Interior objects - Antiqon Marketplace

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MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY

MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY

An expressive, one-piece porcelain figure of a lapdog, created at the Meissen manufactory in the second half of the 19th century. The small decorative dog is portrayed seated on its hind legs, with a tilted head, large protruding eyes, and richly modelled curls of fur. The coloration in white and reddish-brown tones accentuates the realistic texture and volume. The figure bears a sentimental and almost portrait-like character, designed to adorn the intimate interiors of bourgeois homes. This sculpture belongs to Meissens classical animal genre, inspired by the traditions of Johann Joachim Kändler.Marks: Blue crossed swords underglaze (Meissen), impressed model number 2880 on the base, moulding marks and kiln vent hole.Dimensions: 23 × 29 × 12 cmCondition: In good condition. No visible losses, with minor signs of age. Clear marks, preserved glaze.Provenance: From a private European collection. An original Meissen work, Germany, 19th century.

RUSSIAN SILVER CLOISONNÉ SHOT CUP. GUSTAV KLINGERT RUSSIA, MOSCOW, 1893

RUSSIAN SILVER CLOISONNÉ SHOT CUP. GUSTAV KLINGERT RUSSIA, MOSCOW, 1893

Silver tongs for dessert.

Silver tongs for dessert.

Music box, 19th century.

Music box, 19th century.

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

Silver Ruble 1843. Russia - Nicholas I (1825-1855).

Silver Ruble 1843. Russia - Nicholas I (1825-1855).

Russian silver salt shaker in the form of a cast-iron.

Russian silver salt shaker in the form of a cast-iron.

Picture frame

Guilloche enamel silver pendant.

Guilloche enamel silver pendant.

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802

ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802

An outstanding monument of Russian Northern icon painting at the turn of the 18th and 19th centuries, uniting the traditions of the Vologda school with a high level of silver craftsmanship. The icon represents the Most Holy Mother of God of the Orans type – “The Sign”, with the Christ Child depicted in a medallion upon Her breast. The central image is framed within a painted border and surrounded by figures of the Lord Sabaoth and Old Testament prophets holding unfolded scrolls foretelling the Incarnation.Of particular artistic significance is the repoussé silver oklad executed by the silversmith Andrian Ioakimov Klishin in 1802. The composition of the oklad is constructed in strict symmetry characteristic of early Classicism, while preserving the ornamental richness of the Baroque tradition. The vegetal ornament, garlands, cartouches and the radiant halo of the Mother of God are rendered in deep repoussé with refined detailing. Gilded elements emphasize the sacred center of the composition.The icon combines spiritual expressiveness in painting with the virtuosity of Northern Russian silver artistry, demonstrating the high artistic culture of Vologda in the early 19th century.Hallmarks: Maker’s mark “АК” in Cyrillic within a square cartouche – Andrian Ioakimov Klishin; Assay mark of the city of Vologda with the initials “ГШ” – assay master Grigory Shishkin, beneath the date “1802”; Corresponding to Postnikova-Loseva hallmark catalogue No. 310 and No. 324.Dimensions: Height – 41.5 cm; Width – 35 cm.Condition: Good. Minor traces of age on the painted surface and silver oklad. The composition is fully preserved without loss of principal elements.Provenance: Private collection.

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

Vase Golden ruby with gold ornament. Imperial Glass Factory, Russia, 1830-1840s

THE JUDGEMENT OF PARIS WESTERN EUROPE, FLEMISH SCHOOL, EARLY 18TH CENTURY

THE JUDGEMENT OF PARIS WESTERN EUROPE, FLEMISH SCHOOL, EARLY 18TH CENTURY

White gold bracelet with diamond flower links.

White gold bracelet with diamond flower links.

Crystal decanter with a silver neck.

Crystal decanter with a silver neck.

Drawing from the Stage Costumes series. Erte

Drawing from the Stage Costumes series. Erte

Drawing from the series Stage costumes Erte

Drawing from the series Stage costumes Erte

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY

A ceremonial Caucasian shashka executed in the traditions of the North Caucasian arms workshops of the second half of the 19th century. The piece represents a distinguished example of edged weaponry of the Russian Empire, combining martial functionality with refined metal craftsmanship characteristic of Dagestan and related regional centres.The blade is steel, single-edged and moderately curved, with fullers providing both structural strength and lightness. The surface is free of etched ornament, bearing engraving on one side only. Its geometry corresponds to the classical Caucasian shashka type, designed for powerful cutting strokes with extended draw, distinguishing it from European sabres.The hilt is without a guard and features the characteristic “goose-neck” pommel. The grip scales are made of bone and secured with gilt silver mounts. The silver elements are decorated with niello ornament and stylised vegetal motifs, executed in traditional engraving filled with blackened alloy. The contrast between gilt silver, deep niello and light bone creates a striking decorative effect and emphasises the ceremonial nature of the weapon.The scabbard is wooden, leather-covered, and fitted with richly decorated gilt silver mounts. The ornamental system is structured around repeating medallions and stylised vegetal motifs typical of 19th-century Caucasian metalwork. Suspension rings for a sword belt are present. The construction corresponds to the Cossack method of wear adopted after the official inclusion of the shashka into the armament of the Russian Army.The artistic quality of execution, together with the use of gilt silver and bone inlay, suggests a ceremonial or officer’s weapon intended not only for service but also for the display of social rank.Marks: No marks observed on the visible elements.Dimensions: Overall length - 104 cm; Width - 9 cm.Condition: Good. Natural patina to the silver mounts, minor traces of age and light surface scratches to the blade. Decorative elements preserved.Provenance: Private collection.

Frame in the Neo-Baroque style. 19th century.

Frame in the Neo-Baroque style. 19th century.

Ring in white gold 750 with diamonds.

Ring in white gold 750 with diamonds.

Foldable tortoiseshell lorgnette.

Foldable tortoiseshell lorgnette.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Pair of oval vases in cast glass and gilt bronze, with swan motif. France 20th century.

Fireplace clock set

Fireplace clock set

Icon Selected Holidays. Palekh. XIX century.

Icon Selected Holidays. Palekh. XIX century.

Mantel clock Cavalryman

Mantel clock Cavalryman

Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.

Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.

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