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UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855

UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855

A monumental mantel clock of the Late Russian Empire style, conceived within the artistic system associated with the design models of Carlo Rossi (1775-1849). The architectonics of the work are constructed upon a strict vertical axis and imbued with solar symbolism characteristic of court art of the 1830s-1840s.The composition is formed by two volumes of deep sapphire cobalt glass attributed to the Imperial Glass Factory of Saint Petersburg. The lower massive cylindrical body is decorated with a deeply cut diagonal spiral faceting, creating a dynamic effect of flowing water and the passage of time. The plastic rhythm of the glass reinforces the leitmotif of the wave as a symbol of continuity and eternal circulation.The central section features a gilt dial with Roman numerals, surrounded by a wreath of stylized vegetal ornament and a radiant solar composition. Two allegorical figures, male and female, support the upper vessel. Their gestures are directed toward the source of light, forming a cosmogonic image of the luminary rising from the waters. The iconography relates to the theme of Helios and the symbolism of Alpha and Omega, affirming harmony, love and fertility.The upper section takes the form of a cobalt glass vase crowned with an openwork gilt bronze frieze enriched with vegetal and solar motifs. The bronze elements display refined chasing and high-quality fire gilding characteristic of Saint Petersburg workshops of the first half of the nineteenth century.Marks: Not found.Dimensions: Height: 43 cm; Width: 30 cm; Depth: 20 cm.Material: Gilt and polished bronze; cobalt glass attributed to the Imperial Glass Factory; clock mechanism with pendulum.Condition: Good. Even gilding. Minor wear to the base. Minor micro-chips to the pedestal of the glass section, not affecting the overall visual integrity or structural stability of the piece.Provenance: Private European collection.Literature: Igor Sychev. Russian Lighting Fixtures of the Classical Period. 1760-1830. Moscow, P.V.B.R., 2003, illustrations 116, 189, 279, 305, 635, 795, 844, 845, 866, 868.

Japanese Chin dog figurine. 20th century

Japanese Chin dog figurine. 20th century

Eight-candle chandelier in the Rococo style. France. Early 20th century.

Eight-candle chandelier in the Rococo style. France. Early 20th century.

Lorgnette with leather case

Lorgnette with leather case

Six-candle chandelier in Rococo style. Europe. First half of 20th century

Six-candle chandelier in Rococo style. Europe. First half of 20th century

Fruit vase. Carl Thieme.

Fruit vase. Carl Thieme.

Large Russian silver cup. Ekvist Carl Gustav. St. Petersburg, mid-19th century.

Large Russian silver cup. Ekvist Carl Gustav. St. Petersburg, mid-19th century.

Cup holder Soviet space

Cup holder Soviet space

Cup holder Openwork flowers. USSR 20th century.

Cup holder Openwork flowers. USSR 20th century.

Pocket watch holder. Early 20th century.

Pocket watch holder. Early 20th century.

DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830

DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830

An impressive desk jewelry casket executed in the opulent palatial manner of French decorative art of the Restoration period. The complex curvilinear body is crafted from finely selected rosewood, veneered in a striking diagonal pattern that enhances the sculptural volume and highlights the richness of the wood grain. The structure rests on four substantial sculptural feet in gilt bronze, modeled with pronounced Baroque scrolls and acanthus leaves.The surfaces are lavishly enriched with finely cast and chased gilt bronze mounts of high quality. Central to the decorative program are porcelain plaques from the Manufacture nationale de Sèvres, set within ornate gilt bronze frames. The polychrome paintings, executed on a blue ground, are devoted to themes of amorous lyricism: lush floral bouquets and playful putti, evoking the refined gallant imagery of the 18th century reinterpreted through the lens of early 19th-century taste.Particular attention is drawn to the porcelain plaque adorning the lid, featuring an exceptionally delicate floral composition. The painting is signed “BARRE SÈVRES,” allowing attribution to the Sèvres painter Barre, active during the first third of the 19th century. Signed plaques of this kind were reserved for objects of high representational status and were frequently commissioned for prestigious pieces of furniture and decorative works intended for aristocratic interiors.The interior of the casket is designed for the storage of jewelry and precious objects. A hinged front panel provides convenient access while preserving the monumentality and coherence of the exterior form. The casket stands as a refined example of the synthesis of cabinetmaking, gilt bronze work, and porcelain painting characteristic of leading French workshops of the period.Marks: Signed porcelain plaque: “BARRE SÈVRES”.Dimensions: Height 32 cm; width 58 cm; depth 36 cm.Condition: Good. Overall well preserved. Minor signs of age and use. Gilt bronze with even period patina. Porcelain plaques without chips or cracks.Provenance: France. Likely produced for an aristocratic interior or a formal salon in the first half of the 19th century.

Pair of French gilt bronze sconces, Louis XVI style, 19th century.

Pair of French gilt bronze sconces, Louis XVI style, 19th century.

IMPRESSIVE CHESS TABLE WITH PRECIOUS ROMAN MOSAIC ON CARVED LEGS. ITALY. 19TH CENTURY

IMPRESSIVE CHESS TABLE WITH PRECIOUS ROMAN MOSAIC ON CARVED LEGS. ITALY. 19TH CENTURY

12.30 ct Colombian emerald ring with 2.15ct pink sapphires in 18k gold.

12.30 ct Colombian emerald ring with 2.15ct pink sapphires in 18k gold.

Russian silver ladle in Art Nouveau style. Vasily Andreyev. Moscow 1899-1908

Russian silver ladle in Art Nouveau style. Vasily Andreyev. Moscow 1899-1908

Polished, Art Nouveau wooden frame with brass decor. The turn of the 19th-20th centuries.

Polished, Art Nouveau wooden frame with brass decor. The turn of the 19th-20th centuries.

Photo frame in the shape of a horseshoe, with blue enamel from the late 19th century.

Photo frame in the shape of a horseshoe, with blue enamel from the late 19th century.

Snuff Box with Alexander I portrait

Snuff Box with Alexander I portrait

TAHAN Carriage Bar in Napoleon III Style. 19th Century.

TAHAN Carriage Bar in Napoleon III Style. 19th Century.

This magnificent Cave à liqueur, made in the third quarter of the 19th century by TAHAN, is an example of outstanding craftsmanship and elegance. Its unique design, decorated with brass and tortoiseshell inlays in the Boulle style, makes it an outstanding attribute of a man’s study, created for leisurely conversations and the enjoyment of fine drinks. The bar has a removable gilded insert that holds four bottles for spirits, decorated with golden designs of flowers and stars. The set also includes sixteen faceted glasses, decorated in the same style. Signature on the lock: “Tahan Ft Rue de la Paix” Dimensions when closed: height 26 cm, width 34 cm, depth 26 cm. Completely professionally restored.

Faience figurine "Scotch Terrier". Factory Kuznetsov. Russia

Faience figurine "Scotch Terrier". Factory Kuznetsov. Russia

Anniversary porcelain plate Royal Copenhagen.

Anniversary porcelain plate Royal Copenhagen.

Large porcelain Easter egg.

Large porcelain Easter egg.

KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912

KOSHARY. PAVEL KUZNETSOV (1878 - 1968) RUSSIA, 1912

IN THE PARK. ANNA OSTROUMOVA-LEBEDEVA (1871 - 1955) RUSSIA, CIRCA 1900

IN THE PARK. ANNA OSTROUMOVA-LEBEDEVA (1871 - 1955) RUSSIA, CIRCA 1900

MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY

MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY

FELIX VON ALTERSHIEM. SCROOGE McDUCK. LOVES DOLLAR NOTE. NEO-POP ART

FELIX VON ALTERSHIEM. SCROOGE McDUCK. LOVES DOLLAR NOTE. NEO-POP ART

ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802

ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802

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