Celebrate the festive season with Antiqon’s Christmas Online Auction No.14 — “Special Offer.” Discover a curated selection of Russian and European silver, porcelain, furniture, jewelry, icons, graphic art, and paintings, as well as unique collectibles. All lots are offered at special accessible prices. Join the online sale on December 6, 2025, and experience the true spirit of art and collecting.
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Russian silver salt shaker in the form of a cast-iron.
The original silver salt shaker in the form of a cast iron, with internal gilding, made by a silversmith - GB. Russia. Petersburg . 1896-1903 Weight: 16 gr. Hallmarks: Name of the master GB; Petersburg assay department of 1896-1903 with the initials of the assay inspector Yakov Lyapunov, which depicts: a female head in a kokoshnik”, turned to the left, the number 84”, certifying the silver sample.
Silver coaster, with a quivering curve of the handle and blooming, life-affirming energy of Art Nouveau in an openwork engraving pattern.Brand: Name of the master BP, Stamp of the Moscow District Assay Office in an oval, head turned to the right, letter A, number 84, corresponding to the period 1908-1917.
Silver salt cellar, decorated with artistic plant decoration made using cloisonne enamel technique. Residual gilding.Diameter 5.5 cm. Weight: 54 g.Stamp: 84 a girl in a kokoshnik turned to the left in an oval shield, an immense of the master of the letter VA in a rectangular shield.
OLISH SILVER MINIATURE FIGURE OF A NOBLEMAN. POLAND, 20TH CENTURY
A miniature silver figure depicting a Polish nobleman in traditional national costume. The character is represented in a characteristic pose with expressive modelling. He is dressed in a long kontusz secured with a broad sash, loose trousers and high boots, and wears a fur hat.
MINIATURE SILVER SAMOVAR. RUSSIA. EARLY 20TH CENTURY
A finely crafted miniature silver samovar, produced in Russia in the early 20th century, represents an elegant example of Russian silversmithing, reflecting the traditions of decorative miniature craftsmanship and the rich cultural heritage of Russian tea drinking.
SET OF TEASPOONS WITH POLYCHROME ENAMEL IN THE ORIGINAL FITTED CASE. MOSCOW, 1908-1917
A presentation set of six silver teaspoons made by the Moscow silversmith Vasily Ivanovich Andreev between 1908 and 1917. The set is a characteristic example of Russian silver from the late Imperial period and demonstrates the high standard of Moscow jewellery production in the early 20th century.
Russian silver spatula-spoon for sugar. Moscow. The turn of the 19th-20th centuries.
Russian silver spatula-spoon for sugar. Made in the form of a scoop with a spiral handle. 84 sample of silver. Moscow. 1899-1908 Master monogramist PSh. The turn of the 19th-20th centuries.
Silver serving set: fork and knife in their own case. Riga 1908-1917.
Silver serving set: fork and knife in their own case. Monogrammist: MW. Riga 1908-1917. Working surfaces are metal, gilded. Handles - 84 silver. Riga. 1908-1917 Knife length: 27 cm. Total weight of products: 201 gr.
RUSSIAN SILVER TEA STRAINER WITH POLYCHROME ENAMEL DECORATION IN THE RUSSIAN ART NOUVEAU STYLE. MOSCOW, 11TH ARTEL, 1908–1917
An elegant Russian silver tea strainer crafted in Moscow by the 11th Artel between 1908 and 1917. This refined object is a characteristic example of late Russian Art Nouveau silverwork, where traditional enamelling techniques were reinterpreted through the decorative language of the early twentieth century.
SILVER FILIGREE AND POLYCHROME ENAMEL VESTA CASE. WORKSHOP OF SERGEI SHAPOSHNIKOV. MOSCOW, 1899–1908
An exquisite Russian silver vesta case of rectangular form, crafted in Moscow between 1899 and 1908 in the workshop of Sergei Ivanovich Shaposhnikov. This refined object is an outstanding example of the Russian Revival style, one of the defining artistic movements of Russian decorative arts at the turn of the twentieth century.
Six Latvian, silver glasses with legs, in their own box. 1920-30s
Six Latvian, silver glasses with legs, in their own box. 1920-30s Latvian hallmark of silver 875 from this period. Master monogrammer: RP. Glass height: 7 cm. Total weight: 107 gr.
The silver Kiddush glass, part of the blessing in Judaism that is performed on holidays and Shabbat, is a truncated cylinder on a stem with Hebrew text. 84 standard silver. Probably Kyiv 1908-1809. Craftsman: EZ.
RUSSIAN SILVER EMPIRE STYLE BONBONNIÈRE. THOMAS SOHKA. ST PETERSBURG, 1837
An exquisite Russian silver bonbonnière in the Empire style, crafted in St Petersburg in 1837 by the distinguished Finnish master silversmith Thomas Sohka (1804–1865). This refined work is a characteristic example of Russian decorative silver of the late Empire period, distinguished by its architectural clarity of composition, harmonious proportions and exceptional standard of craftsmanship.
A magnificent Russian presentation silver punch set, produced in 1895 by the Moscow factory of Adrian Terentyevich Ivanov. The ensemble comprises a punch bowl, a raised tray on shaped feet, five beakers and a ladle, forming a rare and remarkably well-preserved ceremonial service representing the finest traditions of late nineteenth-century Russian silver.
PAIR OF RUSSIAN SILVER SHOT CUPS IN THE ART NOUVEAU STYLE. FIFTH MOSCOW ARTEL. MOSCOW, 1908–1917
An elegant pair of Russian silver shot cups crafted by the Fifth Moscow Artel between 1908 and 1917. The pair is a fine example of Russian Art Nouveau silver, where naturalistic ornament is harmoniously combined with expressive sculptural form and refined silversmithing of the highest standard.
SILVER VASE-CASKET IN THE FORM OF A DRAWSTRING POUCH WITH A SCULPTURAL ROSE. OREST KURLYUKOV FACTORY. MOSCOW, 1899–1908
An elegant silver vase-casket fashioned in the form of a softly gathered drawstring pouch. The sculpturally modelled body, with its rounded folds, creates a convincing illusion of supple fabric and displays the expressive silhouette characteristic of the Russian Art Nouveau movement.
LIQUEUR DECANTER IN RUBY OVERLAY GLASS WITH SILVER MOUNT. LATE 19TH CENTURY
A decorative lozenge-shaped liqueur decanter with a clear glass body overlaid in rich ruby glass. The surface is intricately wheel-engraved with a naturalistic design of grapevine leaves, tendrils and clusters, revealing the transparent underlying layer and creating a striking contrast against the deep ruby ground.
SILVER SWEETMEAT DISH LADYA. SECOND ARTEL. MOSCOW, 1908-1917
A rare Russian silver sweetmeat dish in the form of a Ladya (boat), produced in Moscow by the Second Artel between 1908 and 1917. This refined work exemplifies the final flowering of Imperial Russian silver, harmoniously combining the elegant linearity of the Late Art Nouveau with the monumental classicism of the Neo-Empire style that emerged during the 1910s.
LARGE RUSSIAN SILVER-MOUNTED CRYSTAL BONBONNIÈRE IN THE FORM OF A BOAT. 15TH MOSCOW JEWELLERS` ARTEL. MOSCOW, 1908–1917
A large Russian boat-shaped bonbonnière created by the craftsmen of the 15th Moscow Jewellers` Artel between 1908 and 1917, representing a refined example of Russian Art Nouveau silverwork. The piece combines elegant sculptural design, exceptional craftsmanship and the characteristic aspiration of early twentieth-century Russian decorative arts towards the harmonious integration of structure and ornament.
Pair of crystal vases with silver trim. Russia. Riga. 1908 -1920.
This is a high quality, decorative, crystal clear vase with a silver window. First third of the twentieth century. Simple crystal handle. In the middle of the gray vase there is a mass, silver lining.
RUSSIAN SILVER CLOISONNÉ ENAMEL TANKARD IN THE NEO-RUSSIAN STYLE. RUSSIA, EARLY 20TH CENTURY
A Russian silver tankard with hinged lid, executed in the Neo-Russian style and richly ornamented with polychrome cloisonné enamel over filigree. The cylindrical body is decorated with an intricate ornamental composition inspired by ancient Russian floral and geometric motifs.
Silver creamer from the supplier of the imperial court V. Morozov. Moscow. 1908-1917
Silver creamer in the style of late classicism, supplier of the court of V. Morozov. Moscow. 1908-1917 The elongated, oval-shaped body is decorated with a leisurely rhythm of ribs and baroque curls of a shortened handle.
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