Porcelain and ceramics - Antiqon Marketplace

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Box style of Napoleon III

Box style of Napoleon III

Box in the style of Napoleon III

Dutch School of the Late 18th Century After a Work by Jan Davidsz De Heem

Dutch School of the Late 18th Century After a Work by Jan Davidsz De Heem

Silver wine cooler. Italy. 20th century.

Silver wine cooler. Italy. 20th century.

Caviar bowl made of crystal and silver. Louis XVI style.

Caviar bowl made of crystal and silver. Louis XVI style.

Giacomo Francesco Cipper (1664-1736) attributed. Portrait of a Painter. Self-portrait?

Giacomo Francesco Cipper (1664-1736) attributed. Portrait of a Painter. Self-portrait?

Jeanne-Philiberte Ledoux (1767-1840) attributed. Portrait of a Young Girl with a Bonnet circa 1800

Jeanne-Philiberte Ledoux (1767-1840) attributed. Portrait of a Young Girl with a Bonnet circa 1800

Miniature silver samovar. Early 20th century.

Miniature silver samovar. Early 20th century.

Sculpture of a series of "Sailors"

Sculpture of a series of "Sailors"

Gold ring with sapphire and diamonds.

Gold ring with sapphire and diamonds.

Painting Grandmother with granddaughter. Tvorozhnikov

Painting Grandmother with granddaughter. Tvorozhnikov

Tulipe armchair Model F545 by Pierre Paulin, published by Artifort, Circa 1970

Tulipe armchair Model F545 by Pierre Paulin, published by Artifort, Circa 1970

An icon of 20th-century design, the Tulip armchair (model F545) is an emblematic creation by Pierre Paulin, produced by Artifort during the 1960s–70s. With its organic, futuristic silhouette, this chair perfectly embodies the sculptural approach of the French designer, who consistently sought to combine formal innovation with ergonomic comfort.This particular model is presented in a rare grey suede-like fabric, both elegant and sensuous to the touch, resting on a circular chromed metal base. The chairs tulip-inspired form, reminiscent of a blooming flower, envelops the body in a generous and fluid seat. The floating headrest and matching ottoman further enhance both comfort and the piece’s harmonious lines.A true masterpiece of functional design, the Tulip armchair has become a symbol of organic modernism and is featured in the collections of major design museums around the world.A rare collector’s piece, ideal for any vintage design enthusiast or to elevate a contemporary interior with a touch of timeless sophistication.Dimensions:Armchair: 96 x 90 x 80 cmOttoman: 44 x 70 x 47 cm

In the sun

A pair of salt cellars in a gift case.

A pair of salt cellars in a gift case.

Collection of poems by Olga Dolmatova (Schmidt). Black grapes. Riga. 1925

Collection of poems by Olga Dolmatova (Schmidt). Black grapes. Riga. 1925

Novgorod Icon of the Mother of God The Sign in a Silver Frame. Russia. 19th Century

Novgorod Icon of the Mother of God The Sign in a Silver Frame. Russia. 19th Century

Before the rain View of the country road and the Ukrainian hut.

Before the rain View of the country road and the Ukrainian hut.

Sculpture of a series of "Sailors"

Sculpture of a series of "Sailors"

Club gavel of the association Handelsresande. Stockholm. 1918

Club gavel of the association Handelsresande. Stockholm. 1918

Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.

Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.

Impressive and heavy Icon of the Pantocrator on a thick cypress board without dowels, mid-19th century. Canonically represents the half-figure of Christ with a blessing gesture and an open Gospel. With titles in baroque cartouches on the sides of the halo and an ornamental belt separating the image from the margins. On which are presented: St. Michael the Scribe and St. Agnia the Martyr. The order of execution and the dimensions of the expensive board require special care and quality of painting. Even now it is a monument to the icon painting art of the mid-19th century, bearing the imprint of noble sublimity, decorative and stylistic harmony. The influence of the second baroque is summed up by the contrasts of the black lines of the cartouches and the black and gold belt around the dark chitin of the Pantocrator. All around, muted olive tones of flowers convey a general atmosphere of humanized warmth and meekness. The aura of mercy is emitted by the faded, craquelure background of the icon and the soft color of the fields, preserving the nostalgia of a long time ago and a thing made with love. Russia 1850-1860. Icon size: 40x34.2 x4.4 cm.

Fruit vase, France. Around 1900

Fruit vase, France. Around 1900

Janis Brekte. Watercolor "Old Riga".

Janis Brekte. Watercolor "Old Riga".

Double-sided gold pendant with a portrait miniature.

Double-sided gold pendant with a portrait miniature.

Icon of St. Nicholas.

Icon of St. Nicholas.

Abramyan V.A. Greenhouse. Elagin island. 1991 year.

Abramyan V.A. Greenhouse. Elagin island. 1991 year.

Stylish, theatrical handbag from the Art Nouveau era, chain mail weave.

Stylish, theatrical handbag from the Art Nouveau era, chain mail weave.

Russian Silver Tea Caddy. Moscow 1896-1908

Russian Silver Tea Caddy. Moscow 1896-1908

Bronze figure of a Woman with a Hoop, 1920. Georges MORIN (1874-1950)

Bronze figure of a Woman with a Hoop, 1920. Georges MORIN (1874-1950)

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Bronze bust of a woman.

Bronze bust of a woman.

Gold ring with ruby and diamonds.

Gold ring with ruby and diamonds.

Large candy bowl 15 Moscow artel of jewelers. Russia. 1908-1917

Large candy bowl 15 Moscow artel of jewelers. Russia. 1908-1917

Austro-Hungarian cloisonne enamel silver snuffbox from the late 19th century.

Austro-Hungarian cloisonne enamel silver snuffbox from the late 19th century.

Silver serving set. 19-20th centuries. Germany.

Silver serving set. 19-20th centuries. Germany.

18K yellow gold ring with diamonds.

18K yellow gold ring with diamonds.

Antique Russian box "Kissing Rite".

Antique Russian box "Kissing Rite".

Large Russian silver cup. Ekvist Carl Gustav. St. Petersburg, mid-19th century.

Large Russian silver cup. Ekvist Carl Gustav. St. Petersburg, mid-19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.

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ICON “CHRIST IN GLORY WITH THE SYMBOLS OF THE FOUR EVANGELISTS”. RUSSIA, 20TH CENTURY

ICON “CHRIST IN GLORY WITH THE SYMBOLS OF THE FOUR EVANGELISTS”. RUSSIA, 20TH CENTURY

Drawing from the series Stage costumes Erte

Drawing from the series Stage costumes Erte

Gilded wood frame.

Gilded wood frame.

Lorgnette with leather case

Lorgnette with leather case

Porcelain group Satyr and Dionysus. Meissen 19th century.

Porcelain group Satyr and Dionysus. Meissen 19th century.

Table set in the style of Napoleon III.

Table set in the style of Napoleon III.

Porcelain pencil holder "Monkey in the shape of Napoleon".

Porcelain pencil holder "Monkey in the shape of Napoleon".

Drawing from the Stage Costumes series. Erte

Drawing from the Stage Costumes series. Erte

Silver skewers.

Silver skewers.