Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900
Tchokwé mask from Angola in wood and pigments - Circa 1900

Tchokwé mask from Angola in wood and pigments - Circa 1900

ID-ANTQ-12388
8670 EUR
Vendu
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Tchokwé mask from Angola once owned by the American Abstract Expressionist artist Merton D. Simpson (1928 - 2013) renowned both for his work and as a dealer and collector of early African art.The Tchokwe (or Tschokwe or Chokwe) are a people of Central and Southern Africa, mainly found in the Democratic Republic of Congo and Angola.This “Cihongo” mask is the masculine version of the feminine “Mwana Pwo” mask. It boasts an exceptional typology worthy of the finest museum pieces, with a finesse of execution and a red iron oxide patina of the finest style: the large, rounded, unobstructed forehead, marked with the cross of Saint Andrew, the left ear adorned with a metal buckle, the half-closed eyes imprinted with kaolin and the scarifications under the eyes that actually illustrate tears, the shape of the nose, the mouth with blunt teeth set off on a platform. Its hardly surprising that American collector Merton D. Simpson wanted to acquire it to complete his collection.The Cihongo embodies the representation of a male spirit symbolizing power and wealth. It is the spirit of a notable who must bring prosperity to the village and dispense justice. In the past, only the chief or the chiefs son could wear the Cihongo. These masks are topped by a fan-shaped headdress adorned with feathers. During ceremonies, this mask was worn over the costumes or the initiation headdress, and the dancer of noble blood wore rattles to set the rhythm of his dance. His costume consisted of a knitted raffia jumpsuit with long sleeves and tights. Over this, a fiber skirt gave rhythm to his movements. The dancers went from village to village, and were paid for the beneficial influence of their performances.
Pays:
Europe
Material:
Matière:
Céramique
Épaisseur:
15.5 cm
Hauteur:
23 cm
Largeur:
14 cm
Période:
20E Siècle
Style:
Art Déco
État:
Relancer
Correct
Bon
Très bon
Comme neuf

Le rapport de condition est fourni à titre informatif uniquement.

Il n'est pas exhaustif et peut ne pas refléter l'ensemble des défauts, restaurations, modifications ou adaptations, Antiqon ne procédant pas à des expertises de conservation à caractère professionnel. Ces informations reposent sur une évaluation qualifiée, mais subjective, réalisée par nos spécialistes. Avant tout achat, nous recommandons de consulter un expert indépendant. Nous vous invitons également à consulter nos conditions générales et notre glossaire A-Z, qui contiennent des informations importantes sur les caractéristiques des lots et les conditions de vente.


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