius Yulievich Klever (son). (1882-1942) Still life with fish .

Julius Yulievich Klever (son). (1882-1942) Still life with fish .

Porcelain Easter egg.

Porcelain Easter egg.

Suprematist slogan. Lets move production comrades.

Suprematist slogan. Lets move production comrades.

Ashtray Monkey. Kuznetsov factory. 19th century.

Ashtray Monkey. Kuznetsov factory. 19th century.

D.Koshutin. The Cuirassier Attack, 1902

D.Koshutin. The Cuirassier Attack, 1902

Advertising poster Phonograph Co.. Frères.

Advertising poster Phonograph Co.. Frères.

Dish for small items. Bogatyr Svyatogor. 1909.

Dish for small items. Bogatyr Svyatogor. 1909.

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

A ceremonial Caucasian shashka executed in the traditions of the North Caucasian arms workshops of the second half of the 19th century. The piece represents a distinguished example of edged weaponry of the Russian Empire, combining martial functionality with refined metal craftsmanship characteristic of Dagestan and related regional centres.The blade is steel, single-edged and moderately curved, with fullers providing both structural strength and lightness. The surface is free of etched ornament, bearing engraving on one side only. Its geometry corresponds to the classical Caucasian shashka type, designed for powerful cutting strokes with extended draw, distinguishing it from European sabres.The hilt is without a guard and features the characteristic “goose-neck” pommel. The grip scales are made of bone and secured with gilt silver mounts. The silver elements are decorated with niello ornament and stylised vegetal motifs, executed in traditional engraving filled with blackened alloy. The contrast between gilt silver, deep niello and light bone creates a striking decorative effect and emphasises the ceremonial nature of the weapon.The scabbard is wooden, leather-covered, and fitted with richly decorated gilt silver mounts. The ornamental system is structured around repeating medallions and stylised vegetal motifs typical of 19th-century Caucasian metalwork. Suspension rings for a sword belt are present. The construction corresponds to the Cossack method of wear adopted after the official inclusion of the shashka into the armament of the Russian Army.The artistic quality of execution, together with the use of gilt silver and bone inlay, suggests a ceremonial or officer’s weapon intended not only for service but also for the display of social rank.Marks: No marks observed on the visible elements.Dimensions: Overall length - 104 cm; Width - 9 cm.Condition: Good. Natural patina to the silver mounts, minor traces of age and light surface scratches to the blade. Decorative elements preserved.Provenance: Private collection.

Silver, gilded, with painted enamels samovar.

Silver, gilded, with painted enamels samovar.

Bust of a Boy in a Tunic. Konstantin Ignatievich Ronchevsky

Bust of a Boy in a Tunic. Konstantin Ignatievich Ronchevsky

Megaphone of the Revolution

Megaphone of the Revolution

A wedding pair of icons in silver frames in the Art Nouveau style. Moscow, early 20th century

A wedding pair of icons in silver frames in the Art Nouveau style. Moscow, early 20th century

Painting Still life with a jug. Konstantin Ronchevsky.

Painting Still life with a jug. Konstantin Ronchevsky.

Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923

Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923

Russian silver kovsh. Strulev N.F. 1896

Russian silver kovsh. Strulev N.F. 1896

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

An exquisite silver ladle, made in the shape of a boat, is a magnificent example of decorative and applied art of the late 19th – early 20th centuries, created in the neo-Russian style. This artistic tradition combines elements of ancient Russian architecture and ornamentation, which is clearly evident in the design of the ladle. The inside of the ladle and the curved handle are decorated with an elegant floral ornament made using the cloisonné enamel technique. The central element of the composition is a double-headed eagle, the official symbol of the Russian Empire, skillfully decorated with turquoise enamel and framed by a refined gilded edging. The composition is complemented by a complex floral pattern made in rich and pastel shades, creating a harmonious balance and emphasizing the sophistication of the work. Hallmarks: The master`s name in Cyrillic letters NZ. Assay mark of Saint Petersburg with the image of the city coat of arms and the number 84, in an oval shield, corresponding to the last quarter of the 19th century. Dimensions: Length: 17 cm, Width: 9 cm, Height: 5 cm. Weight: 216 g.

Carved figurine of an elephant in Faberge style. 20th century

Carved figurine of an elephant in Faberge style. 20th century

Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia. 19th century.

Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia. 19th century.

Russian, crystal vase with a silver frame. St. Petersburg. The turn of the 19th-20th centuries.

Russian, crystal vase with a silver frame. St. Petersburg. The turn of the 19th-20th centuries.

Gouache. Riga. V.D. Medvedev.

Gouache. Riga. V.D. Medvedev.

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

Luxurious 19th century wooden frame in Napoleon III style.

Luxurious 19th century wooden frame in Napoleon III style.

Engraving "Tsar Ivan the Terrible"

Engraving "Tsar Ivan the Terrible"

Porcelain plaque. Russia.

Porcelain plaque. Russia.

...2 3 456 7 8 ...11

Subscribe to our newsletter
Never miss new auctions

Subscribe