RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892
RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892

RUSSIAN SILVER HONEY JAR IN THE FORM OF A TRADITIONAL WOVEN BAST BASKET. MOSCOW, 1892

ID-ANTQ-11179
5000 EUR
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An exceptional Russian silver honey jar, masterfully fashioned in the form of a traditional rural bast basket (kuzovok), representing an outstanding example of the Russian Revival style of the late nineteenth century. The body is skilfully modelled to imitate the relief texture of woven bast, achieved through stamping, embossing and finely executed chasing, creating remarkable sculptural depth and realism. The removable lid is conceived as an ingenious trompe-lœil composition depicting a casually draped woven linen cloth secured with a braided cord. The surface of the cloth is enriched with a finely chased geometric ornament inspired by traditional Russian embroidered textiles, while the delicately rendered fringed edges further enhance the illusion of soft fabric.

Silver objects of this type rank among the finest creations of Moscows leading silversmiths working in the Russian Revival style, a movement that flourished throughout the second half of the nineteenth century. Combining refined craftsmanship with sophisticated artistic conception, this work demonstrates outstanding mastery of decorative silver techniques and an exceptional attention to detail.

Hallmarks: Masters mark ГЛ within a square punch, attributed to Lizerin Girshi Gaselevich. Assay mark with the initials A.S. and the assay year 1892. Standard mark 84 within a square cartouche. Moscow Assay Office mark depicting Saint George on horseback facing left. Assay Master Alexander Alekseevich Smirnov.

Dimensions: Height 15 cm. Width 10 cm. Depth 10 cm.

Weight: 403 g.

Condition: Good condition.

Height:
15 cm
Material:
Art:
russia
Width:
10 cm
Depth:
10 cm
Period:
19th century
Country:
Russia, Moscow
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

NEO-RUSSIAN STYLE
The Neo-Russian style is an artistic movement that emerged in Russia at the turn of the 19th and 20th centuries as part of a national-romantic rethinking of historical heritage. It draws on Old Russian architecture, icon painting, and folk art, integrating them with the principles of Art Nouveau and Symbolism in architecture, painting, and the decorative arts.
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