Russian art

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LARGE RUSSIAN SILVER KOVSH WITH CLOISONNÉ ENAMEL BY KONSTANTIN SKVORTSOV RUSSIA, MOSCOW, 1908–1917

LARGE RUSSIAN SILVER KOVSH WITH CLOISONNÉ ENAMEL BY KONSTANTIN SKVORTSOV RUSSIA, MOSCOW, 1908–1917

A large ceremonial Russian silver kovsh executed in Moscow by the silversmith Konstantin Illarionovich Skvortsov in the early 20th century. The vessel is conceived in the traditional form of a stylized boat, a shape rooted in ancient Russian ceremonial drinking vessels and widely revived in Moscow silver of the late Imperial period. The monumental silhouette provides a framework for an elaborate and richly articulated decorative program.The surface is adorned with high-quality polychrome cloisonné enamel applied to large panels featuring vegetal ornament and stylized floral clusters. Extremely fine silver wire partitions create a precise rhythmic structure, reflecting a high level of technical mastery. The color palette ranges from emerald green and deep cobalt blue to sky blue, coral and white tones, producing a harmonious and vibrant chromatic composition. The interior is finished with fire gilding, enhancing the visual richness of the piece and reinforcing its ceremonial character. The handle is decorated in the same ornamental language and seamlessly continues the overall decorative scheme.Hallmarks: Cyrillic initials “KS” in a rectangular cartouche, corresponding to the silversmith Konstantin Illarionovich Skvortsov; Moscow Assay Office hallmark with a woman’s head in a kokoshnik and silver standard “84”, dated 1908–1917; Additional assay marks; Presentation engraving on the inner side of the handle: letter “L” and date “1927”.Dimensions: Length 23 cm. Height 10 cm. Width 23 cm. Thickness 13 cm.Weight: 510 g.Condition: Good.Provenance: Private collection.

Bidding is completed

Painting Subcarpathian Rus, Normand Yevgeny Osipovich. 1930.

Painting Subcarpathian Rus, Normand Yevgeny Osipovich. 1930.

Study Summer Day. Serov Vasily Vasilievich (1911 - 1992). 1973 g.

Study Summer Day. Serov Vasily Vasilievich (1911 - 1992). 1973 g.

Alfred Alexander Gelhar. Blooming apple tree.

Alfred Alexander Gelhar. Blooming apple tree.

ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY

ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY

Bidding is completed

PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903

PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903

Bidding is completed

THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894

THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894

Bidding is completed

SILVER-GILT KOVSH WITH POLYCHROME ENAMELS. PAVEL OVTCHINNIKOV FIRM RUSSIA, MOSCOW, 1908–1917

SILVER-GILT KOVSH WITH POLYCHROME ENAMELS. PAVEL OVTCHINNIKOV FIRM RUSSIA, MOSCOW, 1908–1917

Bidding is completed

KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY

KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY

Bidding is completed

Suprematist slogan. Lets move production comrades.

Suprematist slogan. Lets move production comrades.

MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY

MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY

An exceptional museum-quality pair of ceremonial tazzas, created in the workshop of the Bratya Grachevy firm, official Purveyors to the Imperial Court, and reflecting the highest achievements of Russian jewellery and silversmithing art of the late nineteenth century.The composition is built on a striking contrast between the massive cut-crystal bowls and the sculptural silver stands, formed as stylised dolphins. The figures are rendered in dynamic movement, with finely chased scales and expressively modelled heads and fins. The dolphins’ tails support shell-shaped elements that form a refined transition between the stands and the bowls, lending the ensemble a harmonious and sculpturally unified silhouette.Each stand rests on three twisted branches adorned with relief foliage, enhancing the organic quality and decorative richness of the design. The crystal bowls are executed in deep cut techniques, featuring star-shaped rosettes and geometric patterns that create a rich play of light and emphasise the ceremonial character of the objects.Marks: Full maker’s mark “BR. GRACHEVY” with the double-headed eagle, characteristic of the Bratya Grachevy firm, Purveyors to the Imperial Court; state assay mark of the Saint Petersburg Assay Office with the “84” silver standard in an oval cartouche; assay mark with the coat of arms of Saint Petersburg, corresponding to the period of the late 1880s to early 1890s.Dimensions: Height: 23 cm and 25.5 cm (including crystal bowls). Diameter of crystal bowl: 28.8 cm.Weight: Total weight of the silver elements, excluding crystal bowls: 3944 g.Provenance: Private European collection.

Bidding is completed

Painting Seascape, Alexander Lagimov (1903-1990).

Painting Seascape, Alexander Lagimov (1903-1990).

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

Bidding is completed

D.Koshutin. The Cuirassier Attack, 1902

D.Koshutin. The Cuirassier Attack, 1902

Still life with Cup and Asters.

Still life with Cup and Asters.

Zenta Muceniece White Bird. 1970 year.

Zenta Muceniece White Bird. 1970 year.

Sketch for scenography The Tale of the Invisible City of Kitezh. Arturs Lapiņš

Sketch for scenography The Tale of the Invisible City of Kitezh. Arturs Lapiņš

Painting Children by the Fireplace. Copy of 20 years, author Novikov.

Painting Children by the Fireplace. Copy of 20 years, author Novikov.

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

A ceremonial Caucasian shashka executed in the traditions of the North Caucasian arms workshops of the second half of the 19th century. The piece represents a distinguished example of edged weaponry of the Russian Empire, combining martial functionality with refined metal craftsmanship characteristic of Dagestan and related regional centres.The blade is steel, single-edged and moderately curved, with fullers providing both structural strength and lightness. The surface is free of etched ornament, bearing engraving on one side only. Its geometry corresponds to the classical Caucasian shashka type, designed for powerful cutting strokes with extended draw, distinguishing it from European sabres.The hilt is without a guard and features the characteristic “goose-neck” pommel. The grip scales are made of bone and secured with gilt silver mounts. The silver elements are decorated with niello ornament and stylised vegetal motifs, executed in traditional engraving filled with blackened alloy. The contrast between gilt silver, deep niello and light bone creates a striking decorative effect and emphasises the ceremonial nature of the weapon.The scabbard is wooden, leather-covered, and fitted with richly decorated gilt silver mounts. The ornamental system is structured around repeating medallions and stylised vegetal motifs typical of 19th-century Caucasian metalwork. Suspension rings for a sword belt are present. The construction corresponds to the Cossack method of wear adopted after the official inclusion of the shashka into the armament of the Russian Army.The artistic quality of execution, together with the use of gilt silver and bone inlay, suggests a ceremonial or officer’s weapon intended not only for service but also for the display of social rank.Marks: No marks observed on the visible elements.Dimensions: Overall length - 104 cm; Width - 9 cm.Condition: Good. Natural patina to the silver mounts, minor traces of age and light surface scratches to the blade. Decorative elements preserved.Provenance: Private collection.

Bidding is completed

Bust of a Boy in a Tunic. Konstantin Ignatievich Ronchevsky

Bust of a Boy in a Tunic. Konstantin Ignatievich Ronchevsky

Megaphone of the Revolution

Megaphone of the Revolution

Advertising poster Phonograph Co.. Frères.

Advertising poster Phonograph Co.. Frères.

Melt waters Tolpekin

Melt waters Tolpekin

Painting Time-Out. Karjakin Vladimir Vasilievich.

Painting Time-Out. Karjakin Vladimir Vasilievich.

Lithographic illustration of Van Gogh with an addition.

Lithographic illustration of Van Gogh with an addition.

ISAAC ILYICH LEVITAN (1860–1900) COUNTRY ROAD LATE 19TH CENTURY

ISAAC ILYICH LEVITAN (1860–1900) COUNTRY ROAD LATE 19TH CENTURY

Bidding is completed

Painting Still life with a jug. Konstantin Ronchevsky.

Painting Still life with a jug. Konstantin Ronchevsky.

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