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Porcelain and ceramics (347)Russian porcelain (22)European porcelain (113)Other (212)
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Epoques

Porcelain and ceramics

PORCELAIN GARNITURE. MANUFACTURE NATIONALE DE SÈVRES FRANCE, 1819
PORCELAIN GARNITURE. MANUFACTURE NATIONALE DE SÈVRES FRANCE, 1819
A museum-quality porcelain garniture produced at the Manufacture nationale de Sèvres in 1819, representing an outstanding example of French decorative arts of the Restoration period. The ensemble comprises two tall covered vases and a wide central jardinière, forming a coherent ceremonial composition intended for the reception rooms of aristocratic residences and official interiors.The bodies are executed in fine Sèvres porcelain and enriched with a deep cobalt-blue ground known as bleu lapis, characteristic of the manufactory’s early 19th-century production. The surfaces are lavishly decorated with finely gilded floral and rocaille ornamentation of exceptional refinement. Central reserves are painted with polychrome gallant and pastoral scenes inspired by the French pictorial tradition of the 18th century, featuring delicately modelled figures, soft chromatic harmonies, and atmospheric landscape backgrounds.The interior of the central jardinière is adorned with floral garlands and a central bouquet executed in fine polychrome painting. The vases rest on multi-sided bases fitted with mercury-gilt bronze mounts. The handles, cast as allegorical female figures, reflect the aesthetic vocabulary of the early 19th century and attest to the close collaboration between the Sèvres manufactory and leading Parisian bronze foundries. The removable covers are surmounted by gilt pinecone finials, enhancing the architectural presence and ceremonial character of the ensemble.Marks: Date-letter “A” within a cipher – 1819 (Manufacture nationale de Sèvres); underglaze cobalt decorator’s mark “S…” – painter at the Sèvres manufactory, active during the 1810s–1820s.Dimensions: Central jardinière – Height 43.4 cm, Width 47 cm, Depth 25 cm; vases – Height 71 cm, Width 28 cm, Depth 21 cm.Condition: Good. Minor signs of age and use. Gilding well preserved, polychrome decoration vivid, without losses or restoration.
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Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century
Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century
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Glazed ceramic pedestal
Glazed ceramic pedestal
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Picturesque porcelain layer. Hortense RICHARD (1847-1900) Exorcist.
Picturesque porcelain layer. Hortense RICHARD (1847-1900) Exorcist.
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Porcelain group Romantic couple.
Porcelain group Romantic couple.
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Porcelain column. Gustavsberg
Porcelain column. Gustavsberg
690 EUR
Porcelain figurine "Children with geese"
Porcelain figurine "Children with geese"
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Fruit vase. Carl Thieme.
Fruit vase. Carl Thieme.
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Large porcelain Easter egg.
Large porcelain Easter egg.
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MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
MEISSEN PORCELAIN FIGURE OF A LAPDOG GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
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Porcelain slab Love Game, KPM Berlin, circa 1830
Porcelain slab Love Game, KPM Berlin, circa 1830
Porcelain sheet Love Game, KPM Berlin, circa 1830, from the collection of works of Kaiser Wilhelm II. It is made in the form of a tondo and depicts an erotic scene where a young lady, surrounded by two men, is discovered by her mother at the most inopportune hour. Stamp: scepter sign with the inscription KPM, with a black inscription on the back From the collection of erotic art of His Majesty King William II., A. d. KGL. Porcelain manufactory ..., Berlin, circa 1830 ... Unframed size : height 17.5 cm, width 13 cm Origin: from a private collection in the south of Germany.
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Porcelain console. Dresden.
Porcelain console. Dresden.
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Two Sitzendorf Parrots.
Two Sitzendorf Parrots.
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Sevre style earthenware decorative dish
Sevre style earthenware decorative dish
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Pair of Japanese Satsuma floor vases.
Pair of Japanese Satsuma floor vases.
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LARGE SALON VASE WITH FLORAL BOUQUETS. ERNST AUGUST LEUTERITZ GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
LARGE SALON VASE WITH FLORAL BOUQUETS. ERNST AUGUST LEUTERITZ GERMANY, MEISSEN, SECOND HALF OF THE 19TH CENTURY
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Chinese porcelain bowl. Yongzheng. The end of the 19th century.
Chinese porcelain bowl. Yongzheng. The end of the 19th century.
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Porcelain figurine The Ballerina
Porcelain figurine The Ballerina
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Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
Porcelain dish from the Kuznetsov factory with a scene of calling the hero Mikula Selyaninovich. Early 20th century
A large porcelain decorative plate with a genre scene made in the technique of polychrome painting, located in the mirror of the plate and a stylized Russian-style leaf ornament along the flat side of the dish. The picturesque painting of the plate is made by hand. On the relief edge of the side of the plate, gold and blue decorative stripes are applied. Such decorative decoration and a flat side give the plate the appearance of a genre picture, framed in a beautiful painted frame. The reverse side of the plate is decorated along its side with a golden cover and an inscription with the name of the painting plot. The genre scene in the center of the plate is made to the motive of the Russian epic Mikula Selyaninovich, as evidenced by the inscription on the bottom of the dish - the epic Mikula Selyaninovich. The episode of the summoning of Mikula Selyaninovich by the bogatyr Volga Svyatoslavich to collect taxes is depicted. Typical is the image of the epic hero not in elegant boots, but in simple peasant bast shoes. Some researchers of the Russian epic interpret this scene as a meeting of the hunter god with the plowman god. This interpretation is due to the fact that Mikula Selyaninovich in Russian culture personified the god of agriculture. In the lower left part of the genre picture is the signature of the artist-ceramist, presented in the form of a monogram consisting of Latin and Russian capital block letters DB (unknown artist of the Kuznetsov factory). The plate is part of a series of several similar plates decorated on the theme of the Russian folk epic (at least 9 pieces), made in the Russian style in the second half of the 19th century (1870-1880s) at the Tver faience factory of M.S. Kuznetsov. The Tver faience factory was acquired by M.S. Kuznetsov in 1870, which already under the first owner and founder of the factory (the Auerbach family) became famous in Russia for products in the pseudo-Russian style. A series of epic plates from the Tver factory may have been exhibited at the Polytechnic Exhibition of 1889. Production mark of the factory M.S. Kuznetsov in Tver in the form of a small state emblem - a double-headed eagle and the inscription M.S. Kuznetsov Tver province located on the tape. The printed stamp is filled with gold, which testifies to the special purpose of the subject. Russian Empire, Tver province. Factory of M.S. Kuznetsov. 1870-1889 years.Porcelain, hand-painted polychrome, gilding, golden cover. Collection safety. Diameter - 25.5 cm, weight - 668 gr.
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Porcelain pair Chinese Musicians. KPM.
Porcelain pair Chinese Musicians. KPM.
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A young man with a goat. KPM. Germany. 19th century.
A young man with a goat. KPM. Germany. 19th century.
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Romantic Volkstedter couple.
Romantic Volkstedter couple.
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Porcelain service. Royal Tuscan
Porcelain service. Royal Tuscan
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Porcelain group Allegory of Art
Porcelain group Allegory of Art
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Figure of a pink parrot. Karl Ens
Figure of a pink parrot. Karl Ens
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Porcelain figurine Columbine with a saucer. Nymphenburg. Germany. The beginning of the 20th century.
Porcelain figurine Columbine with a saucer. Nymphenburg. Germany. The beginning of the 20th century.
Bidding is completed
Elegant Rosenthal coffee service for 12 persons.
Elegant Rosenthal coffee service for 12 persons.
Bidding is completed
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