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Porcelain and ceramics

Porcelain Flowerpot from the Miklashevsky factory. Russia Mid-19th century.
Porcelain Flowerpot from the Miklashevsky factory. Russia Mid-19th century.
A rare collection flowerpot from the A.M. Miklashevsky Porcelain Factory, is a rectangular vase with an extension upwards, resting on four stucco legs, decorated with gold layering. The front and back surfaces of the pot are decorated with two medallions with a finely painted pastoral scene in the Western European style, as well as an image of an exotic bird sitting on a branch in the Chinoiserie style. Medallions with painting have a quadrangular shape with rounded top corners. On the side surfaces of the flowerpot are fixed stucco relief handles with rock curls and gilded layering on the surface. At the corners, the planter is decorated with embossed vertical columns imitating weaving. The upper convex edge of the pot is made in the form of a monogram of two merged letters A and M and a dot on the right. The mark is underglaze, hand-drawn, red. Russian Empire, Chernigov province, Glukhovsky district, Volokitino village. Factory A.M. Miklashevsky. 1840s. Porcelain, molding, molding, gilding, underglaze polychrome painting. Dimensions - 19.5 cm (at the top, including handles), width - 13.2 cm (at the top), height - 12.4 cm. Historical reference: The factory of porcelain products was founded in the village of Volokitno by the rich and well-born landowner A.M. Miklashevsky (1801-1895) in 1839. The owner of the factory was an admirer of Western European porcelain and invited the famous French ceramists Dart brothers to organize and manage the new enterprise. François Dart was a porcelain decorator - porcelain painter and model designer. At the time of the work of this master (until the middle of the 19th century), the heyday of the production of artistic porcelain at the factory falls. Porcelain from the A.M. Miklashevsky factory is distinguished, during this period, by the European level of execution of decor and forms of objects made of porcelain mass of excellent quality, and objects abounded in imitation of plant forms, an abundance of figured compositions, the use of European motifs for painting objects - pastoral and gallant-sentimental scenes , architectural landscapes, flower bouquets and birds, executed in the style of chinoiserie. During this period, the plants products successfully competed with the products of well-known European manufactories and often even with the products of the IPM. In general, the French style and the excellent quality of painting and stucco were the distinguishing features of Francois Darts products, to which the presented planter belongs. Items made at the factory of A.M. Miklashevsky adorn the collections of the Hermitage, the Russian Museum, Kuskovo, museum collections in Ukraine. They are rarely found on the antique market and have a high collectible value.​
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Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
A large porcelain decorative plate with a genre scene made in the technique of polychrome painting, located in the mirror of the plate and a stylized Russian-style leaf ornament along the flat side of the dish. The picturesque painting of the plate is made by hand. On the relief edge of the side of the plate, gold and blue decorative stripes are applied. Such decorative decoration and a flat side give the plate the appearance of a genre picture, framed in a beautiful painted frame. The reverse side of the plate is decorated along its side with a golden cover and an inscription with the name of the painting plot. The genre scene in the center of the plate is made to the motive of the Russian epic Mikula Selyaninovich, as evidenced by the inscription on the bottom of the dish - the epic Mikula Selyaninovich. The episode of the summoning of Mikula Selyaninovich by the bogatyr Volga Svyatoslavich to collect taxes is depicted. Typical is the image of the epic hero not in elegant boots, but in simple peasant bast shoes. Some researchers of the Russian epic interpret this scene as a meeting of the hunter god with the plowman god. This interpretation is due to the fact that Mikula Selyaninovich in Russian culture personified the god of agriculture. In the lower left part of the genre picture is the signature of the artist-ceramist, presented in the form of a monogram consisting of Latin and Russian capital block letters DB (unknown artist of the Kuznetsov factory). The plate is part of a series of several similar plates decorated on the theme of the Russian folk epic (at least 9 pieces), made in the Russian style in the second half of the 19th century (1870-1880s) at the Tver faience factory of M.S. Kuznetsov. The Tver faience factory was acquired by M.S. Kuznetsov in 1870, which already under the first owner and founder of the factory (the Auerbach family) became famous in Russia for products in the pseudo-Russian style. A series of epic plates from the Tver factory may have been exhibited at the Polytechnic Exhibition of 1889. Production mark of the factory M.S. Kuznetsov in Tver in the form of a small state emblem - a double-headed eagle and the inscription M.S. Kuznetsov Tver province located on the tape. The printed stamp is filled with gold, which testifies to the special purpose of the subject. Russian Empire, Tver province. Factory of M.S. Kuznetsov. 1870-1889 years.Porcelain, hand-painted polychrome, gilding, golden cover. Collection safety. Diameter - 25.5 cm, weight - 668 gr.
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