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MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
An exceptional museum-quality pair of ceremonial tazzas, created in the workshop of the Bratya Grachevy firm, official Purveyors to the Imperial Court, and reflecting the highest achievements of Russian jewellery and silversmithing art of the late nineteenth century.The composition is built on a striking contrast between the massive cut-crystal bowls and the sculptural silver stands, formed as stylised dolphins. The figures are rendered in dynamic movement, with finely chased scales and expressively modelled heads and fins. The dolphins’ tails support shell-shaped elements that form a refined transition between the stands and the bowls, lending the ensemble a harmonious and sculpturally unified silhouette.Each stand rests on three twisted branches adorned with relief foliage, enhancing the organic quality and decorative richness of the design. The crystal bowls are executed in deep cut techniques, featuring star-shaped rosettes and geometric patterns that create a rich play of light and emphasise the ceremonial character of the objects.Marks: Full maker’s mark “BR. GRACHEVY” with the double-headed eagle, characteristic of the Bratya Grachevy firm, Purveyors to the Imperial Court; state assay mark of the Saint Petersburg Assay Office with the “84” silver standard in an oval cartouche; assay mark with the coat of arms of Saint Petersburg, corresponding to the period of the late 1880s to early 1890s.Dimensions: Height: 23 cm and 25.5 cm (including crystal bowls). Diameter of crystal bowl: 28.8 cm.Weight: Total weight of the silver elements, excluding crystal bowls: 3944 g.Provenance: Private European collection.
28933 USD
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
A magnificent gilded silver tea and coffee set created by the renowned Moscow firm of Pavel Ovchinnikov in the late 19th century, representing an outstanding example of Russian jewelry craftsmanship of the era. This refined ensemble, comprising a coffee pot, teapot, sugar bowl, cream jug, and a set of six spoons, embodies the essence of the Russian Revival style, combining national motifs, decorative richness, and exceptional technical execution.Each piece is adorned with medallions depicting views of the Moscow Kremlin, executed in niello, one of the most intricate and elegant decorative techniques in silverwork. The niello ornamentation frames architectural scenes with a sense of depth and precision, while the gilding lends a warm tone that enhances the contrast and sculptural clarity of the forms.The spoons feature miniature architectural scenes on the reverse, including St. Basil’s Cathedral, the Kremlin, the Ivan the Great Bell Tower, the Cathedral of Christ the Saviour, the towers of Kitay-gorod, and panoramic views of Red Square. Each image is executed with exquisite precision characteristic of Ovchinnikov’s finest work. The set is preserved in its original fitted case, embossed in gold with the inscription “FROM THE STORE OF THE MANUFACTURER P.A. OVCHINNIKOV” beneath the Russian Imperial coat of arms, indicating its sale through the Imperial Court Supplier’s official shop.Marks: Full and small maker’s marks of P. Ovchinnikov beneath a double-headed eagle, small mark “PO,” Moscow assay office mark with the stamp of Viktor Savinkov (active 1855–1888), dated 1872, state assay mark depicting St. George slaying the dragon, Russian 84 silver standard mark in a square shield with chamfered corners, later Latvian 875 mark with a girl’s head facing left (1922–1939) and the letter “A,” master’s mark “VS” for Vasily Semyonov.Dimensions: Coffee pot 24.5 × 12.6 × 24.0 cm, Sugar bowl 17.5 × 18.0 × 12.2 cm, Cream jug 11.8 × 8.2 × 9.6 cm, Spoons 10.5 × 2 cm.Weight: 1288 gMaterials: Silver 84 standard, gilding, niello, carving, casting, bone.Condition: Good collector’s condition. Partial wear to gilding and minor traces of age on niello consistent with use. Ornamentation remains sharp and detailed. Original case preserved with gold embossing and velvet interior.Provenance: Private European collection.
26040 USD
RUSSIAN ART NOUVEAU KOVSH WITH CLOISONNÉ ENAMELS. FYODOR RUCKERT RUSSIA, MOSCOW, 1908–1917
RUSSIAN ART NOUVEAU KOVSH WITH CLOISONNÉ ENAMELS. FYODOR RUCKERT RUSSIA, MOSCOW, 1908–1917
A museum-quality silver kovsh created in the workshop of Fyodor Ivanovich Ruckert, one of the most distinguished masters of the Moscow school of cloisonné enamel and the leading enameller for the firm of Carl Fabergé. While rooted in the traditional form of Russian ceremonial drinking vessels, the kovsh is here transformed into a refined work of decorative art, transcending its utilitarian origins. The cylindrical body with a softly profiled, undulating rim and a transverse heart-shaped handle forms a balanced and harmoniously proportioned silhouette.The entire exterior surface of the body and the upper plane of the handle are covered with finely executed cloisonné enamels, demonstrating an exceptional command of line and colour. The ornamental programme reflects Ruckert’s mature synthesis of geometric and vegetal motifs. A deep brown enamel ground, characteristic of the master’s oeuvre, provides a rich backdrop for vivid blue triangles, lozenges and lattice bands, complemented by stylised floral motifs in pink and light blue with turquoise accents.The composition is organised in rhythmically structured ornamental zones that emphasise the rounded form and create a sense of internal movement. The front and reverse are accentuated with geometric spirals, lozenges and triangular forms, interpretable as symbols of water, solar imagery and Northern ornamental traditions. Particularly striking are the applied silver elements in the form of droplets, crosses and grilles, which add depth, relief and a subtle play of light, enhancing the poetic association with the Russian North that is central to the aesthetics of Russian Art Nouveau.The interior is fully gilt, underscoring the ceremonial nature of the piece and confirming its status as a work of high artistic silver, intended primarily for representational and symbolic use.Marks: Maker’s mark with Cyrillic initials “FR” in a square punch – Fyodor Ivanovich Ruckert; Moscow assay mark with silver standard “88” and a female head facing right within an oval cartouche; Moscow city mark of the period 1908–1917.Dimensions: Height – 4.5 cm; diameter – 5 cm.Weight: 83 g.Condition: Good. Cloisonné enamels are vibrant and intact, without visible losses or chips. Minor signs of age and use consistent with the period. The interior gilding is evenly preserved.Provenance: Sotheby’s auction.
21411 USD
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