237. The image of the Mother of God, the Representative at the birth of children. Petersburg, last quarter of the 19th century.
ID-ANTQ-7841
Live Fine and Applied Art Auction № 7
Betting is completed
Estimate: 700-900 EUR
Maximum bid:
500 EUR
Lot sold
Bet History: (1 BIDS)
810
06 May 18:39
500 EUR
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The image of the Mother of God, the Representative at the birth of children. Petersburg, last quarter of the 19th century.
A poignant and touching image of the Mother of God the Representative at the birth of children. Petersburg, last quarter of the 19th century. The desired and revered image, the last hope, is presented as a medallion of a thyroid (protective) form in a silver frame, where three times are combined in the image: the immaculate conception, gestation and the triumph of the young Savior. The compositional axis - jets of light descending from heaven, remind of the immaculate conception of Mary and the heavenly protection of those suffering in the conception and pattern resolution of babies. Savior Emmanuel, written against the background of the mother`s womb, physically determines the natural sequence of saving and the birth of the fetus; but also symbolically marks the triumph of new life and wisdom of faith. The reverse side of the image of the intercessor is decorated with gifts of pure hearts - a modest bouquet of wild flowers and a plant garland. There is also the St. Petersburg hallmark 84 samples of the last quarter of the 19th century and the master`s monogram: NN. 8x5 cm.
Location: Gallery "Antiqon", Brivibas street 52, Riga, Latvia
Warranty: Seller Warranty
Country: Russia, St. Petersburg
Period: Late 19th century
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
Образ Богородицы Предстательницы при рождении чад. Петербург, последняя четверть 19 века.
Щемящий и трогательный образ Богородицы Предстательницы при рождении чад. Петербург, последняя четверть 19 века. Желанный и чтимый образ, последней надежды, представлен как медальон щитовидной (защитной) формы в серебряной оправе, где в изображении объединены три времени: непорочное зачатие, вынашивание и торжество юного Спасителя. Композиционная ось - струи света, нисходящего с небес, напоминают о непорочном зачатии Марии и небесном покровительстве страждущих в зачатии и узоразрешении младенцев. Спас Эммануил, написан на фоне чрева матери, физически определяет естественную последовательность сбережения и рождества плода; а, так же символически знаменует торжество новой жизни и мудрости веры. Оборотная сторона образа заступницы украшен дарами чистых сердец - скромным букетом полевых цветов и растительной гирляндой. Там же Петербургское клеймо 84 пробы последней четверти 19 века и монограмма мастера: НН. 8Х5 см.
machine translation
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