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SILVER SALT THRONE WITH OPENWORK BACK RUSSIA, LATE 19TH CENTURY

SILVER SALT THRONE WITH OPENWORK BACK RUSSIA, LATE 19TH CENTURY

A rare silver salt cellar in the form of a throne, with a tall, intricately pierced back executed in chisel technique. The composition combines geometric and vegetal motifs characteristic of the Moscow Neo-Russian style of the late 19th century. The upper part of the back is decorated with a complex openwork pattern centered around a solar emblem, symbolizing prosperity and well-being. The trapezoidal body features profiled edges and a geometric border. The interior is richly gilt, giving the piece a festive appearance while protecting the silver from salt corrosion.Hallmarks: Maker’s mark “МР”; assay mark “84” with Moscow city emblem, corresponding to the 84 silver standard.Dimensions: Height: 8.5 cm. Width: 7.5 cm.Weight: 75.4 g.Condition: Good. Minor surface wear and light patina, partial loss of gilding. No deformations or restorations.Provenance: Private European collection.

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SkaideniaMen sawing

SkaideniaMen sawing

A glance

Dawn by the river

Dawn by the river

Twilight in Paris

Twilight in Paris

Works at the State Art Museum

Works at the State Art Museum

Spring landscape

Spring landscape

In Ventspils at the new fishing port

In Ventspils at the new fishing port

Fishermen`s Wives

Fishermen`s Wives

Supervise

SILVER SALT THRONE WITH PROVERB. MASTER S. M. IKONNIKOV RUSSIA, MOSCOW, 1880

SILVER SALT THRONE WITH PROVERB. MASTER S. M. IKONNIKOV RUSSIA, MOSCOW, 1880

An expressive example of Russian silverware from the second half of the 19th century, executed in the form of a ceremonial throne with a high sculptural back and a hinged lid. The salt throne derives from ancient Russian dining traditions, where salt occupied a position of honor at the table as a symbol of prosperity, hospitality, and domestic well-being. The composition is architecturally conceived, featuring a stepped base, a pronounced pedestal, and a richly articulated ornamental program.The decoration is executed in fine engraved technique and incorporates geometric bands, stylized vegetal motifs, and elements characteristic of the Pan-Slavic Revival. The sides of the backrest are adorned with fantastical birds rendered in a Neo-Russian ornamental idiom. The central field of the back is organized as an architectural portal with symbolic motifs referencing Old Russian decorative vocabulary. The interior of the salt compartment is fully gilded, emphasizing the ceremonial nature of the object.The inner surface of the hinged lid bears an engraved proverb:“Without salt and bread, a meal is only half complete,”highlighting the philosophical and folkloric significance of the piece and its connection to traditional customs and domestic rituals.Marks:Maker’s mark “СИ” in a square - S. M. Ikonnikov, Moscow silversmith; Assayer’s mark with initials “A.A” above the date “1880” - Anatoly Apollonovich Artsybashev, Moscow assayer; Silver standard mark “84”; Moscow city mark depicting Saint George slaying the dragon.Dimensions: Height 10.5 cm; width 8.5 cm; depth 6 cm.Weight: 160 g.Condition: Good condition. Silver with natural patina. Gilding to the interior well preserved. Minor signs of age and careful use consistent with the period.Provenance: Private European collection.

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Landscape. People in the streets

Landscape. People in the streets

Landscape

Still Life

Landscape with river

Landscape with river

River landscape

River landscape

Miracle

Still nature

SILVER SALT CELLAR “CHAIR”, SERGEY IVANOVICH AGAFONOV MOSCOW, 1890

SILVER SALT CELLAR “CHAIR”, SERGEY IVANOVICH AGAFONOV MOSCOW, 1890

A rare silver salt cellar in the form of a miniature chair, executed in the Moscow workshop of Sergey Ivanovich Agafonov in 1890, represents a striking example of Russian decorative silver of the Late Historicism period. The composition is conceived as a stylised chair with a high shaped back, a hinged front panel, and a rectangular compartment for salt. This transformation of a utilitarian object into a miniature architectural form lends the piece a strong decorative and symbolic character.Particular expressiveness is achieved through the ornamental program inspired by traditional Russian wooden architecture. The backrest is designed as the façade of a peasant house with a gabled roof, pierced windows, and carved decoration reminiscent of window frames and gables of Northern Russian dwellings. The hinged lid is adorned with a medallion depicting a rooster, one of the traditional motifs of folk art, while the inner side bears the engraved proverb: “Without salt and bread, half the meal is gone.” This synthesis of folk wisdom, symbolic imagery, and refined miniature craftsmanship makes the object highly characteristic of Moscow silver of the late 19th century.The form is well-balanced and sculpturally coherent. The lower part of the body is decorated with engraved geometric bands, enhancing the resemblance to carved wooden prototypes. The interior is gilded, in accordance with both the aesthetic preferences of the time and the practical function of the object.Marks: Maker’s mark “S.A.” – Sergey Ivanovich Agafonov, Moscow, active 1870–1897; Assay mark “L.O.” over a line with date “1890” – Olex Lev Fyodorovich, Moscow, 1890; State assay mark “84”; Moscow city mark depicting St George slaying the dragon.Dimensions: Height: 10 cm; Width: 8 cm; Depth: 5.5 cm.Weight: 120 g.Condition: Good. Minor traces of use, light surface scratches, and slight wear to the gilding. No deformations or losses. Fully functional.

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Morning

Saturday 4

Still life with apples - Ludovic GIGNOUX 20th century

Still life with apples - Ludovic GIGNOUX 20th century

Decorations for the play Spartak

Decorations for the play Spartak

Set of decorations for the opera Fire and Night: View of Lielvārde Castle

Set of decorations for the opera Fire and Night: View of Lielvārde Castle

Landscape

Road

Pasture

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PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY

PAIR OF SCULPTURES “THE MARLY HORSES”, AFTER GUILLAUME COUSTOU THE ELDER (1677–1746) FRANCE, 19TH CENTURY

Telescope W & J. George Ltd, London

Telescope W & J. George Ltd, London

THE FEODOROVSKAYA MOTHER OF GOD ICON IN A GILT SILVER MOUNT WITH ENAMELS. WORKSHOP OF VASILY SEMYONOV RUSSIA, MOSCOW, 1890

THE FEODOROVSKAYA MOTHER OF GOD ICON IN A GILT SILVER MOUNT WITH ENAMELS. WORKSHOP OF VASILY SEMYONOV RUSSIA, MOSCOW, 1890

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CHARLES-CLÉMENT CALDERON (1870–1906). VIEW OF THE DOGE’S PALACE AND ST MARK’S SQUARE IN VENICE FRANCE / VENICE, TURN OF THE 19TH – 20TH CENTURY

CHARLES-CLÉMENT CALDERON (1870–1906). VIEW OF THE DOGE’S PALACE AND ST MARK’S SQUARE IN VENICE FRANCE / VENICE, TURN OF THE 19TH – 20TH CENTURY

SILVER TEA SET JAPAN, MEIJI PERIOD (1868-1912)

SILVER TEA SET JAPAN, MEIJI PERIOD (1868-1912)

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ICON OF SAINT NICHOLAS THE WONDERWORKER IN CLOISONNÉ ENAMEL OKLAD, ART NOUVEAU STYLE. EARLY 20TH CENTURY

ICON OF SAINT NICHOLAS THE WONDERWORKER IN CLOISONNÉ ENAMEL OKLAD, ART NOUVEAU STYLE. EARLY 20TH CENTURY

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JACOB PETIT PERFUME FLACON FRANCE, MID-19TH CENTURY

JACOB PETIT PERFUME FLACON FRANCE, MID-19TH CENTURY

Two Sitzendorf Parrots.

Two Sitzendorf Parrots.

SCULPTURAL GROUP “THE RAPE OF THE SABINE WOMEN” AFTER GIOVANNI DA BOLOGNA (1529-1608) ITALY, 20TH CENTURY

SCULPTURAL GROUP “THE RAPE OF THE SABINE WOMEN” AFTER GIOVANNI DA BOLOGNA (1529-1608) ITALY, 20TH CENTURY

Porcelain figurine of Putti playing with a dog. Germany.

Porcelain figurine of Putti playing with a dog. Germany.

PORCELAIN AND GILT BRONZE LAMP IN THE SÈVRES STYLE FRANCE, CIRCA 1900

PORCELAIN AND GILT BRONZE LAMP IN THE SÈVRES STYLE FRANCE, CIRCA 1900

SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908

SILVER SNUFF BOX WITH BLUE GUILLOCHÉ ENAMEL. FIRM OF I. MARSHAK ST PETERSBURG, 1899–1908

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SILVER CABINET FIGURE OF A KNIGHT. J. KURZ & CO. GERMANY, HANAU, TURN OF THE 19TH - 20TH CENTURIES

SILVER CABINET FIGURE OF A KNIGHT. J. KURZ & CO. GERMANY, HANAU, TURN OF THE 19TH - 20TH CENTURIES

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GLASS AND SILVER ROOSTER-FORM JUG. HANAU, J.D. SCHLEISSNER SÖHNE. LATE 19TH CENTURY

GLASS AND SILVER ROOSTER-FORM JUG. HANAU, J.D. SCHLEISSNER SÖHNE. LATE 19TH CENTURY

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18K Gold Rolex Sapphire and Diamond Unisex Bracelet

18K Gold Rolex Sapphire and Diamond Unisex Bracelet

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Louis XVI style writing desk

Louis XVI style writing desk

SILVER LIGHTHOUSE-FORM LIGHTER, SHORT & MASON, BIRMINGHAM, 1931

SILVER LIGHTHOUSE-FORM LIGHTER, SHORT & MASON, BIRMINGHAM, 1931

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GOLD CIGARETTE CASE BY THE FIRM E. BURKHARD RUSSIA, SAINT PETERSBURG, EARLY 20TH CENTURY

GOLD CIGARETTE CASE BY THE FIRM E. BURKHARD RUSSIA, SAINT PETERSBURG, EARLY 20TH CENTURY

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Original silver shoehorn in its own case. 20th century.

Original silver shoehorn in its own case. 20th century.

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Meissen porcelain dish.

Meissen porcelain dish.

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