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ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802
ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802
An outstanding monument of Russian Northern icon painting at the turn of the 18th and 19th centuries, uniting the traditions of the Vologda school with a high level of silver craftsmanship. The icon represents the Most Holy Mother of God of the Orans type – “The Sign”, with the Christ Child depicted in a medallion upon Her breast. The central image is framed within a painted border and surrounded by figures of the Lord Sabaoth and Old Testament prophets holding unfolded scrolls foretelling the Incarnation.Of particular artistic significance is the repoussé silver oklad executed by the silversmith Andrian Ioakimov Klishin in 1802. The composition of the oklad is constructed in strict symmetry characteristic of early Classicism, while preserving the ornamental richness of the Baroque tradition. The vegetal ornament, garlands, cartouches and the radiant halo of the Mother of God are rendered in deep repoussé with refined detailing. Gilded elements emphasize the sacred center of the composition.The icon combines spiritual expressiveness in painting with the virtuosity of Northern Russian silver artistry, demonstrating the high artistic culture of Vologda in the early 19th century.Hallmarks: Maker’s mark “АК” in Cyrillic within a square cartouche – Andrian Ioakimov Klishin; Assay mark of the city of Vologda with the initials “ГШ” – assay master Grigory Shishkin, beneath the date “1802”; Corresponding to Postnikova-Loseva hallmark catalogue No. 310 and No. 324.Dimensions: Height – 41.5 cm; Width – 35 cm.Condition: Good. Minor traces of age on the painted surface and silver oklad. The composition is fully preserved without loss of principal elements.Provenance: Private collection.
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Crystal decanter with a silver neck.
Crystal decanter with a silver neck.
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Drawing from the Stage Costumes series. Erte
Drawing from the Stage Costumes series. Erte
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Drawing from the series Stage costumes Erte
Drawing from the series Stage costumes Erte
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Frame in the Neo-Baroque style. 19th century.
Frame in the Neo-Baroque style. 19th century.
129 USD
PHOTO FRAME IN THE ART NOUVEAU STYLE RUSSIA, 20TH CENTURY
PHOTO FRAME IN THE ART NOUVEAU STYLE RUSSIA, 20TH CENTURY
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SILVER SALT CELLAR IN THE FORM OF A THRONE RUSSIAN EMPIRE, MOSCOW, 1883
SILVER SALT CELLAR IN THE FORM OF A THRONE RUSSIAN EMPIRE, MOSCOW, 1883
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SILVER THRONE-FORM SALT CELLAR IN THE HISTORICISM STYLE RUSSIAN EMPIRE, MOSCOW, 1891
SILVER THRONE-FORM SALT CELLAR IN THE HISTORICISM STYLE RUSSIAN EMPIRE, MOSCOW, 1891
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Silver salt shaker Throne. Moscow. Russia. 1867.
Silver salt shaker Throne. Moscow. Russia. 1867.
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Ring in white gold 750 with diamonds.
Ring in white gold 750 with diamonds.
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LARGE VASE WITH BRONZE MOUNTS AND PAINTED DECORATION “THE TRIUMPH OF VENUS” FRANCE, SECOND HALF OF THE 19TH CENTURY
LARGE VASE WITH BRONZE MOUNTS AND PAINTED DECORATION “THE TRIUMPH OF VENUS” FRANCE, SECOND HALF OF THE 19TH CENTURY
A monumental vase combining gilt bronze and painted porcelain, representing a striking example of French decorative art of the Second Empire and the Historicist period. The oval bowl with a rich emerald-green ground is adorned with a central painted composition depicting the allegorical scene “The Triumph of Venus”, executed in the spirit of 18th century academic mythological painting. On the reverse appears an exquisite floral bouquet rendered with refined naturalism and delicate chromatic nuances.The porcelain body is mounted within an elaborate architectural framework of finely chased gilt bronze with openwork Rocaille ornamentation. The handles curve in dynamic vegetal scrolls with mascarons and ornamental cartouches. The upper rim forms an airy gallery of scrolling foliage and stylised acanthus leaves. The base is conceived as a ceremonial pedestal with a baluster stem and a four-sided support, richly decorated with relief elements and symmetrical scrollwork.The artistic conception unites elements of Neo-Rococo and Neo-Baroque, characteristic of Parisian bronze workshops of the second half of the 19th century. Stylistic features and the quality of porcelain painting suggest a connection with the traditions of the Sèvres manufactory, renowned for producing grand decorative vases and mantel ornaments for aristocratic residences.Dimensions: height 38 cm; width 54 cm; depth 32 cm.Condition: Good. Gilding even and well preserved. Minor wear to the base. No deformations, cracks, restorations or traces of active use.
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Foldable tortoiseshell lorgnette.
Foldable tortoiseshell lorgnette.
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SCULPTURAL MINIATURE “WOODCUTTER”. NICHOLS & PLINKE RUSSIA, ST PETERSBURG, SECOND HALF OF THE 19TH CENTURY
SCULPTURAL MINIATURE “WOODCUTTER”. NICHOLS & PLINKE RUSSIA, ST PETERSBURG, SECOND HALF OF THE 19TH CENTURY
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Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.
Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.
3277 USD
Gold ring with diamonds.
Gold ring with diamonds.
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Platinum ring with emerald and diamonds.
Platinum ring with emerald and diamonds.
Bidding is completed
Porcelain figurine of Putti playing with a dog. Germany.
Porcelain figurine of Putti playing with a dog. Germany.
Bidding is completed
Russian gold bracelet with enamel. 19th century.
Russian gold bracelet with enamel. 19th century.
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ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY
ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY
A rare icon of the Mother of God of Umilenie, created within the Moscow icon-painting tradition of the 16th–17th century. Executed in tempera on a wooden panel, the image displays refined modelling of the faces, a noble ochre palette and delicate linear highlights characteristic of the period. The composition follows the Byzantine Eleousa type, in which the tender touching of the cheeks of the Virgin and the Christ Child conveys profound spiritual compassion and intercession.The icon is set in an authentic 17th-century Moscow oklad of exceptional craftsmanship. Produced in court and monastic workshops, it displays a sophisticated combination of cloisonné and champlevé enamels, mother-of-pearl inlays, coloured glass and applied relief elements. The rich vegetal ornament, executed with remarkable rhythm and precision, reflects the aesthetic principles of Moscow decorative art of the 17th century. The reverse retains an early silk cloth with a floral pattern, a testament to centuries of careful veneration.Dimensions: 31 × 27 cm.Condition: The icon is in good collector’s condition consistent with its age. The painted surface is well preserved with minor craquelure and slight pigment losses. The oklad shows natural age traces.Provenance: Private collection of Alfred Schønebeck (1885–1931), representative of the Great Northern Telegraph Company in Russia. Acquired by Alfred and Gerda Schønebeck in Moscow in the 1920s. Exported to Denmark in 1929 and preserved in the family collection ever since.
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Silver plated set for cleaning crumbs from the table
Silver plated set for cleaning crumbs from the table
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Finnish naval officers parade saber.
Finnish naval officers parade saber.
Bidding is completed
Crimean landscape. Meshchersky Arseny Ivanovich. Rubezh of the 19-20th centuries.
Crimean landscape. Meshchersky Arseny Ivanovich. Rubezh of the 19-20th centuries.
1522 USD
A pair of bronze candlesticks in the Baroque style. 19th century.
A pair of bronze candlesticks in the Baroque style. 19th century.
Bidding is completed
Painting "Lady with a tambourine"
Painting "Lady with a tambourine"
1054 USD
Bronze bust of a girl. Italy. The turn of the 19th-20th centuries.
Bronze bust of a girl. Italy. The turn of the 19th-20th centuries.
Bidding is completed
Painting Bouquet of Lilacs. 1950s.
Painting Bouquet of Lilacs. 1950s.
Bidding is completed
Cooler for wine in Art Nouveau style
Cooler for wine in Art Nouveau style
Bidding is completed
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