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Russian porcelain

Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
A large porcelain decorative plate with a genre scene made in the technique of polychrome painting, located in the mirror of the plate and a stylized Russian-style leaf ornament along the flat side of the dish. The picturesque painting of the plate is made by hand. On the relief edge of the side of the plate, gold and blue decorative stripes are applied. Such decorative decoration and a flat side give the plate the appearance of a genre picture, framed in a beautiful painted frame. The reverse side of the plate is decorated along its side with a golden cover and an inscription with the name of the painting plot. The genre scene in the center of the plate is made to the motive of the Russian epic Mikula Selyaninovich, as evidenced by the inscription on the bottom of the dish - the epic Mikula Selyaninovich. The episode of the summoning of Mikula Selyaninovich by the bogatyr Volga Svyatoslavich to collect taxes is depicted. Typical is the image of the epic hero not in elegant boots, but in simple peasant bast shoes. Some researchers of the Russian epic interpret this scene as a meeting of the hunter god with the plowman god. This interpretation is due to the fact that Mikula Selyaninovich in Russian culture personified the god of agriculture. In the lower left part of the genre picture is the signature of the artist-ceramist, presented in the form of a monogram consisting of Latin and Russian capital block letters DB (unknown artist of the Kuznetsov factory). The plate is part of a series of several similar plates decorated on the theme of the Russian folk epic (at least 9 pieces), made in the Russian style in the second half of the 19th century (1870-1880s) at the Tver faience factory of M.S. Kuznetsov. The Tver faience factory was acquired by M.S. Kuznetsov in 1870, which already under the first owner and founder of the factory (the Auerbach family) became famous in Russia for products in the pseudo-Russian style. A series of epic plates from the Tver factory may have been exhibited at the Polytechnic Exhibition of 1889. Production mark of the factory M.S. Kuznetsov in Tver in the form of a small state emblem - a double-headed eagle and the inscription M.S. Kuznetsov Tver province located on the tape. The printed stamp is filled with gold, which testifies to the special purpose of the subject. Russian Empire, Tver province. Factory of M.S. Kuznetsov. 1870-1889 years.Porcelain, hand-painted polychrome, gilding, golden cover. Collection safety. Diameter - 25.5 cm, weight - 668 gr.
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Vase in neo-Russian style. Kuznetsovs factory in Dulevo, 1890
Vase in neo-Russian style. Kuznetsovs factory in Dulevo, 1890
A large flowerpot with a sculptural image made in an oriental motif is a large bowl with a high cylindrical body, resting on a flat pedestal (four-bladed) and supported by two fairy-tale animals with the head of a dragon and the legs of a bird. Fancy polychrome coloring with geometric and other patterns is made in bright and contrasting colors. The surface of the pot is decorated with multi-colored friezes in relief with stylized cartouches, inlaid with ivy leaf motifs, edged with pearl friezes, the upper edge of the pot is decorated with 8-pointed stars. In general, the ornamental pattern is formed by decorative elements characteristic of similar porcelain paintings of this era. The glaze coating gives the item shine. The author of the sketch of the flowerpot model is A.S. Kaminsky (1829-1897), Moscow architect and artist, professor at the Moscow School of Painting, Sculpture and Architecture, husband of P. M. Tretyakov’s sister (founder and owner of the art gallery of the same name). For the first time such a flower pot was made at a factory in the Tver province, which belonged to S.I. Maslennikov in the 1880s (the factory was founded by Auerbach). Maslennikovs factory was famous in Russia for its majolica products used to decorate chapels, as well as mugs made for the coronation of Emperor Alexander III. After a fire occurred at the factory in 1889, it was acquired by M.S. Kuznetsov, and its owner went to work for the new owner, where he worked until 1896. As M.S. Kuznetsov practiced, along with the purchase of the factory he stipulated the right to use and repeat the factory’s old models. Sometimes, with such a purchase, he also stipulated the use of an old production mark (for example, the Gardner plant - the use of the last trademark of the enterprise with a double-headed eagle, the use of surviving models of products for the manufacture of repetitions; the Auerbach plant - the image of a double-headed eagle in the trademark). Under the leadership of Kuznetsov, the company began producing majolica products in 1885. Presumably, in the early 1890s, M.S. Kuznetsov’s enterprise produced a small batch of S.M. Maslennikov’s flowerpots intended for public sale. An identical vase is kept in the collection of the State Historical Museum in Moscow (GIM No. 112833). - A vase of a similar style was presented at the Russian Art” auction at Sothebys on November 30, 2016, lot 126A Majolica, textured processing, painting with enamel paints. Mark of the M.S. Kuznetsov factory in the Tver province, Vyshnevolotsk district, Chernyatka village (former S.I. Maslennikov factory). The production mark is embossed and made in dough. The model number indicated in the price list of the factorys products is 671 (in the test) and the foundrys index (?) is 26 (in the test). The condition of the item is very good. Slight abrasion of paint along the upper edge of the flowerpot. Height - 33.0 cm. Flowerpot: diameter - 21.0 cm, height - 23.0 cm. Pedestal (flat, four-blade): length - 29.0; width -18.0 cm.
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