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SECRETARY DESK WITH A PAINTED PANEL, PAUL SORMANI  FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
SECRETARY DESK WITH A PAINTED PANEL, PAUL SORMANI FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY
A museum-quality secrétaire created in the Parisian workshop of Paul Sormani, representing an outstanding example of French furniture of the second half of the 19th century, executed in the spirit of Historicism with refined references to the Louis XV style. The carcass is made of solid wood and veneered with kingwood, carefully selected for its grain and tone and laid in a precise geometric pattern that emphasizes the architectural clarity of the form.The secrétaire stands on tall cabriole legs richly adorned with gilt-bronze mounts. The flowing curves of the legs and their bases are accentuated by bronze elements with vegetal motifs, lending the piece visual lightness and elegant dynamism.The principal artistic focal point is the large painted panel set into the fall-front, depicting classical lovers running toward a fountain, surrounded by cupids. Executed in the academic tradition, the composition displays finely modelled figures, soft chiaroscuro and a painterly depth of landscape background. The panel is framed by an elaborate gilt-bronze mount with rocaille scrolls, floral tendrils and corner mascarons in the form of female heads organically integrated into the decorative structure of the façade.Beneath the fall-front is a drawer decorated with undulating bronze foliage and refined handles. The interior is rationally and functionally arranged: the upper section divided by a shelf, the lower fitted with four small drawers in mahogany, two of which lock with a key. The writing surface is lined with green velvet, creating a noble contrast with the warm tones of the wood and gilt bronze.The upper section of the secrétaire is finished with a broad horizontal surface enclosed by an elegant gilt-bronze balustrade, reinforcing the ceremonial character of the piece and the completeness of its composition. The lockplate bears the maker’s signature with the Paris workshop address.Marks: Maker’s lockplate signed “Paul Sormani, 10 r. Charlot, Paris”.Dimensions: Height: 137 cm. Width: 87 cm. Depth: 39 cm.Condition: Good.Provenance: Private European collection.
17939 USD
MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
MAGNIFICENT PAIR OF CRYSTAL TAZZAS ON SILVER STANDS. BRATYA GRACHEVY FIRM RUSSIA, SAINT PETERSBURG, LATE 19TH CENTURY
An exceptional museum-quality pair of ceremonial tazzas, created in the workshop of the Bratya Grachevy firm, official Purveyors to the Imperial Court, and reflecting the highest achievements of Russian jewellery and silversmithing art of the late nineteenth century.The composition is built on a striking contrast between the massive cut-crystal bowls and the sculptural silver stands, formed as stylised dolphins. The figures are rendered in dynamic movement, with finely chased scales and expressively modelled heads and fins. The dolphins’ tails support shell-shaped elements that form a refined transition between the stands and the bowls, lending the ensemble a harmonious and sculpturally unified silhouette.Each stand rests on three twisted branches adorned with relief foliage, enhancing the organic quality and decorative richness of the design. The crystal bowls are executed in deep cut techniques, featuring star-shaped rosettes and geometric patterns that create a rich play of light and emphasise the ceremonial character of the objects.Marks: Full maker’s mark “BR. GRACHEVY” with the double-headed eagle, characteristic of the Bratya Grachevy firm, Purveyors to the Imperial Court; state assay mark of the Saint Petersburg Assay Office with the “84” silver standard in an oval cartouche; assay mark with the coat of arms of Saint Petersburg, corresponding to the period of the late 1880s to early 1890s.Dimensions: Height: 23 cm and 25.5 cm (including crystal bowls). Diameter of crystal bowl: 28.8 cm.Weight: Total weight of the silver elements, excluding crystal bowls: 3944 g.Provenance: Private European collection.
28933 USD
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
TEA AND COFFEE SET BY P. OVCHINNIKOV MOSCOW, LATE 19TH CENTURY
A magnificent gilded silver tea and coffee set created by the renowned Moscow firm of Pavel Ovchinnikov in the late 19th century, representing an outstanding example of Russian jewelry craftsmanship of the era. This refined ensemble, comprising a coffee pot, teapot, sugar bowl, cream jug, and a set of six spoons, embodies the essence of the Russian Revival style, combining national motifs, decorative richness, and exceptional technical execution.Each piece is adorned with medallions depicting views of the Moscow Kremlin, executed in niello, one of the most intricate and elegant decorative techniques in silverwork. The niello ornamentation frames architectural scenes with a sense of depth and precision, while the gilding lends a warm tone that enhances the contrast and sculptural clarity of the forms.The spoons feature miniature architectural scenes on the reverse, including St. Basil’s Cathedral, the Kremlin, the Ivan the Great Bell Tower, the Cathedral of Christ the Saviour, the towers of Kitay-gorod, and panoramic views of Red Square. Each image is executed with exquisite precision characteristic of Ovchinnikov’s finest work. The set is preserved in its original fitted case, embossed in gold with the inscription “FROM THE STORE OF THE MANUFACTURER P.A. OVCHINNIKOV” beneath the Russian Imperial coat of arms, indicating its sale through the Imperial Court Supplier’s official shop.Marks: Full and small maker’s marks of P. Ovchinnikov beneath a double-headed eagle, small mark “PO,” Moscow assay office mark with the stamp of Viktor Savinkov (active 1855–1888), dated 1872, state assay mark depicting St. George slaying the dragon, Russian 84 silver standard mark in a square shield with chamfered corners, later Latvian 875 mark with a girl’s head facing left (1922–1939) and the letter “A,” master’s mark “VS” for Vasily Semyonov.Dimensions: Coffee pot 24.5 × 12.6 × 24.0 cm, Sugar bowl 17.5 × 18.0 × 12.2 cm, Cream jug 11.8 × 8.2 × 9.6 cm, Spoons 10.5 × 2 cm.Weight: 1288 gMaterials: Silver 84 standard, gilding, niello, carving, casting, bone.Condition: Good collector’s condition. Partial wear to gilding and minor traces of age on niello consistent with use. Ornamentation remains sharp and detailed. Original case preserved with gold embossing and velvet interior.Provenance: Private European collection.
26040 USD
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