Paintings

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KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY

KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY

An outstanding example of late Russian Marinism, Stormy Sea, created by Kharlampiy Dmitrievich Kostandi in the early 20th century, stands among the artist’s most expressive works devoted to the theme of the sea.With remarkable mastery, the artist conveys the raw energy of the raging waters. Foaming waves surge toward a fragile boat, filled with tension, movement, and a sense of inevitability. The sea surface is rendered with striking expressiveness, allowing the viewer to sense the motion of water, gusts of wind, and the charged atmosphere of an approaching storm.At the center of the composition is a small boat with sailors struggling fiercely against the waves. Their tense, determined figures become a powerful symbol of courage, the fight for survival, and hope for salvation. In the distance, along the horizon line, the faint silhouette of a sailing vessel enhances the vastness of space and underscores human vulnerability in the face of nature’s overwhelming force. The contrast between the immensity of the sea and human presence lends the work its dramatic intensity.The color palette is built upon subtle transitions of cool tones, ranging from translucent blues and turquoises to silvery greys. Luminous reflections give the water depth and vibrant movement, while the soft yet energetic brushwork creates a sense of breathing space. This atmospheric treatment aligns Kostandi with the finest masters of the Russian Marinist tradition, while highlighting his individual, restrained, and realist approach in contrast to the Romantic expressiveness of Aivazovsky.Dimensions: 49 × 80 cm (framed 78 × 110 cm)Medium: Oil on canvasSignature: “X. Kostandi”, lower left, consistent with the artist’s known autographsCondition: Good overall condition, with natural age patina and an even craquelure patternProvenance: Private collection. Authenticity confirmed by expert examinations

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Painting School of Hate. Igor Corti. 1971

Painting School of Hate. Igor Corti. 1971

Igor Corti. In Crimea. 1970 g.

Igor Corti. In Crimea. 1970 g.

I. Ryazhsky. Still life with a mug and flowers.

I. Ryazhsky. Still life with a mug and flowers.

Painting At the Fountain.

Painting At the Fountain.

Landscape Haystacks. Raimonds Auniņš (1907-1960).

Landscape Haystacks. Raimonds Auniņš (1907-1960).

KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912

KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912

Bidding is completed

RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY

RUSSIAN BEAUTY. T.M. MATVEEV. RUSSIA, LATE 19TH CENTURY

Bidding is completed

MINUETTO. THE ROMANTIC BOUQUET — JOCELYNE SEGUIN (1917/21–1999)

MINUETTO. THE ROMANTIC BOUQUET — JOCELYNE SEGUIN (1917/21–1999)

Bidding is completed

Gouache. Riga. V.D. Medvedev.

Gouache. Riga. V.D. Medvedev.

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CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841

CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841

The painting Boy with a Flute, dated 1841 and signed “Neff. 1841,” is a characteristic example of the early period of Carl Timoleon von Neff — an eminent representative of the academic school of mid-19th-century painting, whose artistic activity bridged the traditions of St. Petersburg, Dresden, and Paris. In this work, the artist embodies a quintessential Romantic image of a young shepherd, symbolizing simplicity and the inner purity of human nature in harmony with the natural world.The composition is built on a delicate balance between figure and landscape. The luminous distance creates an impression of airy perspective, while soft lighting reveals the velvety surface and warm palette typical of the Baltic-German school of painting. The emotional expression in the boy’s gaze, the gentle modelling of the face, and the meticulous treatment of the attire demonstrate Neff’s mature craftsmanship, shaped under the influence of Western European classicism and the sentimental realism of the Biedermeier period.A graduate of the Dresden Academy and a pupil of Paul Delaroche in Paris, Carl Timoleon von Neff became one of the leading portrait and religious painters of Imperial Russia. His works adorned the interiors of St Isaac’s Cathedral and the palaces of the Imperial family. Yet early genre scenes such as this are extremely rare, reflecting Neff’s personal interest in the human figure outside the ceremonial context — in the poetics of everyday life and the idealized image of childhood.Boy with a Flute occupies a special place in Neff’s oeuvre as a transitional work between his academic formation and the emergence of his distinctive artistic language — marked by refined drawing and transparent coloration. Comparable compositions and figure types are found in Russian and German museum collections, including the State Hermitage, the Art Museum of Estonia, and former Königsberg collections.Hallmarks: Artist’s signature in red paint at lower left: “Neff. 1841.”Dimensions: 90 × 78 cm.Material: Oil on canvas.Condition: Good. Canvas relined and reinforced on stretcher; minor signs of age. Paint surface stable, dense, without losses, with natural patina.Provenance: Private collection.Expertise: Expert opinion by the Art Museum of Estonia (Eesti Kunstimuuseum, 30.11.2016, Sirje Helme, Mai Levin, Alar Nurkse) confirms the attribution and authorship of Carl Timoleon von Neff.

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Julius Yulievich Klever (son). (1882-1942) Still life with fish .

Julius Yulievich Klever (son). (1882-1942) Still life with fish .

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GIUSEPPE MAZZOLINI (1806–1876). VIRGINIA. ITALY, ROME, 1874

GIUSEPPE MAZZOLINI (1806–1876). VIRGINIA. ITALY, ROME, 1874

Bidding is completed

NUDE. WILLIAM ETTY (1787 - 1849) ENGLAND, EARLY 19TH CENTURY

NUDE. WILLIAM ETTY (1787 - 1849) ENGLAND, EARLY 19TH CENTURY

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CHARLES-CLÉMENT CALDERON (1870–1906). VIEW OF THE DOGE’S PALACE AND ST MARK’S SQUARE IN VENICE FRANCE / VENICE, TURN OF THE 19TH – 20TH CENTURY

CHARLES-CLÉMENT CALDERON (1870–1906). VIEW OF THE DOGE’S PALACE AND ST MARK’S SQUARE IN VENICE FRANCE / VENICE, TURN OF THE 19TH – 20TH CENTURY

Bidding is completed

Still life Roses by T. Franz

Still life Roses by T. Franz

Bidding is completed

LUIS GARCÍA OLIVER. Still life with apples.

LUIS GARCÍA OLIVER. Still life with apples.

Bidding is completed

Still life Flowers in a jug. Anna Snellman. Finland, 1884-1962

Still life Flowers in a jug. Anna Snellman. Finland, 1884-1962

Bidding is completed

Janis Kalnmalis. Lilac. 2011.

Janis Kalnmalis. Lilac. 2011.

Janis Kalnmailis. (1939-... ). Lilac. Fresh, large and original impressionism of 2011, with a richness of colors, textures and a lively feeling of wet lilac. Dimensions of the painting: 73x100 cm. Author`s signature in the lower right corner. Graduated from the Kalnins class of the Latvian Academy of Arts in 1959. Member of the Union of Artists since 1979.

Bidding is completed

FOREST IN LATE AUTUMN YULIY KLEVER (1850–1924), 1903

FOREST IN LATE AUTUMN YULIY KLEVER (1850–1924), 1903

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PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897

PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897

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Portrait of a girl.

Portrait of a girl.

Bidding is completed

Muse

Still life with watermelon and papaya

Still life with watermelon and papaya

Girls in the sauna

Girls in the sauna

Fantasy with a bullet

Fantasy with a bullet

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

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