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Russian silver snuffbox with gold decor. Mid 19th century.
Russian silver snuffbox with gold decor. Mid 19th century.
Silver snuffbox with applied gold, Baroque style. Personalized image of luxury and nobility. Observes baroque proportions, canons and forms. Fits perfectly into the anatomy of the hand. The mysterious shimmer of silver pleasantly sets off the festive and sublime sparkle of golden curls and shoots that adorned the snuffbox from all sides. St. Petersburg 185? 84 standard silver, gilding. Assay master Branderburg Eduard Fedorovich 1850-1866 Author`s initials: SE. Ernst Karl. (Ernst Car). Known as a goldsmith since 1800. He had a workshop in 1849. There are works of the 1850s. Weight: 129 gr.
Bidding is completed
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
PAUL BUHRÉ / LE PHARE. GOLD POCKET WATCH WITH MINUTE REPEATER, CHRONOGRAPH, MOON PHASES AND CYRILLIC CALENDAR. CIRCA 1903
Bidding is completed
THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894
THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894
Bidding is completed
PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY
PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY
Bidding is completed
SILVER-GILT KOVSH WITH POLYCHROME ENAMELS. PAVEL OVTCHINNIKOV FIRM RUSSIA, MOSCOW, 1908–1917
SILVER-GILT KOVSH WITH POLYCHROME ENAMELS. PAVEL OVTCHINNIKOV FIRM RUSSIA, MOSCOW, 1908–1917
Bidding is completed
GOLD 14K POCKET WATCH WITH QUARTER REPEATER INVICTA FOR THE RUSSIAN MARKET SWITZERLAND, CIRCA 1900
GOLD 14K POCKET WATCH WITH QUARTER REPEATER INVICTA FOR THE RUSSIAN MARKET SWITZERLAND, CIRCA 1900
Bidding is completed
GOLD POCKET WATCH WITH QUARTER REPEATER, CHRONOGRAPH, TRIPLE CALENDAR AND MOON PHASES. REYEM FRÈRES LOCLE SWITZERLAND, CIRCA 1900
GOLD POCKET WATCH WITH QUARTER REPEATER, CHRONOGRAPH, TRIPLE CALENDAR AND MOON PHASES. REYEM FRÈRES LOCLE SWITZERLAND, CIRCA 1900
Bidding is completed
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY
Bidding is completed
SECRETARY DESK WITH A PAINTED PANEL, PAUL SORMANI FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
SECRETARY DESK WITH A PAINTED PANEL, PAUL SORMANI FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
Bidding is completed
Samurai armor, Edo period.
Samurai armor, Edo period.
Bidding is completed
SWISS ENAMEL TOBACCO BOX IN 14K GOLD WITH MINIATURE, GENEVA, 19TH CENTURY
SWISS ENAMEL TOBACCO BOX IN 14K GOLD WITH MINIATURE, GENEVA, 19TH CENTURY
A rare octagonal tobacco box crafted from 14K gold, created in the second half of the 19th century in Geneva, in the workshop of Pierre Girard. This piece exemplifies high-level jewellery craftsmanship, combining miniature enamel painting, guilloché engraving, and refined ornamental detail. The central element of the hinged lid features an enamel miniature depicting a romantic scene in the gallant style. The composition is finely rendered and enclosed within an oval frame of opaque sky-blue enamel, adorned with neoclassical floral motifs. The sides of the case are decorated with a guilloché pattern beneath translucent enamel, enhanced with white enamel ribbon-like waves. The base is designed with alternating vertical segments of white and blue enamel, emphasizing the symmetry and architectural structure of the form. The tobacco box reflects the harmony of proportion and technical perfection characteristic of the Geneva school. Marks: maker’s mark of Pierre Girard, Swiss gold hallmarks post-1881, item number 4281 Dimensions: Width 8.5 cm, depth 6 cm, height 1.5 cm . Weight: 122 g Condition: Excellent collector’s condition Provenance: Private collection, Monaco
Bidding is completed
Fireplace in Art Nouveau style. Latvia. Early 20th century.
Fireplace in Art Nouveau style. Latvia. Early 20th century.
Bidding is completed
PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY
PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY
Bidding is completed
Delicate fruit vase of Napoleon III period. ES CALIER DE CRISTAL PARIS
Delicate fruit vase of Napoleon III period. ES CALIER DE CRISTAL PARIS
Bidding is completed
CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY
CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY
Bidding is completed
LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY
LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY
Bidding is completed
UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855
UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855
Bidding is completed
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
Bidding is completed
FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S
FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S
A large-scale work by Fernand Albert Renault that reveals the key artistic principles of the master during his mature period. The painting demonstrates the characteristic synthesis in Renault’s oeuvre of classical compositional structure and a free, vigorous painterly manner shaped by the influence of Fauvism and the Paris School of the interwar years.At the center of the composition lies a nude couple placed within a natural coastal landscape. Renault constructs the scene according to a balanced diagonal rhythm: the luminous female figure, rendered in broad, vibrating strokes of ochre and rose tones, forms the principal plastic accent of the foreground. The male figure, treated in denser, more saturated brown and olive hues, establishes a tonal contrast and intensifies the dramatic interplay of light and shadow.For Renault, color functions as an independent expressive force. In this composition, the scarlet, emerald, and lemon accents of the draped fabrics do not merely describe objects, but rather create the emotional atmosphere of the painting. The foliage and openings of sky are resolved in free patches of pigment that evoke moving air and the pulsation of sunlight.The background scene, depicting figures subduing horses, carries particular significance. This motif recurs in Renault’s work as a symbol of vital energy and masculine initiative. Within the context of this painting, it enters into a meaningful dialogue with the intimate foreground scene, reinforcing the themes of attraction, strength, and inner impulse.Unlike academic treatments of the nude, Renault avoids cold idealization. His figures exist within the realm of color and light rather than anatomical display. Corporality is conveyed through the plastic mass of the brushstroke, where color replaces line. This characteristic allows the work to be situated within French Neotraditionalism of the 1930s, which sought to preserve figuration while rejecting excessive academic rigidity.The artist’s signature appears in the lower right corner.Dimensions: Canvas 99 x 132 centimeters. Frame 128 x 163 centimeters.Material: Oil on canvas.Condition: Good. The paint layer is stable and without significant losses. The frame shows natural signs of age.Provenance: Private collection.
Bidding is completed
DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830
DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830
Bidding is completed
TAHAN Carriage Bar in Napoleon III Style. 19th Century.
TAHAN Carriage Bar in Napoleon III Style. 19th Century.
Bidding is completed
Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century
Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century
Bidding is completed
PORCELAIN GARNITURE. MANUFACTURE NATIONALE DE SÈVRES FRANCE, 1819
PORCELAIN GARNITURE. MANUFACTURE NATIONALE DE SÈVRES FRANCE, 1819
Bidding is completed
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.
Bidding is completed
Music box. I.Ch.Detmering Hamburg. 19th century.
Music box. I.Ch.Detmering Hamburg. 19th century.
Bidding is completed
Gold ring with tanzanite and diamonds.
Gold ring with tanzanite and diamonds.
24500 EUR
Porcelain slab Love Game, KPM Berlin, circa 1830
Porcelain slab Love Game, KPM Berlin, circa 1830
Bidding is completed
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