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CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY
CAUCASIAN SHASHKA WITH GILT SILVER AND BONE DECORATION RUSSIA, 19TH CENTURY
A ceremonial Caucasian shashka executed in the traditions of the North Caucasian arms workshops of the second half of the 19th century. The piece represents a distinguished example of edged weaponry of the Russian Empire, combining martial functionality with refined metal craftsmanship characteristic of Dagestan and related regional centres.The blade is steel, single-edged and moderately curved, with fullers providing both structural strength and lightness. The surface is free of etched ornament, bearing engraving on one side only. Its geometry corresponds to the classical Caucasian shashka type, designed for powerful cutting strokes with extended draw, distinguishing it from European sabres.The hilt is without a guard and features the characteristic “goose-neck” pommel. The grip scales are made of bone and secured with gilt silver mounts. The silver elements are decorated with niello ornament and stylised vegetal motifs, executed in traditional engraving filled with blackened alloy. The contrast between gilt silver, deep niello and light bone creates a striking decorative effect and emphasises the ceremonial nature of the weapon.The scabbard is wooden, leather-covered, and fitted with richly decorated gilt silver mounts. The ornamental system is structured around repeating medallions and stylised vegetal motifs typical of 19th-century Caucasian metalwork. Suspension rings for a sword belt are present. The construction corresponds to the Cossack method of wear adopted after the official inclusion of the shashka into the armament of the Russian Army.The artistic quality of execution, together with the use of gilt silver and bone inlay, suggests a ceremonial or officer’s weapon intended not only for service but also for the display of social rank.Marks: No marks observed on the visible elements.Dimensions: Overall length - 104 cm; Width - 9 cm.Condition: Good. Natural patina to the silver mounts, minor traces of age and light surface scratches to the blade. Decorative elements preserved.Provenance: Private collection.
Bidding is completed
Tenis Grasis. Stained glass sketch. Harvest.
Tenis Grasis. Stained glass sketch. Harvest.
211 USD
Melt waters Tolpekin
Melt waters Tolpekin
761 USD
Tenis Grasis. The history of the struggle of the Latvian people. 1967 year.
Tenis Grasis. The history of the struggle of the Latvian people. 1967 year.
176 USD
Painting Time-Out. Karjakin Vladimir Vasilievich.
Painting Time-Out. Karjakin Vladimir Vasilievich.
1638 USD
Lithographic illustration of Van Gogh with an addition.
Lithographic illustration of Van Gogh with an addition.
492 USD
ISAAC ILYICH LEVITAN (1860–1900) COUNTRY ROAD LATE 19TH CENTURY
ISAAC ILYICH LEVITAN (1860–1900) COUNTRY ROAD LATE 19TH CENTURY
Bidding is completed
GOLD SNUFFBOX WITH ENAMEL. GEORG REMOND, LAMY ET CIE GENEVA, 1801–1805
GOLD SNUFFBOX WITH ENAMEL. GEORG REMOND, LAMY ET CIE GENEVA, 1801–1805
Bidding is completed
GOLD CIGAR PIERCER. H. HUNTLEY & SONS UNITED KINGDOM, 20TH CENTURY
GOLD CIGAR PIERCER. H. HUNTLEY & SONS UNITED KINGDOM, 20TH CENTURY
Bidding is completed
Gold ring with ruby and diamonds.
Gold ring with ruby and diamonds.
3744 USD
MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
An expressive, one-piece porcelain figure of a lapdog, created at the Meissen manufactory in the second half of the 19th century. The small decorative dog is portrayed seated on its hind legs, with a tilted head, large protruding eyes, and richly modelled curls of fur. The coloration in white and reddish-brown tones accentuates the realistic texture and volume. The figure bears a sentimental and almost portrait-like character, designed to adorn the intimate interiors of bourgeois homes. This sculpture belongs to Meissens classical animal genre, inspired by the traditions of Johann Joachim Kändler.Marks: Blue crossed swords underglaze (Meissen), impressed model number 2880 on the base, moulding marks and kiln vent hole.Dimensions: 23 × 29 × 12 cmCondition: In good condition. No visible losses, with minor signs of age. Clear marks, preserved glaze.Provenance: From a private European collection. An original Meissen work, Germany, 19th century.
Bidding is completed
PORCELAIN AND GILT-BRONZE TABLE LAMP IN THE STYLE OF SÈVRES FRANCE, CIRCA 1900
PORCELAIN AND GILT-BRONZE TABLE LAMP IN THE STYLE OF SÈVRES FRANCE, CIRCA 1900
Bidding is completed
PORCELAIN AND GILT BRONZE LAMP IN THE SÈVRES STYLE FRANCE, CIRCA 1900
PORCELAIN AND GILT BRONZE LAMP IN THE SÈVRES STYLE FRANCE, CIRCA 1900
Bidding is completed
LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY
LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY
Bidding is completed
Ballet Couple, Lladro
Ballet Couple, Lladro
Bidding is completed
Lorgnette.
Lorgnette.
Bidding is completed
Painting Still life with a jug. Konstantin Ronchevsky.
Painting Still life with a jug. Konstantin Ronchevsky.
6435 USD
Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923
Alexander Kramarev. Sketch for a showcase of an antique shop ARS, 1923
4388 USD
Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.
Silver ladle with enamel. St. Petersburg, last quarter of the 19th century.
An exquisite silver ladle, made in the shape of a boat, is a magnificent example of decorative and applied art of the late 19th – early 20th centuries, created in the neo-Russian style. This artistic tradition combines elements of ancient Russian architecture and ornamentation, which is clearly evident in the design of the ladle. The inside of the ladle and the curved handle are decorated with an elegant floral ornament made using the cloisonné enamel technique. The central element of the composition is a double-headed eagle, the official symbol of the Russian Empire, skillfully decorated with turquoise enamel and framed by a refined gilded edging. The composition is complemented by a complex floral pattern made in rich and pastel shades, creating a harmonious balance and emphasizing the sophistication of the work. Hallmarks: The master`s name in Cyrillic letters NZ. Assay mark of Saint Petersburg with the image of the city coat of arms and the number 84, in an oval shield, corresponding to the last quarter of the 19th century. Dimensions: Length: 17 cm, Width: 9 cm, Height: 5 cm. Weight: 216 g.
Bidding is completed
Vase. Sevres.
Vase. Sevres.
Bidding is completed
Vitaly Anatolyevich Polyakov. Down the Volga. 1959 year.
Vitaly Anatolyevich Polyakov. Down the Volga. 1959 year.
819 USD
V.A.Polyakov "Crimea. Rocky shore .
V.A.Polyakov "Crimea. Rocky shore .
1638 USD
Painting Russian Troika.
Painting Russian Troika.
1112 USD
Lithograph Camp of the infantry in Voznesensk. 1837
Lithograph Camp of the infantry in Voznesensk. 1837
176 USD
Frederick DeWitt Map of Russia. 1680 g.
Frederick DeWitt Map of Russia. 1680 g.
796 USD
INKWELL WITH A FIGURE OF PAN FRANCE, EARLY 19TH CENTURY
INKWELL WITH A FIGURE OF PAN FRANCE, EARLY 19TH CENTURY
Bidding is completed
SILVER SALT CELLAR WITH CLOISONNÉ ENAMEL. M. OVCHINNIKOV MOSCOW, RUSSIA, 1908 - 1917
SILVER SALT CELLAR WITH CLOISONNÉ ENAMEL. M. OVCHINNIKOV MOSCOW, RUSSIA, 1908 - 1917
Bidding is completed
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