Diamonds and precious stones - Antiqon Marketplace

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Silver egg. Eric Collin. Faberge firm.

Silver egg. Eric Collin. Faberge firm.

Poached egg made of silver with gilding. The everyday item originally includes in one Easter volume - a pair of integral egg holders. Lapidary gilding of the slices allows you to combine patterns, including staggered patterns, echoing the motifs of the Italian Renaissance. Erik August Kollin. On the inner spheres of the egg there are hallmarks: EK. 84 with the coat of arms of St. Petersburg in an oval. Eric Colleen is one of the Faberge masters. Total weight: 109 gr.

Ceramic cache-pot. Eduard STELLMACHER. 1905

Ceramic cache-pot. Eduard STELLMACHER. 1905

18k gold ring with diamonds and natural sapphire.

18k gold ring with diamonds and natural sapphire.

Ring in 18K white gold with tanzanite, cabochon cut, and loose diamonds.

Ring in 18K white gold with tanzanite, cabochon cut, and loose diamonds.

Gardner porcelain teapot. Russia, 1820-1830s

Gardner porcelain teapot. Russia, 1820-1830s

Cocktail ring in platinum with diamonds, Art Deco style. 20th century.

Cocktail ring in platinum with diamonds, Art Deco style. 20th century.

Gold ring with tanzanite and diamonds.

Gold ring with tanzanite and diamonds.

Painting "City landscape" Timergaleev

Painting "City landscape" Timergaleev

Men`s watch Quantieme Perpetuel Haute Horlogerie. FVa10 Stainless Steel Black. Switzerland.

Men`s watch Quantieme Perpetuel Haute Horlogerie. FVa10 Stainless Steel Black. Switzerland.

Gold coin, France, 20 francs 1864

Gold coin, France, 20 francs 1864

Painting. Tax collectors or Publicans. Follower of Marinus van Reymerswaele. Turn of the 17th18th century.

Painting. Tax collectors or Publicans. Follower of Marinus van Reymerswaele. Turn of the 17th18th century.

The painting, executed in the manner of Marinus van Reymerswaele, depicts two tax collectors with grotesque faces, sitting at a table in clothes typical of the 15th century. The character closest to the viewer, dressed in a black turban and pince-nez, with a concentrated expression on his face, writes text in a book reminding tax evaders of their obligations before the law. The second collector, in a dark blue turban and red caftan, looking meaningfully at the viewer, points his hand to this text, clutching an empty coin purse in the other hand, emphasizing the need to replenish the treasury. The collectors` clothes stand out against the background of the interior, indicating the status and class of the characters . The faces depicted by the author emphasize the satirical meaning of the picture, hinting at human greed and stinginess. In this plot, the master created a grandiose satirical image of predatory financial capitalism, which arose in the light of the economic and cultural boom in Antwerp in the 16th century, which actually turned the once small Flemish city into the financial center of the world. According to experts, the recognizable scene of two misers was borrowed and recreated in many variations by the artist Marinus van Reimerswaele from the great Flemish author Quentin Massys. This plot was one of the most popular and recognizable in Europe during the period of the 16th - 17th centuries. Similar works adorned royal collections as well as collections of aristocrats and nobility of the time. Nowadays, Marinus van Reimerswaele`s works on the theme of Tax Collectors are part of the exhibition of museums around the world, including the Louvre in Paris, the National Gallery in London and the Prado Museum in Madrid. The recognizable plot is located in Windsor Castle, in the king’s personal chambers, as well as in the Royal Collection of Liechtenstein. One of the paintings of Tax Collector attributed to Marinus van Reimerswaal is included in the collection of the State Hermitage Museum in St. Petersburg, acquired from the heirs of the first Prime Minister of England Sir Robert Walpole at the end of the 18th century by the Russian Empress Catherine II. Follower of Marinus van Reymerswaele (Marinus van Reymerswaele) 1493-1567 Period: Turn of the 17th-18th century. Material: Canvas, oil, duplicated canvas. Canvas dimensions: 117 x 97 cm.

Gold coin, France, 20 francs 1896

Gold coin, France, 20 francs 1896

18 carat gold bracelet with diamonds.

18 carat gold bracelet with diamonds.

Gold ring with ruby and diamonds.

Gold ring with ruby and diamonds.

Gold pendant with diamonds on a chain.

Gold pendant with diamonds on a chain.

Gold ring, 18 carats with diamond, emeralds and rubies.

Gold ring, 18 carats with diamond, emeralds and rubies.

Gold ring with diamonds.

Gold ring with diamonds.

Mantel clock Allegories of Painting of gilded bronze 1920

Mantel clock Allegories of Painting of gilded bronze 1920

Large, chic, gilded Napoleon III era frame.

Large, chic, gilded Napoleon III era frame.

Large, chic, three-profile, gilded Napoleon III period frame. With laurel garland ornament, pearl belt and flutes. External dimensions: 91x82x11 cm. Internal dimensions: 50x37.5 cm. Second half of the 19th century.

Coffee table

A pair of chickens

A pair of chickens

Bohemian crystal vase with bronze puti.

Bohemian crystal vase with bronze puti.

Beautiful table lamp

Beautiful table lamp

Console with mirror

Console with mirror

Art Nouveau style buffet

Art Nouveau style buffet

Beautifully inlaid bar cabinet

Beautifully inlaid bar cabinet

Oriental style cabinet

Oriental style cabinet

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