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Russian art
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RUSSIAN PRESENTATION SILVER KOVSH IN ART NOUVEAU STYLE. ALEXANDER VYAKOVA. FIRM OF C. FABERGÉ SAINT PETERSBURG, EARLY 20TH CENTURY
An outstanding presentation kovsh executed in the early 20th century in the Art Nouveau style by the silversmith Alexander Vyakova for the Saint Petersburg branch of the firm of C. Fabergé. The form of the kovsh is inspired by the silhouette of an ancient Russian ladya, interpreted through the flowing lines and sculptural plasticity characteristic of Russian Art Nouveau. This national romantic imagery reflects the broader cultural revival of the period and finds visual parallels in the decorative world associated with Ivan Bilibin.The elongated body emphasizes a horizontal composition, reinforcing the symbolic reference to a ceremonial vessel. Along the sides are applied shield-shaped ornaments set with natural cabochon-cut jasper, introducing refined color accents and enhancing the decorative rhythm of the piece. The handle is sculpturally modeled to resemble the stern and rudder of an ancient vessel, underscoring the historical symbolism and presentation character of the kovsh.This object belongs to the category of ceremonial silver, intended for official gifts or representative collections, and exemplifies the exceptional artistic design and technical excellence characteristic of Fabergé silver from the early 20th century.Marks: Maker’s mark “C. Fabergé” beneath the double-headed eagle, confirming production by the Saint Petersburg branch; Saint Petersburg assay mark of 1908-1917 with the letter “a,” a woman’s head in kokoshnik turned to the right, and the fineness mark “84” within an oval shield; master’s mark “AW” in Latin letters corresponding to the silversmith Alexander Vyakova; Fabergé inventory number “18458.”Dimensions: Height 11 cm, width 13 cm, length 28 cm.Weight: 625 g.Condition: Good. Silver with natural patina. Jasper inlays intact. Minor traces of age consistent with period.Provenance: Private European collection.
Begins 02.05.2026
SILVER THRONE-SHAPED SALT CELLAR WITH NIELLO MOSCOW, 1864
Begins 02.05.2026 12:00:00
SILVER THRONE-FORM SALT CELLAR WITH NIELLO AND THE PROVERB “WITHOUT SALT AND BREAD, HALF THE MEAL” MOSCOW, 1866
Begins 02.05.2026 12:00:00
A. Lanin. Buffoon. Monotype. 1965.
1414 USD
SILVER-GILT SALT THRONE, IVAN KHLEBNIKOV FIRM, MOSCOW, 1875
Begins 02.05.2026 12:00:00
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
Begins 02.05.2026 12:00:00
Painting School of Hate. Igor Corti. 1971
1591 USD
Igor Corti. In Crimea. 1970 g.
1355 USD
RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY
Begins 02.05.2026 12:00:00
RUSSIAN SILVER SPOON WITH A PAINTED ENAMEL COMPOSITION “TROIKA”. WORKSHOP OF VASILY IVANOVICH KANGIN RUSSIA, SAINT PETERSBURG, 1899-1908
Begins 02.05.2026 12:00:00
ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY
A rare icon of the Mother of God of Umilenie, created within the Moscow icon-painting tradition of the 16th–17th century. Executed in tempera on a wooden panel, the image displays refined modelling of the faces, a noble ochre palette and delicate linear highlights characteristic of the period. The composition follows the Byzantine Eleousa type, in which the tender touching of the cheeks of the Virgin and the Christ Child conveys profound spiritual compassion and intercession.The icon is set in an authentic 17th-century Moscow oklad of exceptional craftsmanship. Produced in court and monastic workshops, it displays a sophisticated combination of cloisonné and champlevé enamels, mother-of-pearl inlays, coloured glass and applied relief elements. The rich vegetal ornament, executed with remarkable rhythm and precision, reflects the aesthetic principles of Moscow decorative art of the 17th century. The reverse retains an early silk cloth with a floral pattern, a testament to centuries of careful veneration.Dimensions: 31 × 27 cm.Condition: The icon is in good collector’s condition consistent with its age. The painted surface is well preserved with minor craquelure and slight pigment losses. The oklad shows natural age traces.Provenance: Private collection of Alfred Schønebeck (1885–1931), representative of the Great Northern Telegraph Company in Russia. Acquired by Alfred and Gerda Schønebeck in Moscow in the 1920s. Exported to Denmark in 1929 and preserved in the family collection ever since.
Begins 02.05.2026
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
Begins 02.05.2026 12:00:00
Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia. 19th century.
Begins 02.05.2026 12:00:00
Wine Tasting Cup/ Tastevin
Begins 03.05.2026 10:00:00
Glass holder Flowers
Begins 03.05.2026 10:00:00
Glass holder flowers
Begins 03.05.2026 10:00:00
Glass holder Flowers
Begins 03.05.2026 10:00:00
Russian paperweight Bear.
Begins 02.05.2026 12:00:00
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
A unique example of a gold pocket watch, created in collaboration between the Swiss manufacture Le Phare and the legendary Imperial Court Supplier Pavel Bure. This extremely rare timepiece features a minute repeater, moon phase indicator, chronograph, Cyrillic calendar apertures, and a rare bridge movement with two hammers and two gongs. Case No. 72647, 59 mm in diameter, crafted in 14K rose gold, is adorned with exquisite guilloché engraving and a partially enameled Russian imperial double-headed eagle crest. The inner lids bear two historically significant inscriptions: — Dedication in Cyrillic: To dear Mitya in gratitude and 30 years of loyal friendship from V. Voronov. 1882–1912 — Signature: Pavel Bure, Supplier to the Court of His Imperial Majesty, confirming the item’s high status.The enamel dial features Roman numerals, Cyrillic calendar apertures for days and months, a date indicator, moon phase aperture, and a 30-minute chronograph counter. Signed: Tchétine et Fils. The movement is a complex bridge caliber with lever escapement, compensated balance wheel, and Swiss patent engraving No. 334. The finishing includes gilding, blued screws, and finely executed surfaces. Marks:— Le Phare with exhibition medals— Pavel Bure— Swiss and Russian assay marks (585 / 14K and 56 zolotnik) Dimensions: 59 mmWeight: 149 g Provenance: Russia / Switzerland, circa 1903Mechanism: Minute repeater, moon phase calendar, chronograph, manual wind
Begins 02.05.2026
Silver plated figure of a snake. Tsar imperial collection.
Begins 03.05.2026 10:00:00
Dish for small items. Bogatyr Svyatogor. 1909.
Begins 02.05.2026 12:00:00
Porcelain owl from Gardner factory.
Begins 02.05.2026 12:00:00
Sculpture of a series of Sailors
Begins 02.05.2026 12:00:00
Sculpture of a series of Sailors
Begins 02.05.2026 12:00:00
Liqueur decanter of laminated glass with silver, Khlebnikov firm.
Begins 02.05.2026 12:00:00
Silver glass for Kiddush. Kyiv 1908-1809
Begins 02.05.2026 12:00:00
Art Nouveau style box.
Begins 02.05.2026 12:00:00
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Jurmala in the winter
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7541 USD
Engraving Siege of Ochakov 1788.
Begins 02.05.2026 12:00:00
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