IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY
IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY

IVAN KONSTANTINOVICH AIVAZOVSKY (1817–1900), ATTRIBUTED TO. MARINE VIEW WITH SAILING VESSELS AT ANCHOR. 19TH CENTURY

ID-ANTQ-17222
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An exquisite watercolour depicting a maritime harbour with numerous sailing vessels and a majestic three-masted warship lying at anchor. The work displays compositional principles characteristic of Ivan Konstantinovich Aivazovsky`s graphic oeuvre: a remarkable sense of spatial depth, a delicate rendering of the maritime atmosphere, and particular attention to the depiction of sailing ships.

The composition is structured around a striking contrast between the imposing ship of the line dominating the right-hand side and the extensive panorama of the port town unfolding to the left. The meticulously rendered masts, yards, rigging and gunports reflect Aivazovsky`s characteristic interest in the construction and detailing of naval vessels. Numerous ships, stone fortifications and architectural features of the historic harbour are visible in the distance.

The foreground is occupied by a gently sloping shoreline with a fishing boat and scattered rocks. The tranquil water is rendered through transparent watercolour washes and fine horizontal strokes, conveying an impression of absolute calm.

The work derives much of its artistic distinction from the tonal unity characteristic of Aivazovsky`s marine paintings. Subtle transitions between warm ochre and brown hues, delicate touches of bodycolour and the gradual dissolution of distant forms into atmospheric haze create a compelling impression of light and space.

The watercolour is presented under glass in a broad, moulded wooden frame with a light-coloured mount.

Signature: Bears the signature Aivazovsky in the lower left corner.

Medium: Watercolour and bodycolour on paper.

Dimensions: 20 × 30.5 cm (sheet); 54 х 63 cm. (framed)

Provenance: Private European collection, held in the collection since the 1960s.

Art:
russia
Height:
54 cm
Width:
63 cm
Depth:
7 cm
Period:
19th century
Country:
Russia
Material:
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

IVAN KONSTANTINOVICH AIVAZOVSKY
Ivan Aivazovsky was a Russian painter of Armenian origin and the foremost master of Marine Painting in the nineteenth century, academician and professor of the Imperial Academy of Arts, appointed Painter to the Main Naval Staff. Author of more than 6,000 works, he established the canon of the seascape in Russian and European art.
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