Orders and medals - Antiqon Marketplace

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Russian icon of the Ascension of the Lord. Moscow school 19th century

Russian icon of the Ascension of the Lord. Moscow school 19th century

The Russian Orthodox icon Ascension of the Lord is a true masterpiece of Russian Orthodox painting of the 19th century, executed in the best traditions of the Moscow school. The plot of the icon reflects a key moment in Christian history - the Ascension of Jesus Christ, symbolizing his divine ascension and victory over the earthly world. The composition is masterfully divided into two registers filled with deep theological meaning and artistic expressiveness. The upper register depicts the Savior in a shining mandorla, ascended by angels. He sits on the throne of glory, dressed in a himation and a chiton with a characteristic combination of red and green tones, symbolizing his earthly nature and divine greatness. In the lower register, the central place is occupied by the Mother of God - the only static figure, emphasizing her spiritual presence and the inviolability of faith. On either side of it are two angels in white robes, pointing to the sky and telling the disciples the meaning of what is happening. The apostles are captured in a moment of deep thought and emotional shock: among them, one can distinguish the apostle Peter (in a blue chiton with a brown himation) and the apostle Paul (in a green tunic with a red himation). The background of the icon is gilded, which emphasizes its sacred nature. Along the upper edge is the inscription Ascension of the Lord, executed in traditional Church Slavonic cinnabar-colored font. The icon is distinguished by exceptional detailing of the faces and softness of lines, typical of the Moscow school of the 19th century. A rich palette of red, green and blue shades is used. The gilding of the halos and the background gives the icon depth and luminosity, and the finely drawn folds of the clothes emphasize the elegance of the composition. Dimensions Height - 40 cm, width - 44 cm. This image is a unique monument of the Russian icon-painting tradition of the 19th century, combining canonical strictness, the highest level of artistic execution and rare preservation. The icon is distinguished by impeccable coloring, masterful drawing of details and deep spiritual content, making it an outstanding example of Orthodox art of the 19th century.

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Miniature ladies` mirror with guilloche enamel in blue and white flowers. 20th century.

Miniature ladies` mirror with guilloche enamel in blue and white flowers. 20th century.

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Silver pot

Guilded silver fragment of Bible silver case

Guilded silver fragment of Bible silver case

Silver sugar bowl

Silver sugar bowl

Empire style porcelain vase

Empire style porcelain vase

Porcelain dish with lid

Porcelain dish with lid

Faience dinner set

Faience dinner set

Opera glasses.

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Porcelain figure `Pantera`

Porcelain figure `Pantera`

SILVER KOVSH WITH ENAMELS AND GARNETS BY THE FIRM OF PAVEL OVCHINNIKOV RUSSIA, MOSCOW, TURN OF THE 19TH–20TH CENTURIES

SILVER KOVSH WITH ENAMELS AND GARNETS BY THE FIRM OF PAVEL OVCHINNIKOV RUSSIA, MOSCOW, TURN OF THE 19TH–20TH CENTURIES

A silver kovsh produced in the workshops of the firm of Pavel Ovchinnikov, Purveyor to the Imperial Court, at the turn of the 19th–20th centuries.The vessel is of rounded, slightly flattened form with low sides and a clearly defined horizontal rim, fitted with an elongated horizontal handle. The body is reinforced with radial ribs, creating a clear structural rhythm and emphasizing the architectural clarity of the silhouette. A wide decorative band with a geometric carved ornament runs around the body, set with evenly spaced cabochon-cut garnets mounted in closed settings. The deep dark-red tone of the stones contrasts with the cool sheen of the silver, enhancing the jewel-like character of the piece. The interior of the kovsh is fully gilded.The handle is shaped as an elongated spatulate form and decorated with an enamelled cross featuring a hawk in the central medallion — an emblematic motif rooted in heraldic tradition. This symbol lends the object a pronounced ceremonial and status-related character, typical of presentation pieces of the late 19th century.The kovsh represents a characteristic work from the late period of the firm of Pavel Ovchinnikov, combining strict constructive form, decorative enamel and the use of natural gemstones, reflecting the artistic tendencies of Moscow silver workshops at the turn of the century.Marks: Maker’s mark beneath the double-headed eagle, “P. OVCHINNIKOV”; Russian state assay mark for silver “84” with the kokoshnik head; Assay master’s mark “IL” — Ivan Lebedkin, Moscow. The marks correspond to the period 1899–1908.Dimensions: Length 14.5 cm. Height 3.5 cm. Diameter 9 cm.Weight: 145 g.Condition: Good. Even gilding. Enamels and garnets intact. Minor signs of careful use consistent with age.Provenance: Private collection.

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Porcelain plates (3 pcs.) - Policeman, Selifan, Box

Porcelain plates (3 pcs.) - Policeman, Selifan, Box

Painted porcelain vase

Painted porcelain vase

Girl drinking water, Rosenthal

Girl drinking water, Rosenthal

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Decorative ceramic plate

Decorative ceramic plate

Porcelain plate with family photo

Porcelain plate with family photo

Ceramic vase

Biscuit figure Boxer

Biscuit figure Boxer

Engraving "Bulls"

Engraving "Bulls"

"Bulls" engraving mounted in a wooden frame. Author`s signature.Internal size 1714 cm

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8 porcelain ROYAL BAYREUTH (Germany) dishes + 2 porcelain bowls (Germany)

8 porcelain ROYAL BAYREUTH (Germany) dishes + 2 porcelain bowls (Germany)

Porcelain vaseurn with lid

Porcelain vaseurn with lid

Porcelain pencil holder "Monkey in the shape of Napoleon".

Porcelain pencil holder "Monkey in the shape of Napoleon".

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Porcelain kettle with lid `Woodpecker`

Porcelain kettle with lid `Woodpecker`

Porcelain figure „Soldier Tjorkins”

Porcelain figure „Soldier Tjorkins”

Art Nouveau style ceramic vase Underwater kingdom

Art Nouveau style ceramic vase Underwater kingdom

Porcelain bowl set (7 pcs.)

Porcelain bowl set (7 pcs.)

Trumpet-shaped glass vases on a marble base with gilded bronze (pair)

Trumpet-shaped glass vases on a marble base with gilded bronze (pair)

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Wooden frame in Louis XV style.

Wooden frame in Louis XV style.

Silver tongs for dessert.

Silver tongs for dessert.

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Megaphone of the Revolution

Megaphone of the Revolution

Girl with a lute. 19th century.

Girl with a lute. 19th century.

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Porcelain Chinese dummy.

Porcelain Chinese dummy.

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Tiffany style lamp. Orange tree .

Tiffany style lamp. Orange tree .

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Rosenthal Vase, Kunstabteilung Selb

Rosenthal Vase, Kunstabteilung Selb

CAST ICON THE SILENT CHRIST WITH SELECTED SAINTS RUSSIA, LATE 19TH CENTURY

CAST ICON THE SILENT CHRIST WITH SELECTED SAINTS RUSSIA, LATE 19TH CENTURY

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Chrysoprase necklace.

Chrysoprase necklace.

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Figure of a pink parrot. Karl Ens

Figure of a pink parrot. Karl Ens

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Silver cognac set in Art Deco Style.

Silver cognac set in Art Deco Style.

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D. Sannikov. Abstract composition. Russia 1920s.

D. Sannikov. Abstract composition. Russia 1920s.

Chinese silver cup with a dragon.

Chinese silver cup with a dragon.

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SWEETMEAT BASKET WITH VIEWS OF MOSCOW PAVEL OVCHINNIKOV FIRM, MOSCOW, RUSSIA, 1875

SWEETMEAT BASKET WITH VIEWS OF MOSCOW PAVEL OVCHINNIKOV FIRM, MOSCOW, RUSSIA, 1875

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IMPERIAL PARADE OF NICHOLAS I. WATERCOLOR BY FRANZ KRÜGER. RUSSIA, 1847

IMPERIAL PARADE OF NICHOLAS I. WATERCOLOR BY FRANZ KRÜGER. RUSSIA, 1847

Twin candelabra Samurai

Twin candelabra Samurai

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Panel Africa in Art Deco style

Panel Africa in Art Deco style

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