Russian art

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

A refined Crimean landscape capturing the atmosphere of the southern coast on a clear summer day. The composition is structured around a gentle diagonal movement of the rocky shoreline, harmoniously balanced by the vertical accents of slender cypresses and the calm horizontal expanse of the sea. In the middle ground, a small house with a green roof is organically integrated into the natural setting, serving as both a compositional and chromatic focal point. In the distance, a panorama of mountain ranges unfolds in cool bluish-violet tones, dissolved within a luminous atmospheric perspective.Executed in a plein-air manner characteristic of Russian painting of the first third of the twentieth century, the work employs a free and confident brushstroke that avoids detailed delineation in favor of conveying the overall state of nature and the interplay of light, air, and space. The color scheme is built upon a subtle balance between the cool tones of the sea and mountains and the sun-bleached yellow-white and ochre hues of the coastal rocks, evoking the sensation of intense southern sunlight. The painting is marked by restrained harmony and a lyrical mood, free from decorative artifice or excessive expressiveness.By its painterly language, chromatic sensitivity, and overall atmosphere, the work relates to the tradition of Russian Impressionism and to the circle of professional artists active in Crimea during the 1920s–1930s, who continued the development of plein-air painting beyond academic and ideologically driven frameworks.Dimensions: 34 × 28 cm (visible); 48 × 43 cm (framed).Medium: Oil on canvas.Condition: Good. The canvas has been relined; the paint layer is stable, with minor signs of age.Provenance: Private collection.

CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841

CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841

Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.

Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.

Silver ruble of Peter I, 1723. A. In an ermine mantle without the St. Andrew`s cross

Silver ruble of Peter I, 1723. A. In an ermine mantle without the St. Andrew`s cross

Antique Russian box "Kissing Rite".

Antique Russian box "Kissing Rite".

Bidding is completed

Julius Yulievich Klever (son). (1882-1942) Still life with fish .

Julius Yulievich Klever (son). (1882-1942) Still life with fish .

Ladies` mirror, decorated with enamel pattern. 20th century.

Ladies` mirror, decorated with enamel pattern. 20th century.

Porcelain Easter egg.

Porcelain Easter egg.

SILVER LADLE IN THE FORM OF A SLAVIC BOAT WITH A WARRIOR FIGURE SAZIKOV, MOSCOW, 1891

SILVER LADLE IN THE FORM OF A SLAVIC BOAT WITH A WARRIOR FIGURE SAZIKOV, MOSCOW, 1891

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

Unique mantel clock, made of glass and bronze. Royal Russia. Early 19th century.

Unique mantel clock, made of glass and bronze. Royal Russia. Early 19th century.

A unique mantel clock made of glass and bronze made during the period of Nicholas I (1825-1855) in the style of the late Empire. The solar theme of the luminary rising from the waters is associated with the nature of abundance in the ornament of the dial and the dominant flowerpot on conical glass. The general leitmotif of the mobility of waves and time , permeates the work and is noticeable in the rhythm of the glass and the dial pattern. In the center of the composition, He and She are Helios’ assistants. Alpha and Omega of the universe. They rise from the waves and hold the luminary, affirming love, life, fertility. This is the connecting thread of times. The clock is made of gilded and polished bronze and cobalt glass, presumably made at the Imperial Glass Factory in St. Petersburg, with bronze bases of floral designs. The upper part of the clock is made in the shape of a vase and is decorated with gilded bronze floral decoration. The dial is marked with Roman numerals, decorated with a decor in the form of sun rays rotated in an hour circle. Literature: Sychev Igor. Russian lamps from the era of classicism. 1760-1830. M. P.V.B.R. 2003, illustration 116, 189,279, 305, 635, 795, 844, 845, 866 and 868.

Suprematist slogan. Lets move production comrades.

Suprematist slogan. Lets move production comrades.

Snuffbox, St. Petersburg, I. MARSHAK.

Snuffbox, St. Petersburg, I. MARSHAK.

Ashtray Monkey. Kuznetsov factory. 19th century.

Ashtray Monkey. Kuznetsov factory. 19th century.

D.Koshutin. The Cuirassier Attack, 1902

D.Koshutin. The Cuirassier Attack, 1902

Advertising poster Phonograph Co.. Frères.

Advertising poster Phonograph Co.. Frères.

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

Icon Selected Holidays. Palekh. XIX century.

Icon Selected Holidays. Palekh. XIX century.

D. Sannikov. Abstract composition. Russia 1920s.

D. Sannikov. Abstract composition. Russia 1920s.

D. Sannikov. Abstract composition in a wooden frame. Russia 1920s. Size: 9x17.5 Paper, cardboard, Graphite, pencil. Dmitry Nikolaevich Sannikov (1902-? ) - Russian Soviet painter, avant-garde graphic artist, author of abstract cubo-futuristic compositions. Artist of the circle of Kazimir Malevich, member of UNOVIS (1920-1922), trainee of GINKhUK. Lived and worked in Petrograd-Leningrad. Date and place of death are unknown.

Dish for small items. Bogatyr Svyatogor. 1909.

Dish for small items. Bogatyr Svyatogor. 1909.

Bidding is completed

Silver, gilded, with painted enamels samovar.

Silver, gilded, with painted enamels samovar.

Bust of a Boy in a Tunic. Konstantin Ignatievich Ronchevsky

Bust of a Boy in a Tunic. Konstantin Ignatievich Ronchevsky

Megaphone of the Revolution

Megaphone of the Revolution

Bidding is completed

A wedding pair of icons in silver frames in the Art Nouveau style. Moscow, early 20th century

A wedding pair of icons in silver frames in the Art Nouveau style. Moscow, early 20th century

Painting Still life with a jug. Konstantin Ronchevsky.

Painting Still life with a jug. Konstantin Ronchevsky.

Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923

Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923

Russian silver kovsh. Strulev N.F. 1896

Russian silver kovsh. Strulev N.F. 1896

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