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A 15-candle chandelier in the Louis XVI style. Sevres.

A 15-candle chandelier in the Louis XVI style. Sevres.

A 15-candle chandelier in the Louis XVI style, decorated with gilded relief decor featuring foliage and winged caryatids. The porcelain elements depict playing putti and flowers. Presumably made in Sevres. Diameter 60 cm. Signed on the porcelain: GL. Electrified.

Carved showcase-table of gilded wood, in the spirit of Napoleon III, late 19th century.

Carved showcase-table of gilded wood, in the spirit of Napoleon III, late 19th century.

Figure of the Walking Buddha. 19th century

Figure of the Walking Buddha. 19th century

Glass vase from the Art Nouveau era.

Glass vase from the Art Nouveau era.

Russian silver snuffbox with niello. Russia, 19th century.

Russian silver snuffbox with niello. Russia, 19th century.

Painted Meissen porcelain decorative plate

Painted Meissen porcelain decorative plate

Ceramic ashtray Monkey

Ceramic ashtray Monkey

Figurative composition

Figurative composition

Janis Sudmalis

GOLD COIN OF 7.5 RUBLES, 1897, WITH THE PORTRAIT OF EMPEROR NICHOLAS II

GOLD COIN OF 7.5 RUBLES, 1897, WITH THE PORTRAIT OF EMPEROR NICHOLAS II

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

CRIMEAN LANDSCAPE WITH A SEASHORE AND CYPRESSES RUSSIA, 1920s–1930s

A refined Crimean landscape capturing the atmosphere of the southern coast on a clear summer day. The composition is structured around a gentle diagonal movement of the rocky shoreline, harmoniously balanced by the vertical accents of slender cypresses and the calm horizontal expanse of the sea. In the middle ground, a small house with a green roof is organically integrated into the natural setting, serving as both a compositional and chromatic focal point. In the distance, a panorama of mountain ranges unfolds in cool bluish-violet tones, dissolved within a luminous atmospheric perspective.Executed in a plein-air manner characteristic of Russian painting of the first third of the twentieth century, the work employs a free and confident brushstroke that avoids detailed delineation in favor of conveying the overall state of nature and the interplay of light, air, and space. The color scheme is built upon a subtle balance between the cool tones of the sea and mountains and the sun-bleached yellow-white and ochre hues of the coastal rocks, evoking the sensation of intense southern sunlight. The painting is marked by restrained harmony and a lyrical mood, free from decorative artifice or excessive expressiveness.By its painterly language, chromatic sensitivity, and overall atmosphere, the work relates to the tradition of Russian Impressionism and to the circle of professional artists active in Crimea during the 1920s–1930s, who continued the development of plein-air painting beyond academic and ideologically driven frameworks.Dimensions: 34 × 28 cm (visible); 48 × 43 cm (framed).Medium: Oil on canvas.Condition: Good. The canvas has been relined; the paint layer is stable, with minor signs of age.Provenance: Private collection.

PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897

PINE FOREST. GAVRIIL PAVLOVICH KAMENSKY (1853–1912). 1897

Still life Roses by T. Franz

Still life Roses by T. Franz

Ballerina Rosenthal. Germany 1944

Ballerina Rosenthal. Germany 1944

Kuznetsov porcelain casket with gilding

Kuznetsov porcelain casket with gilding

Porcelain plate with painting

Porcelain plate with painting

Porcelain figure Couple

Porcelain figure Couple

Crystal fruit bowl with silver finish

Crystal fruit bowl with silver finish

Unique mantel clock, made of glass and bronze. Royal Russia. Early 19th century.

Unique mantel clock, made of glass and bronze. Royal Russia. Early 19th century.

A unique mantel clock made of glass and bronze made during the period of Nicholas I (1825-1855) in the style of the late Empire. The solar theme of the luminary rising from the waters is associated with the nature of abundance in the ornament of the dial and the dominant flowerpot on conical glass. The general leitmotif of the mobility of waves and time , permeates the work and is noticeable in the rhythm of the glass and the dial pattern. In the center of the composition, He and She are Helios’ assistants. Alpha and Omega of the universe. They rise from the waves and hold the luminary, affirming love, life, fertility. This is the connecting thread of times. The clock is made of gilded and polished bronze and cobalt glass, presumably made at the Imperial Glass Factory in St. Petersburg, with bronze bases of floral designs. The upper part of the clock is made in the shape of a vase and is decorated with gilded bronze floral decoration. The dial is marked with Roman numerals, decorated with a decor in the form of sun rays rotated in an hour circle. Literature: Sychev Igor. Russian lamps from the era of classicism. 1760-1830. M. P.V.B.R. 2003, illustration 116, 189,279, 305, 635, 795, 844, 845, 866 and 868.

Glass decanters with silver finish 2 pcs.

Glass decanters with silver finish 2 pcs.

Composition

A PAIR OF EPAULETTES WITH THE CIPHER OF EMPEROR ALEXANDER II RUSSIA, SECOND HALF OF THE 19TH CENTURY

A PAIR OF EPAULETTES WITH THE CIPHER OF EMPEROR ALEXANDER II RUSSIA, SECOND HALF OF THE 19TH CENTURY

Bone pipe with silver for smoking opium. China

Bone pipe with silver for smoking opium. China

Marilyn. Print on paper. Andy Warhol (United States, 1928-1987).

Marilyn. Print on paper. Andy Warhol (United States, 1928-1987).

Icon of Saint Alexander Nevsky. Russia 1920

Icon of Saint Alexander Nevsky. Russia 1920

Russian paperweight Bear.

Russian paperweight Bear.

Crystal fruit bowl with silver finish and photo album

Crystal fruit bowl with silver finish and photo album

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