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87
THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894
The Holy Mandylion (Spas Nerukotvorny) is an outstanding example of late 19th-century Russian Orthodox art, in which strict canonical tradition is harmoniously combined with the virtuoso craftsmanship of the Moscow silversmithing school. The image of Christ, executed in tempera on wood, is distinguished by the soft modelling of the features, profound inner concentration, and a penetrating, contemplative gaze. The composition is complemented by two angels holding the cloth bearing the miraculous image, reinforcing the theological meaning and emphasising the idea of divine revelation and heavenly protection.The icon is set within a sumptuous silver-gilt oklad created in 1894 in the renowned Moscow workshop of Ivan Filippovich Tarabrov. The oklad is richly adorned with cloisonné and champlevé enamels. The halo surrounding the face of Christ is decorated with an intricate ornamental design featuring deep blue, red, and white tones set against a gilt and blue ground. A distinctive characteristic of Tarabrov’s workshop is the use of gold foil beneath the red enamel, producing a luminous depth of colour and an inner radiance.The cloth (ubrus) bearing the image of Christ is embellished with finely chased decoration on a silver ground, its edges framed by raised ornamental patterns on gilt surfaces. The corner plaques are adorned with vegetal motifs executed in filigree with enamel infill. The fields of the oklad are further enriched with elegant high-relief vegetal ornamentation and bordered by engraved bands, lending the composition harmony and refinement. Every detail of the oklad testifies to exceptional precision of execution and refined artistic taste, enhancing the sacred and solemn character of the image.Marks: Cyrillic letters “IT” – maker’s mark of the silversmith Ivan Filippovich Tarabrov; Assay mark with the initials of the assay master “L•O” (Oleks Lev Fyodorovich) positioned above the date “1894”; Moscow city mark depicting Saint George slaying the dragon.Technique and materials: Wood, tempera; silver, gilding; cloisonné and champlevé enamels; chasing, engraving, filigree.Dimensions: 31.5 × 28 cm.
Begins 02.05.2026
CHANEL J12 Classic Unisex Watch H1174.
Begins 03.05.2026 10:00:00
Telescope W & J. George Ltd, London
Begins 03.05.2026 10:00:00
Liqueur decanter of laminated glass with silver, Khlebnikov firm.
Begins 02.05.2026 12:00:00
Silver glass for Kiddush. Kyiv 1908-1809
Begins 02.05.2026 12:00:00
Porcelain basket with floral decor in Rococo style Europe, second half of the 19th century
Begins 03.05.2026 10:00:00
Porcelain bottle Mein flüssiges Kapital, in the shape of a canvas money bag.
Begins 02.05.2026 12:00:00
Painted cup and saucer from the Biedermeier period.
Begins 02.05.2026 12:00:00
Art Nouveau style box.
Begins 02.05.2026 12:00:00
Antique Russian box Kissing Rite.
Begins 02.05.2026 12:00:00
PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY
A distinguished pair of Empire period armchairs crafted from mahogany and adorned with gilt bronze mounts. The chairs form an elegant semi-cylindrical volume with straight, architecturally emphatic front legs and dynamically curved rear supports. The high sweeping arms merge seamlessly into the backrests and terminate in finely cast gilt bronze ram’s heads, serving as the principal symbolic and decorative accents. The primary ornamentation is concentrated on the façade: the legs and horizontal stretchers are enriched with delicately executed grotesques echoing the ram motif, as well as arabesques with trumpeting trophies, pearls, and shells. The warm, deep tone of the polished mahogany provides a refined contrast to the brilliance of the gilt bronze. The upholstery is executed in classical patterned textile with vegetal motifs, harmoniously complementing the строгая architectural clarity of the form.Dimensions: Height: 78 cm. Width: 53 cm.Condition: After professional full restoration. The structure has been stabilised, the mahogany carefully conserved, the gilt bronze mounts cleaned and secured, and the upholstery renewed with respect for the historical character of the pieces.Provenance: Private European collection.
Begins 03.05.2026
Antique Russian box Breaking for Dmitry Pozarsky”
Begins 02.05.2026 12:00:00
Author`s ceramic vase Dancing on the shore. Kalapyshina. 2019 year.
Begins 02.05.2026 12:00:00
Kuznetsov`s tea porcelain service. Riga, mid-19th century.
Begins 02.05.2026 12:00:00
San Galli safe. Russia 19th century.
Begins 02.05.2026 12:00:00
POSTER FOR THE CABARET “LA LUNE ROUSSE”. CHARLES LÉANDRE (1862 - 1934) FRANCE, PARIS, 1904
Begins 03.05.2026 10:00:00
PAIR OF DUELLING PISTOLS BY JACQUES BERTRAND RUSSIA, ST PETERSBURG, MID-19th CENTURY
Begins 02.05.2026 12:00:00
PUSS IN BOOTS. SILVER FIGURE WITH MOVABLE HEAD, GÜNTHER GRANGESSEL GERMANY, HANAU, 1883
Begins 03.05.2026 10:00:00
SILVER-GILT KOVSH WITH POLYCHROME ENAMELS. PAVEL OVTCHINNIKOV FIRM RUSSIA, MOSCOW, 1908–1917
A large ceremonial kovsh executed in silver with gilding and cloisonné polychrome enamels. The body is formed with pronounced gadrooning, each facet adorned with elaborate floral compositions of flowers and scrolling foliage. The enamels are applied on alternating grounds of green, white, and blue, creating a richly rhythmic decorative surface. The upper section is encircled by a continuous frieze of leafy and floral arabesques in cloisonné enamels set against a matte gilt ground. The interior is fully gilt, emphasizing the ceremonial character of the object. The handle and front panel are similarly decorated with floral motifs in cloisonné polychrome enamels on a sky-blue ground. The form and ornamentation reflect the Neo-Russian style combined with elements of Art Nouveau, characteristic of the Moscow school in the early 20th century.Marks: Complete maker’s mark «P. Ovtchinnikoff» with the double-headed eagle – insignia of Purveyor to the Imperial Court; State assay mark of the Moscow Assay District, 1908–1917, depicting a woman’s head in a kokoshnik facing right within an oval cartouche, accompanied by the silver standard mark “84” and the Greek letter delta (Δ), identifying the Moscow Assay District.Dimensions: Height – 13.5 cm; Length – 29.5 cm; Width – 15.5 cm.Weight: 895 g.Condition: Good. Minor wear consistent with age and use. The enamels are well preserved, without evident losses. Light surface wear to the gilding consistent with age and handling.Provenance: Private European collection.
Begins 02.05.2026
SILVER CLOISONNÉ-ENAMELLED TEA GLASS HOLDER. FYODOR RUCKERT RUSSIA, MOSCOW, TURN OF THE 19TH – 20TH CENTURY
Begins 02.05.2026 12:00:00
Decorative fruit vase, gilded bronze, with crystal, Napoleon III era. 19th century.
Begins 03.05.2026 10:00:00
Gouache. Riga. V.D. Medvedev.
Begins 02.05.2026 12:00:00
Louis XVI style writing desk
Begins 03.05.2026 10:00:00
Antique Display table
Begins 03.05.2026 10:00:00
Russian paper knife Voevoda. P.I.SOMOV 1918. Russian Modern.
Begins 02.05.2026 12:00:00
RUSSIAN ART NOUVEAU KOVSH WITH CLOISONNÉ ENAMELS. FYODOR RUCKERT RUSSIA, MOSCOW, 1908–1917
Begins 02.05.2026 12:00:00
Ladies cabinet Bonheur du jour
Begins 03.05.2026 10:00:00
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87
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