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87
ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802
An outstanding monument of Russian Northern icon painting at the turn of the 18th and 19th centuries, uniting the traditions of the Vologda school with a high level of silver craftsmanship. The icon represents the Most Holy Mother of God of the Orans type – “The Sign”, with the Christ Child depicted in a medallion upon Her breast. The central image is framed within a painted border and surrounded by figures of the Lord Sabaoth and Old Testament prophets holding unfolded scrolls foretelling the Incarnation.Of particular artistic significance is the repoussé silver oklad executed by the silversmith Andrian Ioakimov Klishin in 1802. The composition of the oklad is constructed in strict symmetry characteristic of early Classicism, while preserving the ornamental richness of the Baroque tradition. The vegetal ornament, garlands, cartouches and the radiant halo of the Mother of God are rendered in deep repoussé with refined detailing. Gilded elements emphasize the sacred center of the composition.The icon combines spiritual expressiveness in painting with the virtuosity of Northern Russian silver artistry, demonstrating the high artistic culture of Vologda in the early 19th century.Hallmarks: Maker’s mark “АК” in Cyrillic within a square cartouche – Andrian Ioakimov Klishin; Assay mark of the city of Vologda with the initials “ГШ” – assay master Grigory Shishkin, beneath the date “1802”; Corresponding to Postnikova-Loseva hallmark catalogue No. 310 and No. 324.Dimensions: Height – 41.5 cm; Width – 35 cm.Condition: Good. Minor traces of age on the painted surface and silver oklad. The composition is fully preserved without loss of principal elements.Provenance: Private collection.
Begins 02.05.2026
Russian porcelain saucer from private factories of the 1820s. Persan (Persian).
Begins 02.05.2026 12:00:00
Gardner porcelain teapot. Russia, 1820-1830s
Begins 02.05.2026 12:00:00
Russian silver tea strainer, with enamel decor, in the spirit of Russian Art Nouveau.
Begins 02.05.2026 12:00:00
Silver, gilded, with painted enamels samovar.
Begins 02.05.2026 12:00:00
Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
Begins 02.05.2026 12:00:00
Large candy bowl 15 Moscow artel of jewelers. Russia. 1908-1917
Begins 02.05.2026 12:00:00
A set of teaspoons decorated with enamel in the original case. Moscow 1908-1917.
Begins 02.05.2026 12:00:00
Russian crystal box with a silver lid. St. Petersburg. 1837.
Begins 02.05.2026 12:00:00
Caviar bowl, Moscow, 1892
Begins 02.05.2026 12:00:00
LARGE VASE WITH BRONZE MOUNTS AND PAINTED DECORATION “THE TRIUMPH OF VENUS” FRANCE, SECOND HALF OF THE 19TH CENTURY
A monumental vase combining gilt bronze and painted porcelain, representing a striking example of French decorative art of the Second Empire and the Historicist period. The oval bowl with a rich emerald-green ground is adorned with a central painted composition depicting the allegorical scene “The Triumph of Venus”, executed in the spirit of 18th century academic mythological painting. On the reverse appears an exquisite floral bouquet rendered with refined naturalism and delicate chromatic nuances.The porcelain body is mounted within an elaborate architectural framework of finely chased gilt bronze with openwork Rocaille ornamentation. The handles curve in dynamic vegetal scrolls with mascarons and ornamental cartouches. The upper rim forms an airy gallery of scrolling foliage and stylised acanthus leaves. The base is conceived as a ceremonial pedestal with a baluster stem and a four-sided support, richly decorated with relief elements and symmetrical scrollwork.The artistic conception unites elements of Neo-Rococo and Neo-Baroque, characteristic of Parisian bronze workshops of the second half of the 19th century. Stylistic features and the quality of porcelain painting suggest a connection with the traditions of the Sèvres manufactory, renowned for producing grand decorative vases and mantel ornaments for aristocratic residences.Dimensions: height 38 cm; width 54 cm; depth 32 cm.Condition: Good. Gilding even and well preserved. Minor wear to the base. No deformations, cracks, restorations or traces of active use.
Begins 03.05.2026
Russian silver snuffbox with niello. Russia, 19th century.
Begins 02.05.2026 12:00:00
Russian Silver Tea Caddy. Moscow 1896-1908
Begins 02.05.2026 12:00:00
Miniature silver samovar. Early 20th century.
Begins 02.05.2026 12:00:00
SILVER-GILT SUGAR BASKET. MATVEY NIKIFOROV. MOSCOW, 1875
Begins 02.05.2026 12:00:00
A PAIR OF EPAULETTES WITH THE CIPHER OF EMPEROR ALEXANDER II RUSSIA, SECOND HALF OF THE 19TH CENTURY
Begins 02.05.2026 12:00:00
BRONZE FIGURINE OF A POLICEMAN, PAINTED WITH COLD ENAMELS AFTER A FABERGÉ MODEL RUSSIA, SAINT PETERSBURG, 1911
Begins 02.05.2026 12:00:00
PAIR OF BRONZE FIGURES OF THE IMPERIAL FAMILY’S COSSACK GUARDS RUSSIA, ST PETERSBURG, 1912
Begins 02.05.2026 12:00:00
ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY
A rare icon of the Mother of God of Umilenie, created within the Moscow icon-painting tradition of the 16th–17th century. Executed in tempera on a wooden panel, the image displays refined modelling of the faces, a noble ochre palette and delicate linear highlights characteristic of the period. The composition follows the Byzantine Eleousa type, in which the tender touching of the cheeks of the Virgin and the Christ Child conveys profound spiritual compassion and intercession.The icon is set in an authentic 17th-century Moscow oklad of exceptional craftsmanship. Produced in court and monastic workshops, it displays a sophisticated combination of cloisonné and champlevé enamels, mother-of-pearl inlays, coloured glass and applied relief elements. The rich vegetal ornament, executed with remarkable rhythm and precision, reflects the aesthetic principles of Moscow decorative art of the 17th century. The reverse retains an early silk cloth with a floral pattern, a testament to centuries of careful veneration.Dimensions: 31 × 27 cm.Condition: The icon is in good collector’s condition consistent with its age. The painted surface is well preserved with minor craquelure and slight pigment losses. The oklad shows natural age traces.Provenance: Private collection of Alfred Schønebeck (1885–1931), representative of the Great Northern Telegraph Company in Russia. Acquired by Alfred and Gerda Schønebeck in Moscow in the 1920s. Exported to Denmark in 1929 and preserved in the family collection ever since.
Begins 02.05.2026
GIUSEPPE MAZZOLINI (1806–1876). VIRGINIA. ITALY, ROME, 1874
Begins 03.05.2026 10:00:00
WINE EWER IN NEO-RENAISSANCE STYLE GERMANY, SECOND HALF OF THE 19TH CENTURY
Begins 03.05.2026 10:00:00
LIQUEUR SET WITH PIERCED STERLING SILVER OVERLAY JAPAN, MID–20TH CENTURY
Begins 03.05.2026 10:00:00
GLASS AND SILVER ROOSTER-FORM JUG. HANAU, J.D. SCHLEISSNER SÖHNE. LATE 19TH CENTURY
Begins 03.05.2026 10:00:00
KNIGHTS MAXIMILIAN I AND FERDINAND II ON HORSEBACK. HANAU, CIRCA 1910
Begins 03.05.2026 10:00:00
PAIR OF JAPANESE SILVER VASES WITH ENAMEL JAPAN, TURN OF THE 19TH–20TH CENTURY
Begins 03.05.2026 10:00:00
FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S
Begins 03.05.2026 10:00:00
SILVER FIGURE OF A CLOWN. VITTORIO ANCINI ITALY, AREZZO, SECOND HALF OF THE 20TH CENTURY
Begins 03.05.2026 10:00:00
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Music Box.
Begins 03.05.2026 10:00:00
Russian silver kovsh
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THE JUDGEMENT OF PARIS WESTERN EUROPE, FLEMISH SCHOOL, EARLY 18TH CENTURY
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