Paintings - Antiqon Marketplace

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

A refined Crimean landscape capturing the atmosphere of the southern coast on a clear summer day. The composition is structured around a gentle diagonal movement of the rocky shoreline, harmoniously balanced by the vertical accents of slender cypresses and the calm horizontal expanse of the sea. In the middle ground, a small house with a green roof is organically integrated into the natural setting, serving as both a compositional and chromatic focal point. In the distance, a panorama of mountain ranges unfolds in cool bluish-violet tones, dissolved within a luminous atmospheric perspective.Executed in a plein-air manner characteristic of Russian painting of the first third of the twentieth century, the work employs a free and confident brushstroke that avoids detailed delineation in favor of conveying the overall state of nature and the interplay of light, air, and space. The color scheme is built upon a subtle balance between the cool tones of the sea and mountains and the sun-bleached yellow-white and ochre hues of the coastal rocks, evoking the sensation of intense southern sunlight. The painting is marked by restrained harmony and a lyrical mood, free from decorative artifice or excessive expressiveness.By its painterly language, chromatic sensitivity, and overall atmosphere, the work relates to the tradition of Russian Impressionism and to the circle of professional artists active in Crimea during the 1920s–1930s, who continued the development of plein-air painting beyond academic and ideologically driven frameworks.Dimensions: 34 × 28 cm (visible); 48 × 43 cm (framed).Medium: Oil on canvas.Condition: Good. The canvas has been relined; the paint layer is stable, with minor signs of age.Provenance: Private collection.

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

White gold bracelet with diamond flower links.

White gold bracelet with diamond flower links.

Crystal decanter with a silver neck.

Crystal decanter with a silver neck.

Drawing from the Stage Costumes series. Erte

Drawing from the Stage Costumes series. Erte

Drawing from the series Stage costumes Erte

Drawing from the series Stage costumes Erte

Frame in the Neo-Baroque style. 19th century.

Frame in the Neo-Baroque style. 19th century.

Ring in white gold 750 with diamonds.

Ring in white gold 750 with diamonds.

Foldable tortoiseshell lorgnette.

Foldable tortoiseshell lorgnette.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

A rare and exquisite example of Russian glassmaking from the era of Nicholas I, created by the masters of the Imperial Glass Factory. The vase is made of transparent colorless glass with an internal golden ruby color, achieving the depth of color due to the unique technology of coloring the glass mass with gold nanoparticles. The composition of the decor is verified to perfection: the body is decorated with painting in pure gold, executed with filigree precision. The central decoration is a medallion with an image of a basket filled with flowers and berries, enclosed in a frame of stylized laurel branches. This motif, symbolizing fertility and abundance, is complemented by thin plant garlands falling along the edges. The upper edge is decorated with a wide gold border, giving the item solemnity and nobility. Particular attention should be paid to the faceted base, emphasizing the play of light in the depths of the glass and enhancing the effect of precious radiance. Decorative elements on the base are accented with gilded inserts, emphasizing the exquisite plasticity of the form. Dimensions: Height: 12.7 cm. Diameter: 8.5 cm. Condition: In excellent condition, minimal signs of time. Gilding is in excellent condition, without losses.Historical background: Golden Ruby The technique of creating ruby glass goes back centuries, dating back to the late antique period. However, it was only in the 17th century that the German alchemist Johann Kunkel managed to develop a scientifically sound recipe that made it possible to consistently obtain a rich blood-red shade of glass. In Russia, the first to master the technology of coloring glass mass with gold nanoparticles was the great scientist Mikhail Lomonosov, thereby laying the foundations for the domestic production of ruby glass. By the beginning of the 19th century, the Imperial Glass Factory had reached the highest level of skill in working with this rare and complex technique. Fine ruby glass items decorated with gilded painting were considered objects of the highest prestige. They adorned the state rooms of imperial residences, becoming the embodiment of impeccable taste, refined style and outstanding artistic value.

Fireplace clock set

Fireplace clock set

Icon Selected Holidays. Palekh. XIX century.

Icon Selected Holidays. Palekh. XIX century.

Mantel clock Cavalryman

Mantel clock Cavalryman

Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.

Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.

Gold ring with diamonds.

Gold ring with diamonds.

Still life Flowers in a jug. Anna Snellman. Finland, 1884-1962

Still life Flowers in a jug. Anna Snellman. Finland, 1884-1962

Platinum ring with emerald and diamonds.

Platinum ring with emerald and diamonds.

THE JUDGEMENT OF PARIS WESTERN EUROPE, FLEMISH SCHOOL, EARLY 18TH CENTURY

THE JUDGEMENT OF PARIS WESTERN EUROPE, FLEMISH SCHOOL, EARLY 18TH CENTURY

The painting The Judgement of Paris represents a refined work of Western European art of the early 18th century, executed in the tradition of the Flemish school. The canvas illustrates the classical myth in which Paris, son of Priam, king of Troy, is called to decide who among the three goddesses — Hera, Athena, or Aphrodite — deserves the title of “the fairest.” At the centre of the scene, Paris is seated under a tree, handing the golden apple to Aphrodite. Draped in a light garment, she receives the prize with elegance, while Cupid, with his quiver, stands beside her. To the left, Athena in helmet and armour gestures towards herself, while majestic Hera, accompanied by her peacock, observes the decision.The work is marked by vibrant contrasts of light and shade and by the rich palette characteristic of the Flemish school, directly inspired by Peter Paul Rubens (1577–1640) and his circle. The baroque sensuality of the figures merges with a more orderly composition, in line with the aesthetics of the early 18th century.Dimensions: Canvas 65 × 77 cm. Frame: height 97 cm, width 85 cm, depth 13 cm.Material: Oil on canvas, relined.Condition: Good preservation: canvas relined, paint layer stable, uniform craquelure and patina of age. Original gilt frame with natural wear, small losses and darkening, retaining decorative impact.Provenance: European private collection.

Porcelain figurine of Putti playing with a dog. Germany.

Porcelain figurine of Putti playing with a dog. Germany.

Silver glass for Kiddush. Kyiv 1908-1809

Silver glass for Kiddush. Kyiv 1908-1809

Russian gold bracelet with enamel. 19th century.

Russian gold bracelet with enamel. 19th century.

PAIR OF SILVER SALT CELLARS IN THE FORM OF THRONES RUSSIA, MOSCOW, 1869

PAIR OF SILVER SALT CELLARS IN THE FORM OF THRONES RUSSIA, MOSCOW, 1869

Wine cooler

Silver plated set for cleaning crumbs from the table

Silver plated set for cleaning crumbs from the table

Finnish naval officers parade saber.

Finnish naval officers parade saber.

Russian silver snuffbox with gold decor. Mid 19th century.

Russian silver snuffbox with gold decor. Mid 19th century.

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