Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)
Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)

Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887)

ID-ANTQ-7704
May 18, 2024 12:00 PM GMT+03:00
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Estimate
6000 - 8000 EUR
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Alexandra Egorovna MAKOVSKY (1837-1915). The edge of the forest (1887). Depicts a pause in nature - a summer country road after a rain, against the backdrop of a pine forest, where behind it, a harvested field of wheat and a leaving rain cloud. Thinking about man, his work and being. Longing for the passing and the eternal. Oil on cardboard, signed and dated bottom right. On the back is the stamp of the Avanzo Gallery in St. Petersburg and Moscow. Dimensions of the work: 23.7x19 cm.
Depth:
5 cm
Material:
Style:
Realism
Material:
Oil on cardboard
Art:
russia
Height:
35 cm
Width:
31 cm
Period:
Late 19th century
Country:
Russia
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

ALEXANDRA EGOROVNA MAKOVSKAYA
Alexandra Egorovna Makovskaya - Russian landscape painter of the second half of the 19th - early 20th century and a member of the famous Makovsky artistic dynasty. Formed within the artistic milieu of the Moscow School of Painting, Sculpture and Architecture, she participated for decades in major Russian exhibition societies and developed a lyrical approach to landscape painting.
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