Paintings

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Flame Colored Copper Painting by Arthur UNGER. Signed.

Flame Colored Copper Painting by Arthur UNGER. Signed.

Artist : Arthur UNGER (1932- )Crafted through the intricate process of flame-painting on copper, this piece showcases an explosion of vibrant colors, from rich copper tones to iridescent pinks and greens. The unique patterns and textures are the result of intense heat transforming the metal, creating a one-of-a-kind work of art that cannot be replicated.This piece is sold without a frame.About the Artist:BiographyArthur Unger was born in 1932 in the city of Hespérange, Luxembourg.After graduting, he follows administration and management courses in Bruxelles, and then settle in Belgian Congo, where he had lived for 5 years, and specially with the tribes Lunda and Baluba. This long African journey is very important for the development of Arthur’s art.In 1963, back to Europe, he settles in Paris. There, he discovers the artistic life of the French Capital and makes his first drawings and gouaches.In 1968, he came back to Luxembourg, and invents a technique of drawing with Inidian Ink, and a painting technique uppon brass, using electrolytic cupper which became his favourite medium (he calls his new technique « pyrochemograms uppon cupper »).In 1970, he meets Michel Tapié ; it is a major event in the artistic life of Arthur. Tapié is very interested in Arthur’s work and writes the forewords of all the exhibitions by Arthur Unger in France and in the world. In 1980, Michel Tapié dedicated a monograph to Arthur Unger at the Galerie Sources in Paris.The personal exhibitions of the works of Arthur Unger mainly take place in France, in Luxembourg, in Germany and in Switzerland (three times at the Basel Art Fair).

Mountain lake

Guard

Rural landscape

Rural landscape

Summer flowers

Sunset

Oil painting Jurmala by Juris Germanis

Oil painting Jurmala by Juris Germanis

After work

Heat

After work

LANDSCAPE WITH HAYCOCKS AT SUNSET. J. KLEVER. RUSSIA, LATE 19TH

LANDSCAPE WITH HAYCOCKS AT SUNSET. J. KLEVER. RUSSIA, LATE 19TH

An atmospheric painted scene of a rural landscape, presumably executed in the 1880s–1890s by the distinguished Russian artist Julius von Klever. The composition is built on the contrast between the warm evening light and the dense mass of haycocks scattered across the field. A flock of birds rises above the horizon, adding gentle movement and symbolic depth to the scene.The subtle use of color, sensitivity to atmospheric light, and generalized plasticity of form place the work within the circle of Klevers oeuvre and suggest a likely attribution to the early period of his artistic career. The painting is set in its original late 19th-century gilt frame with ornamental carving.Artist’s signature: J. Клеверъ, lower right.Dimensions: Canvas without frame: 40 × 30 cm. With frame: 50 × 42 × 7 cm.Condition: Excellent. The canvas surface is stable, varnish with even patina. Original frame with minor signs of age.Provenance: Private collection, Western Europe.

Horse carriage

Portrait of a man

Portrait of a man

Landscape

Summer landscape

Summer landscape

Oil painting - In the sauna by Augusts Annus

Oil painting - In the sauna by Augusts Annus

Watercolour painting Old Riga by Janis Brekte

Watercolour painting Old Riga by Janis Brekte

Still life with flowers by Anita Meldere

Still life with flowers by Anita Meldere

Roman Maksimovich Volkov. Portrait of the Russian Tsar Alexander I, first quarter of the 19th century.

Roman Maksimovich Volkov. Portrait of the Russian Tsar Alexander I, first quarter of the 19th century.

Half-length, ceremonial portrait of the Russian Emperor Alexander I (1777-1825) in full face. In the alcove, near the column and the red curtain, the king is depicted in military uniform, with a sash and epaulettes, with his hand on the book of laws. His gaze is anxious and concerned about the fate of Russia. It is noteworthy that the laws for him are above autocracy. The book closes the crown. This can be interpreted as the constitutional program of the king. Without a signature. The pommel of the imperial crown indicates the presence of the painting. Oil, canvas. 90×72 cm.

Rural landscape

Rural landscape

Folk motif

Act in winter

Autumn landscape

Autumn landscape

Trokai Castle in Lithuania before restoration

Trokai Castle in Lithuania before restoration

And. Rowoy.

Landscape

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