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Russian art
Price (descending)
Price (ascending)
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CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s
A refined Crimean landscape capturing the atmosphere of the southern coast on a clear summer day. The composition is structured around a gentle diagonal movement of the rocky shoreline, harmoniously balanced by the vertical accents of slender cypresses and the calm horizontal expanse of the sea. In the middle ground, a small house with a green roof is organically integrated into the natural setting, serving as both a compositional and chromatic focal point. In the distance, a panorama of mountain ranges unfolds in cool bluish-violet tones, dissolved within a luminous atmospheric perspective.Executed in a plein-air manner characteristic of Russian painting of the first third of the twentieth century, the work employs a free and confident brushstroke that avoids detailed delineation in favor of conveying the overall state of nature and the interplay of light, air, and space. The color scheme is built upon a subtle balance between the cool tones of the sea and mountains and the sun-bleached yellow-white and ochre hues of the coastal rocks, evoking the sensation of intense southern sunlight. The painting is marked by restrained harmony and a lyrical mood, free from decorative artifice or excessive expressiveness.By its painterly language, chromatic sensitivity, and overall atmosphere, the work relates to the tradition of Russian Impressionism and to the circle of professional artists active in Crimea during the 1920s–1930s, who continued the development of plein-air painting beyond academic and ideologically driven frameworks.Dimensions: 34 × 28 cm (visible); 48 × 43 cm (framed).Medium: Oil on canvas.Condition: Good. The canvas has been relined; the paint layer is stable, with minor signs of age.Provenance: Private collection.
5500 EUR
Silver plated figure of a snake. Tsar imperial collection.
300 EUR
Stone-cutting miniature Jade rhinoceros in the style of products from the Faberge firm
1200 EUR
Drawing from the series Proletariat
Bidding is completed
Gilded bronze Easter egg. Russia, late 19th – early 20th century.
2200 EUR
Drawing Radio Speaker
Bidding is completed
Drawing from the series Proletariat
150 EUR
Drawing from the series Proletariat
Bidding is completed
Hammer and Sickle
150 EUR
STATE PORTRAIT OF EMPEROR ALEXANDER I RUSSIA, FIRST HALF OF THE 19TH CENTURY
6500 EUR
Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s
A rare and exquisite example of Russian glassmaking from the era of Nicholas I, created by the masters of the Imperial Glass Factory. The vase is made of transparent colorless glass with an internal golden ruby color, achieving the depth of color due to the unique technology of coloring the glass mass with gold nanoparticles. The composition of the decor is verified to perfection: the body is decorated with painting in pure gold, executed with filigree precision. The central decoration is a medallion with an image of a basket filled with flowers and berries, enclosed in a frame of stylized laurel branches. This motif, symbolizing fertility and abundance, is complemented by thin plant garlands falling along the edges. The upper edge is decorated with a wide gold border, giving the item solemnity and nobility. Particular attention should be paid to the faceted base, emphasizing the play of light in the depths of the glass and enhancing the effect of precious radiance. Decorative elements on the base are accented with gilded inserts, emphasizing the exquisite plasticity of the form. Dimensions: Height: 12.7 cm. Diameter: 8.5 cm. Condition: In excellent condition, minimal signs of time. Gilding is in excellent condition, without losses.Historical background: Golden Ruby The technique of creating ruby glass goes back centuries, dating back to the late antique period. However, it was only in the 17th century that the German alchemist Johann Kunkel managed to develop a scientifically sound recipe that made it possible to consistently obtain a rich blood-red shade of glass. In Russia, the first to master the technology of coloring glass mass with gold nanoparticles was the great scientist Mikhail Lomonosov, thereby laying the foundations for the domestic production of ruby glass. By the beginning of the 19th century, the Imperial Glass Factory had reached the highest level of skill in working with this rare and complex technique. Fine ruby glass items decorated with gilded painting were considered objects of the highest prestige. They adorned the state rooms of imperial residences, becoming the embodiment of impeccable taste, refined style and outstanding artistic value.
4000 EUR
RUSSIAN SILVER SUGAR BOWL IN CLOISONNÉ ENAMEL RUSSIA, MOSCOW, 1896-1908
3500 EUR
ICON OF SAINT SIMEON THE STYLITE IN A SILVER AND ENAMEL OKLAD. SEMYON GALKIN RUSSIA, MOSCOW, LATE 19TH - EARLY 20TH CENTURY
3000 EUR
Snuffbox
300 EUR
Sculpture of a series of "Sailors"
650 EUR
RUSSIAN SILVER SPOON WITH A PAINTED ENAMEL COMPOSITION “TROIKA”. WORKSHOP OF VASILY IVANOVICH KANGIN RUSSIA, SAINT PETERSBURG, 1899-1908
1500 EUR
SILVER KOVSH WITH PAINTED ENAMEL OVER FILIGREE. 20 ARTEL RUSSIA, MOSCOW, 1908-1917
3300 EUR
SILVER PHOTO FRAME WITH POLYCHROME CLOISONNÉ ENAMEL. ANTIP KUZMICHEV FACTORY RUSSIA, MOSCOW, 1899–1908
7500 EUR
Icon Selected Holidays. Palekh. XIX century.
Icon 12 principal Christian feastIn the central part of the icon is the Introduction to the Church of Our Lady of Sorrows and Virgin Mary. In the center of the icon is the three-year-old Virgin Mary, who was brought to the temple by Her parents - Joachim and Anna. For a long time they were childless and took a vow: if the Lord gives them parental happiness, then they will devote the Infant to God. It was a sacrifice - to give their only, long-awaited child. The icon shows the fulfillment of a promise: Joachim and Anna bring little Mary to the temple, where the Jerusalem priest meets the family. According to Church Tradition, he was the righteous Zacharias, the future father of John the Baptist, therefore, on the icon, his head is surrounded by a halo. Behind the priest is the Holy Gates of Saints (a special place in the Jerusalem temple), where the main shrines of the Jewish people were stored in the ark.In the upper part is the icon of the Annunciation of the Blessed Virgin Mary.In the lower part of the Icon Assumption of the Blessed Virgin MaryIn the circle of the central part of the icon of saints: Tatiana, Sandra, Anna, Paul, Catherine, Mary Magdalene.Material: wood, gesso, tempera, Palekh, XIX century
2400 EUR
RUSSIAN PRESENTATION SILVER KOVSH RUSSIA, MOSCOW, 1883
3300 EUR
SILVER MATCH SAFE WITH THE IMAGE OF A LESHY IN THE STYLE OF RUSSIAN ART NOUVEAU RUSSIA, CIRCA 1900
1500 EUR
DESK SILVER NOTEPAD IN OLD RUSSIAN STYLE PETR MILYUKOV, RUSSIA, EARLY 20TH CENTURY
4000 EUR
Caviar bowl, Moscow, 1892
6000 EUR
Sculpture of a series of "Sailors"
650 EUR
Russian, silver spoon Little bears, object illustration “Mornings in a pine forest.” Early 20th century.
200 EUR
Drawing from the series Proletariat
180 EUR
The composition Central Cafe in the style of the Russian avant-garde.
480 EUR
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Vienna
8000 EUR
Wall vase. PS Dresden
280 EUR
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470 EUR
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1340 EUR
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540 EUR
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1200 EUR
Ivory box with mother-of-pearl inlay.
450 EUR
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2780 EUR
Sunset
360 EUR
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470 EUR
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SCULPTURAL GROUP “THE RAPE OF THE SABINE WOMEN” AFTER GIOVANNI DA BOLOGNA (1529-1608) ITALY, 20TH CENTURY
5500 EUR
Girl with a basket. Meissen
810 EUR
Mirror
530 EUR
Vase. Sevres.
850 EUR
Round wooden box.
380 EUR
Muse
2670 EUR
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