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Alexander Konstantinovich Bogomazov. Easel drawing Female portrait. 1916
Alexander Konstantinovich Bogomazov. Graphic Portrait of a woman. 1916 A sharp-nosed and pointed-eyed lady with a headscarf and a veil. Impulsive figure and nature with a cuboid head covered with a veil. With an obligatory attribute of beautiful femininity - a feather falling from the head and a handkerchief in a claw-shaped hand. Her frustrated determination does not bode well. But how good she is in anger! The zigzags in the lower right part of the work are a possible allusion to the touching beauty of corset lacing, which we notice in the lady of the diagonally descending street. However, in the depths of imagery, there is more of a warm feeling of impressionistic transience than of the coldness of avant-garde manifestation. In the lower right corner, the initials of the master and the date: AB, 1916. On the back, in blue pencil, is the signature of Bogmazov`s widow Wanda: I certify the work: V. Bogomazov. The inscription was made during the sale of works in 1979. Half cardboard, charcoal pencil. 66.5 x52.3 cm. In addition to the examinations of the All-Russian Artistic Research and Restoration Center named after Academician I.E. Grabar for 2007 and the State Scientific and Restoration Institute for Restoration in 2001, an act of art criticism examination by Dmitry Vladimirovich Sarabyanov, Academician of the Russian Academy of Sciences for 2001 and Smolnikov`s own handwritten letter about the acquisition of six graphic works from the master`s family.
Location: Gallery "Antiqon", Brivibas street 52, Riga, Latvia
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
Александр Константинович Богомазов. Станковый рисунок Женский портрет. 1916 год.
Александр Константинович Богомазов. Графический Портрет женщины. 1916 год. Востроносая и остроокая дама с платком и в вуалетке. Порывистая фигура и натура с кубовидной головой прикрытой вуалью. С обязательным атрибутом прекрасной женственности - пером, ниспадающим с головы и платком в клешнеобразной руке. Её расстроенная решимость не сулит ничего доброго. Но как же хороша она во гневе! Зигзаги в правой нижней части работы - возможный намек на трогательную прелесть шнуровки корсета, что мы замечаем у барышни спускающейся по диагонали улицы. Впрочем, в недрах образности, больше теплого чувства импрессионистической мимолетности, чем холода авангардной манифестации. В правом нижнем углу инициалы мастера и дата: АБ, 1916. На обороте синим карандашом подпись вдовы Богмазова Ванды: «Работу удостоверяю: В. Богомазова. Надпись сделана при продаже работ в 1979 году. Полукартон, угольный карандаш. 66,5 х52,3 см. Кроме экспертиз Всероссийского художественного научно-реставрационного центра имени академика И.Э.Грабаря за 2007 год и Государственного научно-реставрационного института реставрации 2001 года, прилагается акт искусствоведческой экспертизы Дмитрия Владимировича Сарабьянова, академика РАН за 2001 год и собственно ручное письмо Смольникова о приобретении шести графических работ из семьи мастера.
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Read unique art history information prepared by professional Art market participants, Art Expert.
Konstantin Artamonov
Master of Arts. Graduate of the Repin Institute of Painting, Sculpture, and Architecture. With 20 years of experience in the field of antiques and teaching the history of fine arts at university.
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