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PAIR OF CANDELABRA WITH FIGURES OF CUPIDS FRANCE, SECOND HALF OF THE 19TH CENTURY
PAIR OF CANDELABRA WITH FIGURES OF CUPIDS FRANCE, SECOND HALF OF THE 19TH CENTURY
A decorative pair of candelabra executed in the form of cupids represents a refined example of French bronze casting from the Historicism period, strongly influenced by the Neorococo aesthetic. Each figure is cast in bronze and finished with a rich gilt surface, emphasizing the sculptural modeling, soft anatomical treatment, and high level of craftsmanship. The cupids are depicted in lively, dynamic poses with gently twisted bodies, creating a sense of movement and visual rhythm.The figures hold candle branches shaped as cornucopia, adorned with garlands of grapevines and bunches of grapes, traditional symbols of abundance, prosperity, and joy. The details are finely executed, with carefully modeled vine leaves, grapes, and textured surfaces. The candelabra are mounted on circular white marble bases, providing an elegant contrast to the warm golden tone of the gilt bronze and enhancing the ceremonial character of the ensemble.The composition is well suited to interiors inspired by the Louis XV Revival, Belle Époque, and late 19th-century eclectic taste, designed for placement on mantelpieces, consoles, or as decorative focal points in formal salon interiors.Dimensions: Height – 37.5 cm; Width – 15 cm; Depth – 5.5 cm.Material: Gilt bronze; base – white marble.Condition: Good. Gilding well preserved with minor signs of age on protruding elements. Marble bases intact, without chips or cracks.Provenance: Private European collection.
2200 EUR
CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE  RUSSIA / ESTONIA, 1841
CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841
The painting Boy with a Flute, dated 1841 and signed “Neff. 1841,” is a characteristic example of the early period of Carl Timoleon von Neff — an eminent representative of the academic school of mid-19th-century painting, whose artistic activity bridged the traditions of St. Petersburg, Dresden, and Paris. In this work, the artist embodies a quintessential Romantic image of a young shepherd, symbolizing simplicity and the inner purity of human nature in harmony with the natural world.The composition is built on a delicate balance between figure and landscape. The luminous distance creates an impression of airy perspective, while soft lighting reveals the velvety surface and warm palette typical of the Baltic-German school of painting. The emotional expression in the boy’s gaze, the gentle modelling of the face, and the meticulous treatment of the attire demonstrate Neff’s mature craftsmanship, shaped under the influence of Western European classicism and the sentimental realism of the Biedermeier period.A graduate of the Dresden Academy and a pupil of Paul Delaroche in Paris, Carl Timoleon von Neff became one of the leading portrait and religious painters of Imperial Russia. His works adorned the interiors of St Isaac’s Cathedral and the palaces of the Imperial family. Yet early genre scenes such as this are extremely rare, reflecting Neff’s personal interest in the human figure outside the ceremonial context — in the poetics of everyday life and the idealized image of childhood.Boy with a Flute occupies a special place in Neff’s oeuvre as a transitional work between his academic formation and the emergence of his distinctive artistic language — marked by refined drawing and transparent coloration. Comparable compositions and figure types are found in Russian and German museum collections, including the State Hermitage, the Art Museum of Estonia, and former Königsberg collections.Hallmarks: Artist’s signature in red paint at lower left: “Neff. 1841.”Dimensions: 90 × 78 cm.Material: Oil on canvas.Condition: Good. Canvas relined and reinforced on stretcher; minor signs of age. Paint surface stable, dense, without losses, with natural patina.Provenance: Private collection.Expertise: Expert opinion by the Art Museum of Estonia (Eesti Kunstimuuseum, 30.11.2016, Sirje Helme, Mai Levin, Alar Nurkse) confirms the attribution and authorship of Carl Timoleon von Neff.
45000 EUR
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