Antiques Online Catalogue - Antiqon Marketplace

1 234 5 6 ...83

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

CRYSTAL JUG WITH SILVER, 13TH ARTEL RUSSIA, MOSCOW, EARLY 20TH CENTURY

An exquisite crystal jug with a silver mount represents a striking example of the high level achieved by Russian decorative and applied arts in the early 20th century. The object demonstrates a refined and deliberate reinterpretation of Western European historical styles, characteristic of Moscow silver workshops of the Late Historicism period. The composition combines classical restraint with decorative elegance, inspired by motifs of the Early French Renaissance.The proportionally expanded body of transparent crystal is adorned with deep diamond-cut and vegetal engraving, creating a rich play of light while emphasizing the functional purpose of the vessel. The silver collar of the neck is executed in a restrained manner and decorated with classical garlands seemingly suspended along the lower edge, lending the form architectural clarity and ceremonial dignity. A Renaissance-style ornamental band at the rim harmoniously complements the gently curved handle, whose subtly modern character reflects the stylistic transition of the era.A distinctive accent is provided by the garnet finial crowning the lid - an elegant detail symbolically associated with fertility, blossoming, and abundance, themes of particular significance within Renaissance tradition. This refined artistic gesture reinforces the association of the jug with formal table settings and celebratory beverages such as cherry juice, punch, or red wine. The jug is perceived not merely as a utilitarian object, but as an independent artistic focal point conceived for festive occasions.Hallmarks: State assay mark of the Moscow Assay Office for secondary elements and fittings, silver standard “84”, period 1908-1926; Maker’s mark “13A” (13th Artel); Inside the lid - repeated Moscow Assay Office mark and maker’s mark “13A”.Dimensions: Height: 29 cm, Width: 16 cm, Depth: 13 cmCondition: Good. The crystal shows no cracks or restorations. The silver elements retain an even time patina, without deformation.Provenance: Private collection.

Silver cup holder. Imperial Russia

Silver cup holder. Imperial Russia

Ladies cabinet Bonheur du jour

Ladies cabinet Bonheur du jour

Rococo showcase. Gallant age.

Rococo showcase. Gallant age.

Modern era frame. Early 20th century.

Modern era frame. Early 20th century.

Men`s watch Quantieme Perpetuel Haute Horlogerie. FVa10 Stainless Steel Black. Switzerland.

Men`s watch Quantieme Perpetuel Haute Horlogerie. FVa10 Stainless Steel Black. Switzerland.

Mantel clock Allegories of Painting of gilded bronze 1920

Mantel clock Allegories of Painting of gilded bronze 1920

DECAGONAL GOBLET IN PURPLE CRYSTAL WITH GILT DECORATION ST PETERSBURG, 1810s IMPERIAL GLASS FACTORY

DECAGONAL GOBLET IN PURPLE CRYSTAL WITH GILT DECORATION ST PETERSBURG, 1810s IMPERIAL GLASS FACTORY

PAIR OF SCULPTURES “MOORISH PORTERS” FRANCE, 19TH CENTURY

PAIR OF SCULPTURES “MOORISH PORTERS” FRANCE, 19TH CENTURY

CHINESE EXPORT GILT SILVER TEA SERVICE WITH ENAMELS AND CABOCHONS CHINA, EARLY 20TH CENTURY

CHINESE EXPORT GILT SILVER TEA SERVICE WITH ENAMELS AND CABOCHONS CHINA, EARLY 20TH CENTURY

UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855

UNIQUE MANTEL CLOCK WITH SOLAR ALLEGORY. MODEL ATTRIBUTED TO CARLO ROSSI RUSSIAN EMPIRE, SAINT PETERSBURG, PERIOD OF NICHOLAS I, 1825-1855

A monumental mantel clock of the Late Russian Empire style, conceived within the artistic system associated with the design models of Carlo Rossi (1775-1849). The architectonics of the work are constructed upon a strict vertical axis and imbued with solar symbolism characteristic of court art of the 1830s-1840s.The composition is formed by two volumes of deep sapphire cobalt glass attributed to the Imperial Glass Factory of Saint Petersburg. The lower massive cylindrical body is decorated with a deeply cut diagonal spiral faceting, creating a dynamic effect of flowing water and the passage of time. The plastic rhythm of the glass reinforces the leitmotif of the wave as a symbol of continuity and eternal circulation.The central section features a gilt dial with Roman numerals, surrounded by a wreath of stylized vegetal ornament and a radiant solar composition. Two allegorical figures, male and female, support the upper vessel. Their gestures are directed toward the source of light, forming a cosmogonic image of the luminary rising from the waters. The iconography relates to the theme of Helios and the symbolism of Alpha and Omega, affirming harmony, love and fertility.The upper section takes the form of a cobalt glass vase crowned with an openwork gilt bronze frieze enriched with vegetal and solar motifs. The bronze elements display refined chasing and high-quality fire gilding characteristic of Saint Petersburg workshops of the first half of the nineteenth century.Marks: Not found.Dimensions: Height: 43 cm; Width: 30 cm; Depth: 20 cm.Material: Gilt and polished bronze; cobalt glass attributed to the Imperial Glass Factory; clock mechanism with pendulum.Condition: Good. Even gilding. Minor wear to the base. Minor micro-chips to the pedestal of the glass section, not affecting the overall visual integrity or structural stability of the piece.Provenance: Private European collection.Literature: Igor Sychev. Russian Lighting Fixtures of the Classical Period. 1760-1830. Moscow, P.V.B.R., 2003, illustrations 116, 189, 279, 305, 635, 795, 844, 845, 866, 868.

LOUIS XV STYLE WRITING DESK FRANCE, SECOND HALF OF THE 19TH CENTURY

LOUIS XV STYLE WRITING DESK FRANCE, SECOND HALF OF THE 19TH CENTURY

Table set in the style of Napoleon III.

Table set in the style of Napoleon III.

Bracelet in 18K yellow gold in the style of Chanel

Bracelet in 18K yellow gold in the style of Chanel

Long gold earrings with aquamarines, sapphires and diamonds.

Long gold earrings with aquamarines, sapphires and diamonds.

Louis XVI style silver pencil case.

Louis XVI style silver pencil case.

Music box Symphonion. Germany. The turn of the 19th and 20th centuries.

Music box Symphonion. Germany. The turn of the 19th and 20th centuries.

MAHOGANY AND GILT BRONZE DISPLAY CABINET IN THE STYLE OF SORMANI FRANCE, LATE 19TH CENTURY

MAHOGANY AND GILT BRONZE DISPLAY CABINET IN THE STYLE OF SORMANI FRANCE, LATE 19TH CENTURY

DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830

DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830

An impressive desk jewelry casket executed in the opulent palatial manner of French decorative art of the Restoration period. The complex curvilinear body is crafted from finely selected rosewood, veneered in a striking diagonal pattern that enhances the sculptural volume and highlights the richness of the wood grain. The structure rests on four substantial sculptural feet in gilt bronze, modeled with pronounced Baroque scrolls and acanthus leaves.The surfaces are lavishly enriched with finely cast and chased gilt bronze mounts of high quality. Central to the decorative program are porcelain plaques from the Manufacture nationale de Sèvres, set within ornate gilt bronze frames. The polychrome paintings, executed on a blue ground, are devoted to themes of amorous lyricism: lush floral bouquets and playful putti, evoking the refined gallant imagery of the 18th century reinterpreted through the lens of early 19th-century taste.Particular attention is drawn to the porcelain plaque adorning the lid, featuring an exceptionally delicate floral composition. The painting is signed “BARRE SÈVRES,” allowing attribution to the Sèvres painter Barre, active during the first third of the 19th century. Signed plaques of this kind were reserved for objects of high representational status and were frequently commissioned for prestigious pieces of furniture and decorative works intended for aristocratic interiors.The interior of the casket is designed for the storage of jewelry and precious objects. A hinged front panel provides convenient access while preserving the monumentality and coherence of the exterior form. The casket stands as a refined example of the synthesis of cabinetmaking, gilt bronze work, and porcelain painting characteristic of leading French workshops of the period.Marks: Signed porcelain plaque: “BARRE SÈVRES”.Dimensions: Height 32 cm; width 58 cm; depth 36 cm.Condition: Good. Overall well preserved. Minor signs of age and use. Gilt bronze with even period patina. Porcelain plaques without chips or cracks.Provenance: France. Likely produced for an aristocratic interior or a formal salon in the first half of the 19th century.

A PAIR OF RUSSIAN NEOCLASSICAL WALL CONSOLES ST PETERSBURG, LATE 19TH - EARLY 20TH CENTURY

A PAIR OF RUSSIAN NEOCLASSICAL WALL CONSOLES ST PETERSBURG, LATE 19TH - EARLY 20TH CENTURY

BOULLE STYLE WRITING DESK FRANCE, 19TH CENTURY

BOULLE STYLE WRITING DESK FRANCE, 19TH CENTURY

PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY

PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY

PAUL CHEVRE. BOY SEPARATING FIGHTING COCKS FRANCE / CANADA, LATE 19TH - EARLY 20TH CENTURY

PAUL CHEVRE. BOY SEPARATING FIGHTING COCKS FRANCE / CANADA, LATE 19TH - EARLY 20TH CENTURY

FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S

FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S

MARBLE SCULPTURE “THE BATHING VENUS” EUROPE, 19TH - EARLY 20TH CENTURY

MARBLE SCULPTURE “THE BATHING VENUS” EUROPE, 19TH - EARLY 20TH CENTURY

GILT-BRONZE CHANDELIER IN THE NAPOLEON III STYLE FRANCE, SECOND HALF OF THE 19TH CENTURY

GILT-BRONZE CHANDELIER IN THE NAPOLEON III STYLE FRANCE, SECOND HALF OF THE 19TH CENTURY

IMPRESSIVE EMPIRE STYLE CHANDELIER RUSSIA, FIRST QUARTER OF THE 19TH CENTURY

IMPRESSIVE EMPIRE STYLE CHANDELIER RUSSIA, FIRST QUARTER OF THE 19TH CENTURY

1 234 5 6 ...83

Subscribe to our newsletter
Never miss new auctions

Subscribe

Your latest views

SILVER BEER TANKARD WITH ATLAS AND CARVED IVORY RELIGIOUS SCENES LÜBECK, FREE IMPERIAL CITY, 17TH CENTURY

SILVER BEER TANKARD WITH ATLAS AND CARVED IVORY RELIGIOUS SCENES LÜBECK, FREE IMPERIAL CITY, 17TH CENTURY

Personal notepad.France, third quarter of the 19th century.

Personal notepad.France, third quarter of the 19th century.

PAIR OF SCULPTURES “MOORISH PORTERS” FRANCE, 19TH CENTURY

PAIR OF SCULPTURES “MOORISH PORTERS” FRANCE, 19TH CENTURY

Pair of French gilt bronze sconces, Louis XVI style, 19th century.

Pair of French gilt bronze sconces, Louis XVI style, 19th century.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

White and gilded porcelain mocha coffee service for six people. Meissen

White and gilded porcelain mocha coffee service for six people. Meissen

Pair of fireplace heating elements. France 19th century.

Pair of fireplace heating elements. France 19th century.

TAHAN Carriage Bar in Napoleon III Style. 19th Century.

TAHAN Carriage Bar in Napoleon III Style. 19th Century.

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

Painting "Winter"

Painting "Winter"

Hunting with a falcon

Hunting with a falcon

Drawing from the series Proletariat

Drawing from the series Proletariat

Bronze figure of Bodhidharma

Bronze figure of Bodhidharma

Gold ring with diamonds. Gassan.

Gold ring with diamonds. Gassan.

Night at the Daugava

Night at the Daugava

Porcelain bowl set (7 pcs.)

Porcelain bowl set (7 pcs.)

Porcelain Bolonka based on Kuznetsovs model.

Porcelain Bolonka based on Kuznetsovs model.

Porcelain group Satyr and Dionysus. Meissen 19th century.

Porcelain group Satyr and Dionysus. Meissen 19th century.

Porcelain coffee pair

Porcelain coffee pair