Collectibles - Antiqon Marketplace

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PAIR OF SEVEN-LIGHT SILVER CANDELABRA. VERCELLI ITALY, TURN OF THE 19TH–EARLY 20TH CENTURY

PAIR OF SEVEN-LIGHT SILVER CANDELABRA. VERCELLI ITALY, TURN OF THE 19TH–EARLY 20TH CENTURY

A ceremonial pair of silver seven-light candelabra executed in the spirit of Historicism with a clear reference to Baroque forms and proportions. The composition is distinguished by a monumental silhouette, rich sculptural modeling and balanced architectural structure. The massive shaped bases, decorated with volutes and acanthus motifs, support tall baluster stems rising into an elaborate branched crown with gracefully curved S-shaped arms. The relief ornament enhances the play of light across the polished silver surface. Such pieces were conceived for grand interiors of the fin de siècle period.Hallmarks: Maker’s mark of an Italian silver workshop in the form of a hexagonal shield, a traditional type of workshop mark used in Northern Italy at the end of the 19th – early 20th century. Italian state assay mark indicating silver fineness “800”.Dimensions: Height: 50 cm; Width: 43 cm; Depth: 43 cm.Weight: Total weight of the pair: 1,780 g.Condition: Good. Even, attractive patina. No deformations or losses.Provenance: Private European collection.

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Paired lamps of gilded bronze with cupids playing music.

Paired lamps of gilded bronze with cupids playing music.

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VODKA EASTER SET IN THE FORM OF AN EGG, RUSSIA, 20TH CENTURY

VODKA EASTER SET IN THE FORM OF AN EGG, RUSSIA, 20TH CENTURY

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CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841

CARL TIMOLEON VON NEFF (1804–1877). BOY WITH A FLUTE RUSSIA / ESTONIA, 1841

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Gold 18K ring with sapphire and diamonds.

Gold 18K ring with sapphire and diamonds.

Cocktail gold ring 18K, Pomellato Tango Smoky Quartz Diamond.

Cocktail gold ring 18K, Pomellato Tango Smoky Quartz Diamond.

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Janis Kalnmalis. Lilac. 2011.

Janis Kalnmalis. Lilac. 2011.

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White gold 18 К earrings with diamonds.

White gold 18 К earrings with diamonds.

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Mikhail Shemyakin. "Still life". Authors Lithography.

Mikhail Shemyakin. "Still life". Authors Lithography.

PAIR OF CANDELABRA WITH FIGURES OF CUPIDS FRANCE, SECOND HALF OF THE 19TH CENTURY

PAIR OF CANDELABRA WITH FIGURES OF CUPIDS FRANCE, SECOND HALF OF THE 19TH CENTURY

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GOLD SNUFFBOX WITH MINIATURE “SAINTE ANNE TRINITAIRE”. ATTRIBUTED TO JOHANN DANIEL BERNEAUD (1773 - 1861) SWITZERLAND, CIRCA 1820 - 1835

GOLD SNUFFBOX WITH MINIATURE “SAINTE ANNE TRINITAIRE”. ATTRIBUTED TO JOHANN DANIEL BERNEAUD (1773 - 1861) SWITZERLAND, CIRCA 1820 - 1835

An exquisite gold snuffbox of rectangular form with rounded corners, executed in the tradition of the Geneva school of enamel art in the first third of the 19th century. The hinged cover is adorned with a finely painted polychrome enamel miniature depicting Sainte Anne Trinitaire - Saint Anne, the Madonna with the Christ Child, and four angels. The composition follows Western European iconography representing Saint Anne, the Virgin Mary and the Christ Child, symbolizing three generations of Christ’s lineage.The enamel plaque is framed within an elaborate three-color gold border composed of garlands of flowers, buds and foliage in yellow, pink and white gold, accented with refined cobalt enamel lines. The sides of the box are decorated with floral ornamentation combined with deep cobalt enamel panels. The reverse features a guilloché ground surrounded by a vegetal frame with rounded corners, enriched with bi-color gold ornament and cobalt enamel. The interior is mirror polished, reflecting the exceptional level of craftsmanship.Based on stylistic analysis of the miniature and the goldwork, the piece may be attributed to the circle of Geneva masters working for the French export market during the Restoration period. The attribution to Johann Daniel Berneaud (1773 - 1861) is based on stylistic parallels and requires further comparative research.Hallmarks: French import guarantee mark for 14K gold - letter “a” within a scallop shell, confirming assay control upon import into France.Material: 14K gold, polychrome painted enamel on gold, guilloché.Dimensions: 9 x 6.3 x 2 cm.Weight: 173.6 g.Condition: Good condition. Minor signs of age-related wear. Enamel miniature without losses or cracks. Hinge functioning properly.Provenance: Private collection.

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Perchonice with six glasses

Perchonice with six glasses

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Pair of bronze wall sconces.

Pair of bronze wall sconces.

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SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908

SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908

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HANGING OIL LAMP DESIGNED BY SERGEI VASHKOV. P.I. OLOVYANISHNIKOV & SONS RUSSIAN EMPIRE, MOSCOW, 1911

HANGING OIL LAMP DESIGNED BY SERGEI VASHKOV. P.I. OLOVYANISHNIKOV & SONS RUSSIAN EMPIRE, MOSCOW, 1911

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18k gold ring with diamonds and natural sapphire.

18k gold ring with diamonds and natural sapphire.

Ring in 18K white gold with tanzanite, cabochon cut, and loose diamonds.

Ring in 18K white gold with tanzanite, cabochon cut, and loose diamonds.

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Cocktail ring in platinum with diamonds, Art Deco style. 20th century.

Cocktail ring in platinum with diamonds, Art Deco style. 20th century.

ICON OF CHRIST PANTOCRATOR IN A GILT SILVER OKLAD WITH ENAMELS RUSSIA, MOSCOW, 1891

ICON OF CHRIST PANTOCRATOR IN A GILT SILVER OKLAD WITH ENAMELS RUSSIA, MOSCOW, 1891

The icon Christ Pantocrator presents a half-length depiction of Christ, executed in an academic manner characteristic of Moscow icon-painting workshops of the late 19th century. Christ is shown according to traditional Pantocrator iconography, with the right hand raised in blessing and the open Gospel held in the left. The facial features are rendered with refined modelling, soft tonal transitions, and a restrained, noble palette, reflecting the influence of academic painting on ecclesiastical art of the period.The icon is set in a finely crafted gilt silver oklad, richly decorated with polychrome enamels applied to the halo, borders, and corner elements. The ornamental programme combines vegetal and geometric motifs, executed with exceptional precision in repoussé and chasing techniques. The vivid blue, turquoise, white, and red enamels enhance the solemn character of the image and attest to the high artistic standards of prestigious Moscow commissions of the late 19th century. Stylistically, the oklad reflects the Neo-Russian movement, incorporating elements of Historicism alongside early Art Nouveau tendencies.Marks: Maker’s mark “АМ” in Cyrillic, attributed to Alexander Alekseevich Mukhin; Moscow assay office mark with silver standard “84”; Assay master’s mark “Л.О.” – Lev Fyodorovich Oleks; Date “1891”.Dimensions: 27 × 22.5 cm.Condition: Good. The painted surface shows no significant losses. The gilt silver oklad displays an even age-related patina; enamels are well preserved. Structurally stable.

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Gold ring with tanzanite and diamonds.

Gold ring with tanzanite and diamonds.

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Sevre style earthenware decorative dish

Sevre style earthenware decorative dish

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IVAN KONSTANTINOVICH AIVAZOVSKY (1817-1900). “LIGHTHOUSE” RUSSIA, SECOND HALF OF THE 19TH CENTURY

IVAN KONSTANTINOVICH AIVAZOVSKY (1817-1900). “LIGHTHOUSE” RUSSIA, SECOND HALF OF THE 19TH CENTURY

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LARGE ORCHESTRAL MUSICAL BOX ON STAND SWITZERLAND, SECOND HALF OF THE 19TH CENTURY

LARGE ORCHESTRAL MUSICAL BOX ON STAND SWITZERLAND, SECOND HALF OF THE 19TH CENTURY

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Murano glass vase

Murano glass vase

A 15-candle chandelier in the Louis XVI style. Sevres.

A 15-candle chandelier in the Louis XVI style. Sevres.

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Gold earrings with black pearls and diamonds.

Gold earrings with black pearls and diamonds.

18 carat gold bracelet with diamonds.

18 carat gold bracelet with diamonds.

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