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Mantel clock Cavalryman
Mantel clock Cavalryman
An impressive mantel clock with a mounted hussar above the dial. Fine metal work and coordinated coloring represent a mounted hussar in an attack in the mountains. Snatching a saber on a rearing horse, he climbs onto a rock. The Hungarian horsemans headdress perhaps indicates and romanticizes the Hungarian revolutionary events of 1848-1849. Despite the static frontality of the ceremonial portrait the composition is organized asymmetrically. The subtle texture of the silvered pendulum and the matching patina of the horse set off the overall sound of gold. Its large ligature of the Renaissance pattern is a sign of the time of Louis Philippe - the end of romanticism. H-44cm. A complete revision of the mechanism was carried out.
Bidding is completed
Guilloche enamel silver pendant.
Guilloche enamel silver pendant.
Bidding is completed
WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925
WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925
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White gold bracelet with diamond flower links.
White gold bracelet with diamond flower links.
Bidding is completed
Crystal decanter with a silver neck.
Crystal decanter with a silver neck.
Bidding is completed
Drawing from the Stage Costumes series. Erte
Drawing from the Stage Costumes series. Erte
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Drawing from the series Stage costumes Erte
Drawing from the series Stage costumes Erte
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Frame in the Neo-Baroque style. 19th century.
Frame in the Neo-Baroque style. 19th century.
129 USD
PHOTO FRAME IN THE ART NOUVEAU STYLE RUSSIA, 20TH CENTURY
PHOTO FRAME IN THE ART NOUVEAU STYLE RUSSIA, 20TH CENTURY
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SILVER SALT CELLAR IN THE FORM OF A THRONE RUSSIAN EMPIRE, MOSCOW, 1883
SILVER SALT CELLAR IN THE FORM OF A THRONE RUSSIAN EMPIRE, MOSCOW, 1883
Bidding is completed
Wine cooler
Wine cooler
Silver plated English wine cooler, stylized organic forms of bluebell, acanthus, grape leaves, medieval ivy. They form the handles and base of the cooler. Intricate and spontaneous foliage creeps into the main volume. The lively sound of the decor, historical reflections, make the object similar to the atmosphere of the English Pre-Raphaelites of the mid-19th century, with English Art and Craft.Coat of arms with the inscription FATO PROVIDENTIA MAJOR Manufacturers mark.
Bidding is completed
SILVER THRONE-FORM SALT CELLAR IN THE HISTORICISM STYLE RUSSIAN EMPIRE, MOSCOW, 1891
SILVER THRONE-FORM SALT CELLAR IN THE HISTORICISM STYLE RUSSIAN EMPIRE, MOSCOW, 1891
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Silver salt shaker Throne. Moscow. Russia. 1867.
Silver salt shaker Throne. Moscow. Russia. 1867.
Bidding is completed
Ring in white gold 750 with diamonds.
Ring in white gold 750 with diamonds.
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Foldable tortoiseshell lorgnette.
Foldable tortoiseshell lorgnette.
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SCULPTURAL MINIATURE “WOODCUTTER”. NICHOLS & PLINKE RUSSIA, ST PETERSBURG, SECOND HALF OF THE 19TH CENTURY
SCULPTURAL MINIATURE “WOODCUTTER”. NICHOLS & PLINKE RUSSIA, ST PETERSBURG, SECOND HALF OF THE 19TH CENTURY
Bidding is completed
Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.
Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.
3273 USD
Gold ring with diamonds.
Gold ring with diamonds.
Bidding is completed
ICON OF SAINT NICHOLAS THE WONDERWORKER IN CLOISONNÉ ENAMEL OKLAD, ART NOUVEAU STYLE. EARLY 20TH CENTURY
ICON OF SAINT NICHOLAS THE WONDERWORKER IN CLOISONNÉ ENAMEL OKLAD, ART NOUVEAU STYLE. EARLY 20TH CENTURY
A rare synthesis of Orthodox iconography and Russian decorative Art Nouveau — an icon of Saint Nicholas the Wonderworker set in a vibrant polychrome enamel oklad, executed after a design by Ivan Nivinsky at the Imperial Stroganov School. The central image presents a half-length depiction of the saint in the Byzantine tradition, rendered in tempera on gesso and protected by a thin layer of mica. The icon is framed within an elaborate arched setting, adorned with floral ornamentation and stylised onion domes surmounted by miniature crosses. The entire composition forms an architectural miniature, harmoniously combining Orthodox symbolism with the swirling organic motifs of Art Nouveau: vegetal curves, starbursts, and rosettes executed in cloisonné enamel. The lower section is complemented by movable pendants and a central cross, forming a complete decorative garland. Dimensions:Overall dimensions with pendant 23 × 13 cm, Oklad dimensions 23 × 13 cm, Icon panel 5.5 × 6.5 cm. Condition:Good condition, consistent with age. Provenance:Imperial Stroganov School of Industrial Art, Moscow, Russia. Early 20th century.Literature: related compositions are published in Collection of Compositions by Students of the Stroganov School (Moscow, Levenson Printing House, 1900).
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Platinum ring with emerald and diamonds.
Platinum ring with emerald and diamonds.
Bidding is completed
Porcelain figurine of Putti playing with a dog. Germany.
Porcelain figurine of Putti playing with a dog. Germany.
Bidding is completed
Russian gold bracelet with enamel. 19th century.
Russian gold bracelet with enamel. 19th century.
Bidding is completed
Silver plated set for cleaning crumbs from the table
Silver plated set for cleaning crumbs from the table
Bidding is completed
Finnish naval officers parade saber.
Finnish naval officers parade saber.
Bidding is completed
Crimean landscape. Meshchersky Arseny Ivanovich. Rubezh of the 19-20th centuries.
Crimean landscape. Meshchersky Arseny Ivanovich. Rubezh of the 19-20th centuries.
1520 USD
A pair of bronze candlesticks in the Baroque style. 19th century.
A pair of bronze candlesticks in the Baroque style. 19th century.
Bidding is completed
Painting "Lady with a tambourine"
Painting "Lady with a tambourine"
1052 USD
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